The Collapsing Empire is the first book in John Scalzi's The Interdependency series. It won the 2018 Locus Award for Best Novel and was nominated for the 2018 Hugo Award for best novel as well. (Scalzi has won the Best Novel Hugo award before, for Redshirts). The Collapsing Empire is definitely space opera and it is amusing and entertaining, up to a point. The main characters are Cardenia, the "emperox" of the Interdependency (the future form of human civilization), Lord Marce Claremont, a physicist who confirms a important development that will affect humanity's future survival) and Lady Kiva Lagos, a prominent member of a prominent family whose every other word appears to be an expletive. The plot involves various acts of betrayal and intrigue and there's also a fair amount of action and violence. I don't want to give away any aspects of the plot or include spoilers. However,. I must say that the overall the effect of the book for me is far less memorable than one would expect from such a famous author like Scalzi and for a book which in the grand scheme of things is widely celebrated. My reaction to Scalzi's work is often hit or miss. As most people would agree, his best book is Old Man's War, which also happens to be his first published work. Some people would also say it has been downhill from there, in the relative quality of his books. There are multiple sequels to Old Man's War, with most recent entry in the series being The End of all Things (Book 6). I would have thought I would have a good reaction to his Lock In and Head On books, because they are genre-splitters (they are detective books set in a world where the main character has a condition that has him use technology to get over the fact that his body can not move under its own power). But I read about a chapter of Lock In and was just completely uninterested in what the story was about. Happily, The Collapsing Empire was definitely able to hold my attention for the entire book. But the primary feeling I typically have with reading Scalzi is "This is not as funny (or good) as the author thinks it is!" But clearly mine is not a majority view. Many, many people buy his books and they are often nominated for (and win) prestigious awards in the field. But I would say, YMMV (your mileage may vary) or caveat emptor.
Title: The Collapsing Empire.
Author: John Scalzi.
Paperback: 336 pages.
Publisher: Tor.
Date Published: March 21, 2017.
Date Read: July 1, 2017.
GOODREADS RATING: ★★★½☆ (3.5/5.0).
OVERALL GRADE: B+ (3.3/4.0).
PLOT: B+.
IMAGERY: A-. IMPACT: B+. WRITING: B. |
A personal blog by a Black, Gay, Caribbean, Liberal, Progressive, Moderate, Fit, Geeky, Married, College-Educated, NPR-Listening, Tennis-Playing, Feminist, Atheist, Math Professor in Los Angeles, California
Thursday, January 31, 2019
BOOK REVIEW: The Collapsing Empire by John Scalzi
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Monday, January 28, 2019
EYE CANDY: Jordan Torres (reprise)
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Sunday, January 27, 2019
2019 AUS OPEN: Djokovic Wins 15th Major, Record 7th Aussie Title
Many people had predicted Djokovic would win, but no one predicted that he would demolish his rival so completely. The last time they played in the Australian Open finals, 7 years ago in 2012, the match was a 5-set classic that lasted nearly 6 hours! The win places Djokovic just two behind Nadal and now 5 behind Federer, and gives him another chance at the Nole Slam if he wins the French Open this year, which is very possible, if not likely.
2019 AUS OPEN: Men's Final Preview (and Semifinals Review)
Novak Djokovic (SRB) [1] vs. Rafael Nadal (ESP) [2] |
This is my prediction post for the 2019 Australian Open men's final. Last year I correctly predicted that Roger Federer would beat Marin Cilic in the 2018 Aussie Open men's final. This year I have correctly predicted 3 of 4 women's quarterfinals, 4 of 4 men's quarterfinals, 2 of 2 men's semifinals and 2 of 2 women's semifinals. I also incorrectly predicted the winner of the 2019 Aussie Open women's final between Naomi Osaka and Petra Kvitova.
MEN'S SEMIFINALS REVIEW
Novak Djokovic (SRB) [1] d. Lucas Pouille (FRA) [28] 6-0 6-2 6-2. This match demonstrated that the World #1 is playing at a very high level. Pouille is a very good player who although previously had not had very much success in Melbourne in this years tournament he beat Borna Coric and Milos Raonic.
Rafael Nadal (ESP) [2] d. Stefanos Tsitsipas (GRK) [14] 6-2 6-4 6-0. The 21-year-old Greek phenomenon who dispatched 2-time defending champion Roger Federer in four sets really thought that he had a good chance to win against Rafa Nadal and the legendary Spaniard gave the youngster a master class instead. It's pretty unusual to have 6-0 sets in major semifinals (since both players have made it through 5 rounds of play to make it to this level) so it is significant that both Djokovic and Nadal were able to do this to their opponents this year.
MEN'S FINALS PREVIEW
This is the record 53rd meeting between Novak Djokovic and Rafael Nadal, and their 8th meeting in a major fnal (Nadal leads 4-3) while Djokovic leads their overall head-to-head 27-25. The two have played an Australian Open final before, in 2012, and Djokovic prevailed in a nearly 6-hour marathon that left both combatants doubled over in pain during the trophy presentation afterwards. Djokovic has won the Australian Open title 6 times and currently has 14 majors, just 3 behind Nadal's 17 majors (just 1 in Australia and 4 on hard courts). He has also won the last two majors contested (2018 US Open and 2018 Wimbledon) so is on a 20-match grand slam winning streak. Many people say that Nadal has looked amazing all tournament, and he has not dropped a set reaching the final, but Djokovic has actually spent slightly less time on court (due to a disappointing second set retirement by Kei Nishikori in their quarterfinal match). It should be an amazing matchup, hopefully as high quality as their showdown in the Wimbledon semifinals was last year, where both players were at their best simultaneously. I feel like that if both players are playing their best tennis in Melbourne then Djokovic will come away the winner. MadProfessah's pick: Djokovic.
Saturday, January 26, 2019
2019 AUS OPEN: Osaka Wins 2nd Major Title And Reaches WTA #1
How The Match Was Won
The first set was a high quality affair, with both players hitting their marks on their serve and defending break points well. To me this, was where I started to doubt that Kvitova would win the match, when in the 7th game Osaka went down 0-40 but was able to save all 3 breakpoints, primarily from missed service returns. As one of the commentators said, Kvitova wasn't playing the scoreboard well. She was consistently going for too much on important points and often missing. In some sense, it takes guts to continue going for her shots instead of playing it safe, so maybe there was no way she was going to win this match playing at the level she had access to on that day. To me, it was clear that this was not the Peak Petra that we had previously seen in her two appearance in major finals. Osaka raised her game at exactly the right time, and ended up winning the tiebreaker 7-2.In the second set, Kvitova went up an early break but Osaka was able to break back immediately and snatched the momentum to win 4 games in a row and eventually earned three consecutive match points as Kvitova served to stay in the match 3-5. Astonishingly, Kvitova started playing some of her best tennis at this point and saved all three match points. When Osaka went to serve for the championship she was promptly broken before she had a championship point on her own serve and the momentum had clearly switched. Osaka had a full meltdown and ended up double faulting on set point to lose the second set 5-7.
In the third set, Osaka recovered from her meltdown and stoically played solid and powerful tennis while Kvitova couldn't maintain the momentum from winning the second set and eventually was broken in her second service game. Osaka didn't look back from there and this time when she served for the championship she reached triple championship point, and eventually won the match and the title on her 5th match point.
Implications Of The Win
Osaka became the first player, male or female, to win their first two consecutive major titles since Jennifer Capriati won the 2001 Australian Open and French Open. The Japanese player became the first female player since Serena Williams to win back-to-back major titles in 2003 on her way to her first Serena Slam. By reaching World #1 at age 21 and winning 2 major finals Osaka assures that she will be entered into the Tennis Hall of Fame. In fact, many observers are suggesting that her ascendance marks a phase change at the top of woman's tennis, where it is now conceivable that even if Serena Williams were to play her very best tennis, she may not win against Osaka.
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Friday, January 25, 2019
2019 AUS OPEN: Women's Final Preview (and Semifinals Review)
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Naomi Osaka (JPN) [4] vs. Petra Kvitova (CZE) [8] |
WOMEN'S SEMIFINALS REVIEW
Naomi Osaka (JPN) [4] d. Karolina Pliskova (CZE) [7] 6-2 4-6 6-4. This was actually quite a good match but it was overshadowed by the dramatics of the round before, when Pliskova completed one of the all-time historic comebacks, amazingly against Serena Williams. She came back from 1-5 30-40 down in the final set and won the last 6 games of the set after Serena roller her ankle and failed to win another point on serve, despite having four match points. So, one would have thought that Pliskova would realize that she's playing with "house money" and come out blasting against Osaka but that is not what happened. It's clear now that Osaka has the game and mentality to get to the top of the women's game and she has demonstrated that repeatedly in the last 6 months.
Petra Kvitova (CZE) [8] d. Danielle Collins (USA) 7-6(2) 6-0. Although Pliskova's upset of Serena was historic, in some sense Collins 6-0 6-2 win over 3-time major champion Angie Kerber in the fourth round is even more astounding. The 25-year-old American had never won a grand slam match before and she ended up winning 5 matches in a row in Melbourne. For one set she held Kvitova to a tiebreak set, the first player in the tournament to stay even with the 2-time major champion for so long this year. Collins has a feisty personality, enjoying the competition and the fight. She is an excellent counterpuncher and handles pace quite well. Hopefully this breakthrough will give her the confidence to make a bigger splash on the women's tour.
WOMEN'S FINALS PREVIEW
Last year's final featured two players in Simona Halep and Caroline Wozniacki who had not won a grand slam, who were also competing for the #1 ranking in the world (although they had both held it previously). This year, the final features two players in Naomi Osaka and Petra Kvitova who have both won a major but who have not reached World #1. If Osaka wins she will become World #1 at age 20, the youngest since Wozniacki did it in 2011. If Kvitova wins, she will become the oldest player to reach #1 for the first time. The two are taking undefeated grand slam final records in to this match, with Osaka 1-0 (2018 US Open, d. S. Williams) and Kvitova 2-0 (2014 Wimbledon d. Bouchard; 2011 Wimbledon d. Sharapova) so someone will experience their fist major final loss today. Kvitova has an amazing 26-7 record in finals and has won her last 8 on the tour. She is contending for the #1 spot because of her all-round stellar play on the tour, including wining the Sydney warm-up tournament over Ash Barty, while Osaka is going for her second consecutive major title. Amazingly, the two have never played on tour before, so this is their very first meeting. That will almost certainly result in a very nervous start for both players. I would be shocked if P3tra doesn't live up to her name and the match end in straight sets. (Neither player has lost a set in a major final before either.) Their games are very similar, they play big babe, first strike tennis. Kvitova has the fact that she's a lefty in her favor, but Osaka has the more consistent serve. Osaka is possibly the better athlete, but Kvitova's amazing record in finals is very convincing to me.
MadProfessah's pick: Kvitova.
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Thursday, January 24, 2019
BOOK REVIEW: Last Breath (DCI Erika Foster, #4) by Robert Bryndza
Last Breath is the fourth book in Robert Bryndza’s DI Erika Foster series. These are basically straightforward police procedural novels based in England. Foster is an immigrant from a Slavic country who has been in the country for decades but still has a slight accent and her own cultural differences from your typical British police officer. She has very little respect for administrative rules and the chain of command. Her focus is on finding the evil men who abduct and/or savagely murder women. Sadly, she has a lot of men to track down.
Bryndza has a sparse, straightforward writing style. In Last Breath, the reader learns pretty early in the book who the perpetrator is by getting his perspective on the planning and execution of his crimes. This is a device often used by mystery writers because it raises the stakes by giving the reader more insight into the criminal’s horrible crimes and twisted ideology. It also heightens the suspense of how and whether the police will catch the criminal because we get to see more details of how close (or far) the police are getting to the perpetrator.
The main aspect of the DCI Foster series which differentiates it from others are the supporting characters (in addition to the protagonist's obsessiveness with catching criminals). I appreciate the diversity of her investigative team which consists of DI James Peterson, a handsome Black guy (with whom Foster has a friend-with-benefits relationship) and DI Kate Moss, a chubby lesbian who regularly supplies the comic relief in the story.
Overall, Last Breath is an average entry in the DCI Foster series but since the series overall is well above average for the genre it is a suspenseful and entertaining read recommended for aficionados of the British police procedure genre.
Title: Last Breath.
Author: Robert Bryndza.
Paperback: 362 pages.
Publisher: Bookouture.
Date Published: April 12, 2017.
Date Read: December 26, 2018.
GOODREADS RATING: ★★★★☆ (4.0/5.0).
OVERALL GRADE: A-/B+ (3./4.0).
PLOT: A-.
IMAGERY: B+.
IMPACT: B+.
WRITING: A-.
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2019 AUS OPEN: Men's Semifinals Preview
Here are my predictions for the men's semifinals at the 2019 Australian Open. Last year I correctly predicted 2 of 2 women's semifinals and 2 of 2 men's semifinals. This year I have correctly predicted 3 of 4 women's quarterfinals and correctly predicted 4 of 4 men's quarterfinals.
Novak Djokovic (SRB) [1] vs Lucas Pouille (FRA) [28]. World #1 Novak Djokovic had a mismatch with Kei Nishikori to reach his seventh semifinal in Melbourne while Lucas Pouille is playing in his first major semifinal of his career. In fact, Pouille was 0-5 at the Australian Open and has now won 5 matches in a row at the tournament. Surprisingly, the two have never met on tour so there's no head-to-head influence a prediction here. There's no question that Pouille could beat Djokovic, but will he? Very unlikely. In fact, Djokovic has always won the title in Melbourne (six so far) when he reaches this level of the tournament. Mad Professah's pick: Djokovic.
Stefanos Tsitsipas (GRE) [14] vs Rafael Nadal (ESP) [2]. 20-year-old Stefanos Tsitsipas has already had a dramatic impact on the tournament by defeating 2-time defending champion Roger Federer in the 4th round. He was able to follow up that huge win without a letdown by defeating Roberto Bautista Agut in the quarterfinal. Because of that he has to face 17-time major champion Rafael Nadal, who took out another #NextGen player in Francis Tiafoe in the quarterfinal. The two have already played twice and Nadal won both matches, relatively easily in 2018. Even though Tstsipas is already better than he was last year, I still don't see how anyone prevents another Djokovic-Nadal final. Mad Professah's pick: Nadal.
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Wednesday, January 23, 2019
2019 AUS OPEN: Women's Semifinals Preview
Here are my predictions for the women's semifinals at the 2019 Australian Open. Last year I correctly predicted 2 of 2 women's semifinals and 2 of 2 men's semifinals. This year I have correctly predicted 3 of 4 women's quarterfinals and correctly predicted 4 of 4 men's quarterfinals. I will also predict the men's semifinals this year.
Petra Kvitova (CZE) [8] vs. Danielle Collins (USA). Danielle Collins has already won more money here by reaching the semifinals than she has in the rest of her career combined. She is playing against a 2-time major champion. Amazingly, these two players have played once before (just a few weeks ago) and Kvitova won a relatively tight 3-set affair featuring two tiebreak sets. In this match which is much more important I would be shocked if the player with more experience does not make it through. PREDICTION: Kvitova.
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Tuesday, January 22, 2019
2019 OSCARS: The Nominations
And they're off! The nominations for the 91st Academic Awards, i.e. the Oscars, have been annonced.
The nominations in the top 8 categories are given below. For Best Picture I have currently seen 4 of the 9 nominees (indicated in bold), and definitely intend to see "The Favourite" and "Bohemian Rhapsody" before the ceremonies. I don't even want to hate-watch "Green Book." "Vice" is a strong possibility too.
Best Picture:
- “Black Panther”
- “BlacKkKlansman”
- “Bohemian Rhapsody”
- “The Favourite”
- “Green Book”
- “Roma”
- “A Star Is Born”
- “Vice”
Director:
- Spike Lee, “BlacKkKlansman”
- Pawel Pawlikowski, “Cold War”
- Yorgos Lanthimos, “The Favourite”
- Alfonso Cuarón, “Roma”
- Adam McKay, “Vice”
Lead Actor:
- Christian Bale, “Vice”
- Bradley Cooper, “A Star Is Born”
- Willem Dafoe, “At Eternity’s Gate”
- Rami Malek, “Bohemian Rhapsody”
- Viggo Mortensen, “Green Book”
Lead Actress:
- Yalitza Aparicio, “Roma”
- Glenn Close, “The Wife”
- Olivia Colman, “The Favourite”
- Lady Gaga, “A Star Is Born”
- Melissa McCarthy, “Can You Ever Forgive Me?”
Supporting Actor:
- Mahershala Ali, “Green Book”
- Adam Driver, “BlacKkKlansman”
- Sam Elliott, “A Star Is Born”
- Richard E. Grant, “Can You Ever Forgive Me?”
- Sam Rockwell, “Vice”
Supporting Actress:
- Amy Adams, “Vice”
- Marina de Tavira, “Roma”
- Regina King, “If Beale Street Could Talk”
- Emma Stone, “The Favourite”
- Rachel Weisz, “The Favourite”
Adapted Screenplay:
- “The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen
- “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
- “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty
- “If Beale Street Could Talk,” Barry Jenkins
- “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters
Original Screenplay:
- “The Favourite,” Deborah Davis, Tony McNamara
- “First Reformed,” Paul Schrader
- “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly
- “Roma,” Alfonso Cuarón
- “Vice,” Adam McKay
Total Nominations
- 10 — “The Favourite” and "Roma"
- 8 — “A Star Is Born” and “Vice”
- 7 — "Black Panther”
- 6 — “BlacKkKlansman”
- 5 — “Bohemian Rhapsody” and “Green Book”
- 4 — “First Man” and “Mary Poppins Returns
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Monday, January 21, 2019
2019 AUS OPEN: Women's Quarterfinal Preview and Predictions
Petra Kvitova (CZE) [8] vs. Ashleigh Barty (AUS) [15]. This is a reprise of the 2019 Sydney final, which was won by Kvitova in a 3rd set tiebreak. Presumably that experience should give the Czech 2-time major champion the edge against the craft Aussie who will almost certainly have the entire crowd rooting for her. It's very possible this could be another barn burner of a match. Peak Petra is unplayable, but did Kvitova peak too early be dispatching the teenage phenom Ananda Anisimova the round before in straight sets? Has Barty finally realized she has the tools to hang with the big babes now that she outlasted Maria Sharapova 6-4 in the 3rd set? This should be an exciting match-up. The winner will play the winner of the Serena-Pliskova match so the final will still be a fair distance away. All that being said, I think experience may be dispositive. PREDICTION: Kvitova.
Naomi Osaka (JPN) [4] vs. Elina Svitolina (UKR) [6]. This may be the most exciting of the four quarterfinals. These two players are the closest in ranking of any of the match-ups with Svitolina holding a tight 3-2 lead in their head-to-head, including both times they played in 2018, with all 5 meetings on hard courts. That being said, is Osaka really the same player after having won a slam (2018 US Open) by defeating her idol Serena Williams? Probably not, but neither is Elina Svitolina, having won the 2018 year-end championship by outlasting Sloane Stephens. Osaka has had to problem solve her way through two tricky opponents in the last two rounds (Anastasja Sevastova and Su-Wei Hseih) while Svitolina survived the barrage against Madison Keys to win a see-saw 6-2 1-6 6-1 slugfest. Playing Keys is a good preparation for playing Osaka but there's no question that Osaka is a smarter player than the American. Svitolina is the women's tour version of Sascha Zverev and it is definitely time for her to breakthrough at a major. Is this the match that does it? I think it is very possible, but now I give Osaka the edge because she has more experience, despite being significantly younger. PREDICTION: Osaka.
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2019 AUS OPEN: Men's Quarterfinals Preview (and Predictions)
Here are my predictions for the men's quarterfinals at the Australian Open for 2019. I will also predict the women's quarterfinals.
Novak Djokovic (SRB) [1] vs Kei Nishikori (JPN) [8]. Nishikori has had an incredibly rough path to get to his 3rd consecutive major quarterfinal (and tenth overall). Three of the four rounds at this year's Australian Open have been 5-set matches and two of those have been decided by a final set 10-point super tiebreaker where Kei has been substantially behind but ended up getting to 10 points first. Since Djokovic has won the last two majors (2018 Wimbledon d. Kevin Anderson and 2018 U.S. Open d. Juan Martin del Potro) and is a 6-time winner in Melbourne he is widely viewed as the prohibitive favorite to win the 2019 Australian Open. However, he has not been winning as convincingly as one would expect from the World's #1, dropping a set in each of his matches against #NextGen opponents Denis Shapovalov and Daniil Medvedev. That being said, Djokovic has an overwhelming 15-2 head-to-head advantage against his quarterfinal opponent and must be considered a favorite to reach his 7th Australian Open final. Mad Professah's pick: Djokovic.
Rafael Nadal (ESP) [2] vs Francis Tiafoe (USA). No one really has expected Nadal to do well here because his record in hard court tournaments is so hit or miss. However, it should not be forgotten that he has won the US Open three times (2010, 2013, 2017) and the Australian Open once (2009) and reached the final here three other times (2012, 2014 and 2017). But the Spaniard has yet to drop a set in four rounds of play, which bodes well for his ability to go late in the tournament. His opponent will be 21-year-old Francis Tiafoe playing in his very first major qurtaerfinal, and the first time he has been the last American remaining in a grand slam draw. Tiafoe has already taken out two very good hard court players in Kevin Anderson and Grigor Dimitrov but there's nothing that prepares one for the tenacity and power of Nadal. Surprisingly, the two have never played before and that might give Tiafoe a chance to make some inroads, but I would be surprised if he wins a set. Mad Professah's pick: Nadal.
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Thursday, January 17, 2019
BOOK REVIEW: Ball Lightning by Cixin Liu
Ball Lightning is another science fiction novel by Chinese author Cixin Liu whose excellent Three-Body trilogy (The Three Body Problem, The Dark Forest, Death's End) won the Hugo award for Best Novel in 2015. Liu is the first Chinese-language science fiction author to win the Hugo award and thus I was quite excited about reading Ball Lightning which was actually written before the Three-Body trilogy (which is officially known as Remembrance of Earth's Past) but has been translated and released in the United States well afterwards.
One of the features of Liu’s science fiction is his inclusion of real science and mathematical concepts along with his whimsical adaptation of these ideas in creative and mind-expanding ways. This is a central feature of Ball Lightning which is about a form of spherical lightning that kills the parents of Chen, the main character, in the first chapter and ignites a lifelong obsession with the topic.
In Ball Lightning, Liu again impresses with his imaginative use of science in the service of plot, perhaps at the expense of characterization. Chen is almost a cipher. The much more interesting characters in the book are Lin Yun, a female Army captain who is obsessed with finding and using scientific discoveries to produce paradigm-shifting weapons to benefit the Chinese nation, and Ding Yi, a brilliant but eccentric male scientist who makes mind-bending discoveries about the nature of the Universe.
Unfortunately Ball Lightning is not as effective or fascinating as the books in Remembrance of Earth's Past. I think some aspect of that may be due to the nature of the translation. Some of the language in this book seems somewhat stilted, in a way that reduces the impact of the many creative ideas Liu deploys. Another aspect of the book which contributes to my dissatisfaction is my lack of connection with the characters. As I said before, Chen has almost no personality. Both Lin Yun and Ding Yi have almost too much but none of the characters can be said to be appealing. This is not unusual in a Cixin Liu novel, but usually the creativity of the ideas and elegance of the plot counteracts this aspect of his writing (or at least it did in the Remembrance of Earth's Past trilogy).
Overall, I would say that Ball Lightning is a solid 3.5 stars, because it fails to meet the sky-high expectations set by the brilliance of the other work I have read by this author, but that still means it is well above the median of most work published in the genre of hard science fiction.
One of the features of Liu’s science fiction is his inclusion of real science and mathematical concepts along with his whimsical adaptation of these ideas in creative and mind-expanding ways. This is a central feature of Ball Lightning which is about a form of spherical lightning that kills the parents of Chen, the main character, in the first chapter and ignites a lifelong obsession with the topic.
In Ball Lightning, Liu again impresses with his imaginative use of science in the service of plot, perhaps at the expense of characterization. Chen is almost a cipher. The much more interesting characters in the book are Lin Yun, a female Army captain who is obsessed with finding and using scientific discoveries to produce paradigm-shifting weapons to benefit the Chinese nation, and Ding Yi, a brilliant but eccentric male scientist who makes mind-bending discoveries about the nature of the Universe.
Unfortunately Ball Lightning is not as effective or fascinating as the books in Remembrance of Earth's Past. I think some aspect of that may be due to the nature of the translation. Some of the language in this book seems somewhat stilted, in a way that reduces the impact of the many creative ideas Liu deploys. Another aspect of the book which contributes to my dissatisfaction is my lack of connection with the characters. As I said before, Chen has almost no personality. Both Lin Yun and Ding Yi have almost too much but none of the characters can be said to be appealing. This is not unusual in a Cixin Liu novel, but usually the creativity of the ideas and elegance of the plot counteracts this aspect of his writing (or at least it did in the Remembrance of Earth's Past trilogy).
Overall, I would say that Ball Lightning is a solid 3.5 stars, because it fails to meet the sky-high expectations set by the brilliance of the other work I have read by this author, but that still means it is well above the median of most work published in the genre of hard science fiction.
Title: Ball Lightning.
Author: Ann Leckie.
Paperback: 384 pages.
Publisher: Tor.
Date Published: August 4, 2018.
Date Read: December 8, 2018.
GOODREADS RATING: ★★★½☆ (3.5/5.0).
OVERALL GRADE: B+ (3.33/4.0).
PLOT: B+.
IMAGERY: B.
IMPACT: A-.
WRITING: B+.
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Monday, January 14, 2019
EYE CANDY: Adrian Conrad (4th time!)
You're welcome!
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Saturday, January 12, 2019
01/12/19: 28th Anniversary In Mexico City
Today is the 28th anniversary of the first date with my future husband. This time we are spending it in Mexico City, Mexico. This is in front of the Palacio de Bellas Artes on January 12, 2019!
Thursday, January 10, 2019
BOOK REVIEW: Thin Air by Richard K. Morgan
Thin Air by Richard K. Morgan is the latest book by the author of the Takeshi Kovacs trilogy (Altered Carbon, Broken Angels, Woken Furies) and especially Thirteen/Black Man, the last of which is set in the same universe as Thin Air. Morgan is known for his futuristic, noir, sci-fi thrillers featuring ultra-violent, surgically enhanced, anti-heroes who often have a weak spot for the underclass in society. He is one of my favorite authors and I have wanted to read Thin Air since I learned this book was in the work in 2015. I bought it on Amazon and it arrived on its publication date but I delayed reading it until the holidays.
In Thin Air the protagonist is named Hakan Veil, an Earth-born mercenary who has been trapped on Mars for over a decade (earth years) after his last job protecting a space ship for a mega-corporation ended in a way displeasing to his bosses and almost fatally for the nearly indestructible Veil.
One notable feature of all Morgan’s work, which is one reason that it is catapulted to the top of my must-read lists, is his ability to convey a sense of place, culture and history in the settings of all his books, regardless of genre. Typically this feature of novels is referred to as “world building” but with Morgan the term doesn't do justice to the immersive nature of his writing. Although he is primarily known for his hard science fiction, he has also written an epic fantasy trilogy called A Land Fit For Heroes (The Steel Remains, The Cold Commands, The Dark Defiles) which also has a fascinatingly complicated backstory and setting.
The Mars of Thin Air is a compelling, technologically advanced, market-driven dystopia, with a rich history and multicultural, multi-ethnic populace struggling under the stewardship of staggeringly corrupt political and juridical officials. Morgan embeds his story in the long colonial history of the red planet under the forces of COLIN (the Colonization Initiative), an entity which has appeared in several of Morgan’s science fiction works set in the far future of humanity. COLIN is the organization which is responsibility for the expansion of humanity into the solar system and beyond. The author also describes a civilization on the red planet which is buffeted and sculpted by the amorality of corporate greed, organized crime and unregulated capitalism.
Morgan begins Thin Air in medias res as he thrusts the reader into a setting where Veil immediately maims and kills people, some of whom appear to be innocent bystanders but some who are also clearly responsible for horrible acts themselves. The effect is that we as the reader are not really sure if we are to identify positively or negatively with Veil as the protagonist of the story. Is Veil a hero or a villain? Morgan likes his characters to be morally nuanced, with situational ethics and malleable loyalties, and Veil is another example of this type.
Another feature of Morgan’s work are his bewilderingly intricate plots and Thin Air is no exception to this rule. The primary plot is centered around Veil’s task of protecting a COLIN Earth functionary who has come to Mars to investigate the curious case of an Earthbound lottery winner who disappeared before he could collect his prize. This reveals some obvious corruption (cui buono?) and the fact that several powerful forces are trying to control and dominate the future of Mars society. Of course, at some point Veil loses contact with his charge and it becomes clear that she may not be who she appears to be and that there is far more to the disappearance of the erstwhile lottery winner than meets the eye at first blush.
Overall, Morgan’s Thin Air is an exciting, action-filled and intelligent take on a suspenseful mystery thriller set in a dystopian future society on Mars. If you like any of Morgan’s previous work (especially Thirteen) you will almost certainly also enjoy Thin Air. A lot.
FIVE STARS.
Title: Thin Air.
Author: Richard K. Morgan.
Paperback: 544 pages.
Publisher: Gollancz.
Date Published: October 23, 2018.
Date Read: December 30, 2018.
OVERALL GRADE: A (4.0/4.0).
PLOT: A+.
IMAGERY: A.
IMPACT: A-.
WRITING: A.
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Sunday, January 06, 2019
2019 Vacation: Mexico City, Mexico (Jan. 7-13)
Thursday, January 03, 2019
BOOK REVIEW: The Witch Elm by Tana French
Wow! Tana French proves yet again why and how she is the Queen of Literary Mystery Fiction. After writing six (ok, maybe five) exquisite entries in what is now known as the Dublin Murder Squad series, French decided to release a standalone mystery The Witch Elm (or The Wych Elm) which is not even indirectly connected to her much-celebrated prior works. When I discovered in late September that Tana French had a new book coming out soon, I pre-ordered the hardcover from Amazon instantaneously. There are a handful of authors for whom I do that for (Peter F. Hamilton, James S.A. Corey, Richard K. Morgan come immediately to mind) and there are none others in the mystery fiction area (although new books by Ian Rankin, Louise Penny, Adrian McKinty and, more recently, Val McDermid are all on my must-read-as-soon-as-I-can list).
The Witch Elm is very different from French’s other books, which are generally police procedurals set in the context of murder mysteries and generally have police detectives on the Dublin Murder Squad as the main character for whom we get first-person perspectives.
Instead, The Witch Elm has Toby Hennessy as the main character, and for an extraordinarily long period of time (well over 100 pages, possibly close to 200) there is no sign of a dead body and no sign of anyone from the Dublin Murder Squad. There goes Tana again, breaking those genre rules and upending her readers expectations!
Toby is a very odd choice for a main character of a book that ends up being an intricately plotted murder mystery, since he’s a 20-something, blonde, attractive, upper class white guy who begins the book basically bragging about how lucky he is. His charmed life is shattered by a scene that happens very early in the book, where sudden violence befalls Toby, leaving him injured and potentially permanently incapacitated (due to a vicious blow to the head).
French is deploying and deconstructing the literary device of the unreliable narrator as a central trope of the book. Toby potentially has permanent brain damage which affects his perception of events around him as well as his memory. We the reader literally can not believe what Toby perceives to hear and see. But it also becomes clear that Toby has always been oblivious to what goes on around him due to his inability to perceive the effects of marginalization on people who do not share his class and gender.
As the plot develops (and the dead body finally arrives) we are engulfed by a complicated and multifaceted network of familial relationships that involve jealousies, slights and resentments which are sourced from events in the characters’ pasts. Toby is the only child of a pair of well-to-do parents (mom is a professor and dad is a barrister) and has grown up with two other similarly situated cousins, Susanna and Leon, who are about the same age and attended the same secondary schools as Toby. They have literally known each other their entire lives and in some sense are closer than some siblings. Their parents all vacationed together and would regularly leave the 3 kids for weeks at a time during holidays at the home of their parents unmarried brother Hugo, at a grand old house called The Ivy House. Even now, when Toby, Susanna and Leon are nearly 30 and their grand-uncle Hugo is nearly 70 the extended family (Susanna is married and has 2 kids of her own, Toby has a longtime girlfriend named Melissa) attend weekly Sunday dinner at The Ivy House, which almost serves as another character in the book. French delights in using her command of the language to describe its coziness and provides the reader with a real sense of place. It’s during one of these Hennessy family gatherings that a human skull is discovered in the wych elm on the grounds of the Ivy House, leading to multidirectional finger pointing and eventually actual suspicion between various pairings in the trio of cousins about how much and what each of them knows or remembers about the past and the supposed suicide of a teenaged classmate 10 years before. The notion of suspecting and being an object of suspicion of the people whom you have literally grown up with animates the emotional resonance of the book.
French uses the evanescence and plasticity of memory as another trope with which to redirect the suspicions of Toby, our unreliable narrator and the reader towards various possible suspects. She also (somewhat rashly) seizes the opportunity to conduct another anthropological survey of the social lives and mores of Dublin teenagers. This was at the heart of what I think of as her worst book, The Secret Place, which revolves around the discovery of the body of a teenage boy on the grounds of a posh private girls school. Happily, I think she’s more successful and insightful at the portrayal of modern-day teenage life in The Witch Elm. I am curious as to why French wanted to return to depicting that particular milieu when there are so many others to choose from.
Typically, for me, the joy of reading a Tana French novel has been sourced in her mellifluous, oftentimes surprisingly piquant prose as she describes conversations between characters who are usually experiencing the worst times of their lives, either during a police investigation into the death of a loved one or recalling situations that dredge up the emotions and feelings that led someone they knew to commit (and/or conceal) a murder. Happily, that Tana French is well represented in The Witch Elm. What is missing this time is the voyeuristic perspective she usually provides the reader by allowing us to see the discovery, detection and resolution of crime(s) through the eyes of a member of the Dublin Murder Squad. Surprisingly, this is a minor loss.
Another feature of a French novel is her penchant for breaking the rules of the detective mystery form she is writing in. From the unresolved issues in her brilliant debut novel In the Woods and the stunning audacity of The Likeness to her clever refusal to center multiple books on the same detective(s) in her ongoing mystery series, to the disastrous dabble with the supernatural in The Secret Place, French has blazed her own trail in the British police procedural genre. In The Witch Elm she goes even further, by centering the book around Toby, a self-centered, entitled “git” who is oblivious to his own privilege (and prejudices). French is (I think) trying to reveal and skewer the perspective of the Tobys of the world, while she simultaneously uses his lack of awareness to misdirect the reader to the central mystery at the heart of the novel.
In the final chapter of the book, after the major reveal of “whodunnit,” she breaks the rules of the genre again (multiple times!) so successfully that I was forced to give her my top rating and applaud her daring. This is the case, even though early in my reading of the book I had harbored disappointed misgivings about The Witch Elm’s eventual place in French’s oeuvre (“uh-oh, I think this may be another misfire like The Secret Place!” to “Oh my goodness what just happened? I have to re-read that entire section!”). By the end I felt she had surpassed the cool, precise excellence of The Trespasser, which up to that point was in a statistical tie in my heart with Broken Harbor for my designation as her best book. The Witch Elm, in my opinion, is another example of French operating at the top of her game, expanding and demonstrating what a literary genre novel can and should be. Another triumph.
Title: The Witch Elm.
Author: Tana French.
Paperback: 509 pages.
Publisher: Viking.
Date Published: October 9, 2018.
Date Read: December 18, 2018.
GOODREADS RATING: ★★★★★ (5.0/5.0).
OVERALL GRADE: A+/A (4.16/4.0).
PLOT: A.
IMAGERY: A+.
IMPACT: A+.
WRITING: A.
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