BOOK REVIEW: Yellowface by R.F. Kuang

Yellowface is another literary blockbuster success written by R.F. Kuang, the author of the Hugo award-winning speculative fiction masterpiece Babel, or the Necessity of Violence: an Arcane History of the Oxford Translators’ Revolution (See my review) and The Poppy War trilogy. Yellowface won the Goodreads Choice award for Best Fiction in 2023, demonstrating Kuang’s widening appeal and increasing acclaim to the general public even before she has completed graduate school(!)

Yellowface is a story about writing, writers, and the never ending struggle between art and commerce. Kuang is especially skilled at selecting topics for her books that are likely to resonate with a significant segment of the book-reading (and book-buying) public. Babel is focused on the importance and nuance of words; etymological knowledge becomes a source of technological power through the application of fantastical magic. Unsurprisingly, the premise that the meaning and backgrounds of words themselves could be the central aspect of a plot was irresistible to many reader and literary critics alike.

In Yellowface, Kuang goes even further by centering the story around literary ambition itself, another thing that both readers and critics have in common. Many readers, and most (if not all?) critics have harbored secret thoughts of literary success. Another key ingredient of Yellowface is its self-conception as an expose, an insider’s view of the book industry itself. This is, of course, another subject that both readers and critics would find irresistible to consume. Yellowface is about two friends/colleagues/rivals who have a lot of similarities, but whose level of success and career trajectories (when we meet them at the beginning of the book) are very dissimilar. Juniper (June) Song is the primary protagonist  whose first-person perspective we get throughout the novel while Athena Liu is her frenemy (friend/enemy) who seems to effortlessly outshine June in every way that matters. Athena and June are both young authors who have written and published their first books, to wildly different responses from the public. Athena and June attended the same prestigious college, and ran in similar circles since they had similar interests and ambitions (literary success). However, Athena published her first novel while still in college, obtaining a prestigious literary agent and book deal. June also finished her first book in college and got an agent (and far less lucrative) book deal. 

Yellowface’s most important moment happens quite early in the book. While Athena and June are socializing (in Athena’s fabulous apartment in Washington, DC), celebrating Athena’s completion of her latest novel when Athena chokes and dies in a freak accident. (The incident is told from June’s perspective and makes it somewhat ambiguous whether June could have been more active in trying to save her “friend.” What happens next is not in doubt, however. June takes the only existing copy of Athena’s completed manuscript home with her. After a few days she takes it out and starts to edit it and check and augment the historical details included in the book. Athena’s novel was a surprising departure from her previous work; it’s a historical novel, about a little-known incident from World War I involving Chinese laborers. There’s also an interracial love story. Eventually, June decides to submit the work to her usually unenthusiastic agent, passing it off as her own. Of course, everyone loves the book, even though they are somewhat surprised that June could (and would) write something like this. June is white, and Athena is Asian-American, so questions of authenticity become raised almost immediately, internally within June’s literary agency and externally from fellow writers who knew both Athena and June, some who are still reeling over the sudden tragic death of Athena, and are extremely suspicious of June’s bona fides to publish a book about this topic.

However, what happens next is something of a slow-moving horror story. As the book becomes more and more successful, scrutiny about the provenance of the work is also heightened. Kuang skillfully shows how social media and word-of-mouth (i.e. gossip) operate within literary circles, especially in her depictions of the sometimes cozy and somewhat incestuous relationship between authors, critics, publishers, promoters and bookstores.

The ending of Yellowface is somewhat anticlimactic. Unsurprisingly, as the tension of the plot ratchets up higher and higher eventually something breaks, but in a way that is not as compelling as the setup of the story. Overall my impression of the book are generally positive but I definitely would not have voted for it as the best fiction book of 2023. Regardless, it’s clear that Kuang is an author on the rise, and I look forward to reading her future work.

Title: Yellowface.
Author: R.F. Kuang.
Format: Kindle.
Length: 336 pages.
Publisher: William Morrow.
Date Published: May 25, 2023.
Date Read: November 9, 2023.

GOODREADS RATING: ★★★☆☆  (3.0/5.0).

OVERALL GRADE: B+/B (3.16/4.0).

PLOT: B+.
IMAGERY: B.
IMPACT: B+.
WRITING: B.

BOOK REVIEW: Holly by Stephen King

Holly is another entry by Stephen King into the universe in which the Bill Hodges trilogy (Mr. Mercedes, Finders Keepers, End of Watch) was set, although this time Holly Gibney is the primary character. Gibney is also featured  in The Outsider  and one of the four novellas that make up the 2020 collection If It Bleeds.  Even though I am not a fan of the horror genre or supernatural stories in general, I now consider myself a fan of King’s. In the last few years I have read and reviewed Fairy Tale (2023), Billy Summers (2022) and The Institute (2020) I appreciate what an amazing storyteller he is. Even so, I generally restrict myself to his non-supernatural fare, which I enjoy tremendously, and Holly is no exception.

The Bill Hodges trilogy were some of the first books by King that I read, primarily because they are in the mystery/detective/thriller genre. They feature Bill Hodges as a former cop who opens his own private detective agency (called Finders Keepers) and features Holly as his shy but capable assistant who becomes his partner as well as Jerome Robinson, a computer savvy Black teenager who does odd jobs for Bill.  Although Bill was the main character of the series, my favorites were always Jerome and Holly and I hoped that King would return to them in future work, which he has done with the publication of Holly.

Holly is the main character in Holly, which is set in July 2021 smack dab in the middle of the COVID-19 pandemic and the Trump era. Holly is mourning the death of her mom (due to COVID after refusing to get vaccinated) when she gets a call at the detective agency from a mother panicked about the disappearance of her adult daughter, Bonnie Dahl, who worked at the library of the local small college in town. Holly, who King himself has described as “obsessive compulsive with a huge inferiority complex,” is very careful about getting COVID and a fair amount of her internal monologue is about masking and her interactions with folks around her and their thoughts about COVID and Trump. This makes Holly a “political book” in the sense that  King (through Holly as his avatar) makes his thoughts about his views on these topics very clear. (Since I share these views I didn't find this aspect distracting or problematic.)

Some reviewers of  Holly question King’s choice to begin a detective mystery novel by revealing that the culprits are a pair of murderous, cannibalistic, septuagenarian professors, Rodney and Ellen Harris, who select their victims from the itinerant human flotsam available to them in the wake of a small town dominated by a prestigious college. But the detective story where the reader knows who did it from the beginning and the suspense is sourced in how and when (not really whether) the protagonist will figure it out (and stop the criminal before they crime again) is a tried and true trope of the genre. (Val McDermid is a Master at this form.) Here, I think this story structure works quite well, and especially when the reader gets first-person perspective from more than one character who is caught in the devilish flytrap of the Professors Harris.

An interesting feature of Holly is that it features not one but two subplots about young writers who are both experiencing their first successful encounters with the publishing industry. King often writes about writers in his books and his enthusiasm for this aspect of the story was palpable.

A surprising feature of Holly is that it features absolutely no supernatural phenomena. The Harrises have a reason for why they are periodically enticing, trapping, and culling people and it is because they believe that eating the human flesh of people significantly younger than they are will improve their health. For a significant fraction of the book King makes it appear as if they may be right, since they do appear to be experiencing  some relief, perhaps supernatural in nature, from their multiple health ailments not unfamiliar to people as old as the Harrises (mind-numbingly painful sciatica for her, and the numbing of the mind of dementia for him). But in the end King (again via his avatar Holly) points out that the bad guys’ evil, false beliefs are trumped [sic] by science: they were experiencing the placebo effect, completely dismantling any imagined rationale they could have posited to justify their murderous actions of killing and eating their neighbors. To me it is clear that King is trying to demonstrate that fact-based reality can be used to explain that people who do awful things (like deny the reality of COVID and the effectiveness of vaccines or vote for Trump or kill and eat fellow humans) are really doing it because they are awful people, despite what they tell themselves the reasons for doing these things are.

Title: Holly
Author: Stephen King.
Format: Kindle.
Length: 464 pages.
Publisher: Scribner.
Date Published: September 5, 2023.
Date Read: December 10, 2023.

GOODREADS RATING: ★★★★★  (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A.

BOOK REVIEW: Ocean's Echo by Everina Maxwell

This is the second book set in the Universe of Winter's Orbit written by Everina Maxwell. Ocean’s Echo is not a direct sequel, but it has numerous similarities to Winter's Orbit. Both books are centered around a male-male romance. One would think that this feature would make Ocean’s Echo resonate with me, but unfortunately, it was not enough to win my favor in this case. 

I don’t have a lot of experience with the romance genre, but it is my understanding that it is dominated by female authors. This fact is apparently true of male-male romance as well. I’m not saying that women can’t write effective gay love stories (there are clear examples of amazing gay romances like Heartstopper and The Song of Achilles that have women authors) but there’s something about the romantic interactions between the two male protagonists in Ocean’s Echo that just seems “off” or inauthentic to me. I had an ill-defined feeling of unease while reading Winter's Orbit but I think that perhaps I was so impressed by the very existence of a viable space opera with a male-male romance at its core that I didn't want to quibble about its authenticity. However in Ocean’s Echo my misgivings about the verisimilitude of the gay romance swamps my generally positive impressions of the other parts of the narrative.

In Ocean’s Echothe two male protagonists are Tennalhin Halkana (Tennal) and Lieutenant Surit Yeni (Suri). They are very different people but they have several things in common; primary among these is that they both have very powerful mental powers. Their powers are complementary: Tennal is a “reader,” someone who is able to read the minds of others (i.e. a telepath) while Suri is an “architect,” someone who can “write” or force other people to do what they want by mental force. Oftentimes, an architect is mentally bonded (or “synced”) with a reader in such a way that the architect completely takes over the reader’s mind and uses their combined mental powers to write and read those around them.

Some people have described Winter's Orbit as romance with SF and Ocean’s Echo as SF with romance. In other words, in the first book, the romance storyline was subordinate to the political and space opera themes while in Ocean’s Echo the balance is reversed. I suppose I agree with this characterization of the books, but from my perspective it doesn’t tell the whole story because I liked (or at least didn’t recoil from) the romance elements in Winter's Orbit but the romance elements in Ocean’s Echo didn’t work for me at all.

I think the main source of my adverse reaction to the love story in Ocean’s Echo is simply the nature of the characters involved. In Winter's Orbit, the two guys were very different from each other, socially, politically, and even culturally. One is a mess and flamboyant and the other is reserved and careful. But they both seemed interesting (and even attractive) to some extent, so that I was hopeful and invested in the resolution of their relationship. In Ocean’s Echo, the two guys are also very different, with Tennal being something of a chaos monster (who has a powerful planet-wide politician as his aunt) and Surit being a dutiful member of the military (who happens to have an infamous traitor as his mother). I mostly identified with Surit, but Tennal has the bigger role and probably must be considered the primary character in the book. However, to me Tennal just is not very likable, so I never really saw what Surit would see in him and why I would/should root for these two guys to get together or fall in love. This is my primary problem with the book. I mean, how can you have a romance novel if the reader really doesn't like one of the protagonists in the couple?

To be clear, there are several aspects of Ocean’s Echo that I do like. For example, it includes multiple SF elements: spaceships, astronomical anomalies, alien artifacts, man-made habitats, and various advanced technologies. However, as I mentioned earlier, in this book the romance storyline is more prominent than the space opera elements and this was a decided downer for me.

I hope that in future books Maxwell continues to feature same-sex romances in space opera contexts; I think this is a great idea and I would love to read more books like this. I just hope that future books include characters that are more realistic and likable!

Title: Ocean’s Echo.
Author: Everina Maxwell.
Format: Kindle.
Length: 464 pages.
Publisher: Scribner's.
Date Published: November 1, 2022.
Date Read: February 20, 2023.

GOODREADS RATING: ★★★☆☆  (3.0/5.0).

OVERALL GRADE: B (3.0/4.0).

PLOT: B.
IMAGERY: B-.
IMPACT: B+.
WRITING: B.

BOOK REVIEW: Planetfall (Planetfall, #1) by Emma Newman

Planetfall is the first book in the acclaimed  Planetfall series written by Emma Newman.  It is the fourth of her books that I have read; Newman has stated the Planetfall books are written to be read in any order. I read them in the order second (After Atlas), fourth ( Atlas Alone), third (Before Mars ), and first (Planetfall). It’s curious because all the books reference the main event of the series, which is the departure of the interstellar rocket Atlas with roughly 1000 colonists under the guidance of the Pathfinder Lee Suh-mi to a planet where Lee claims they will find God. So, one would think that the first book is about this seminal event in the series, but it’s not. Even the main events in Planetfall take place several decades after the seminal event (it turns out that all four books are set roughly in a time frame under a year or so from each other, just in very different locations).

In Planetfall, most of the events happen roughly two decades after the colonists arrive on the planet. They seem to be well acclimated to their extraterrestrial environs. They have deliberately engineered their living conditions to be such that it is sustainable and low-impact  or no-impact on the environmental resources of their new home world. However, at the point the reader enters the story this comfortable lifestyle is disrupted by the appearance of an outsider, someone who is the grandson of the Pathfinder herself, and bears a clear familial resemblance to her.

We are primarily told the story of events from the perspective of Ren (Renata Ghali) whom we discover was one of the chief engineers responsible for the successful Atlas mission to the planet and has served as one of the primary technological resources and fix-it mechanics for the colony since they landed.

Having read all of the four books in the series I realize now a common theme is that the protagonist/main character in each book  is an unreliable narrator; each one has either had mental health issues or a medical history is revealed that causes the reader to question the veracity and accuracy of what we are being told about events. Interestingly, in three of the four books this protagonist has been female. In Planetfall, it takes quite a while before the reader realizes the extent to which Ren has been hiding important information from the reader that reveals she has a serious mental condition. I don't want to reveal what it is but one of the most significant impacts of the book is when the reader is allowed to fully perceive reality from Ren's perspective as mediated by her mental condition; the effect is devastating.

However, Ren’s issues are really a side issue to the primary plot of Planetfall; the last 20 pages has multiple extremely significant revelations and stunning dénouements. Again I don't want to be too specific about details in order to spoil things but suffice it to say that we learn why the Pathfinder felt that she was bringing humanity to meet God, and we get information and see events that have potentially irreversible consequence for the long term survival of the colony (and thus humanity itself). In fact, it's the ending of Planetfall that makes this entry the most impactful of the books in the series in my opinion. I strongly hope that the author goes on to continue the story beyond where the events in Planetfall, After Mars or Atlas Alone conclude. Overall, that should tell you all you need to know about the Planetfall  books: they leave you wanting more!

Title: Planetfall.
Author: Emma Newman.
Format: Kindle.
Length: 328 pages.
Publisher: Scribner.
Date Published: September 6, 2015.
Date Read: May 1, 2023.

GOODREADS RATING: ★★★★½☆ (4.5/5.0).

OVERALL GRADE: A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A-.