Showing posts with label Bradley Cooper. Show all posts
Showing posts with label Bradley Cooper. Show all posts

Monday, February 25, 2019

2019 OSCARS: The Winners


The 2019 Oscars were last night. According to my predictions for the Top 8 categories, I only predicted 4 of 8 correctly, and went 12 out of 24 overall.
  • Documentary (Feature) — Jimmy Chin and Elizabeth Chai Vasarhelyi, Free Solo
  • Actress in a Supporting Role — Regina King, If Beale Street Could Talk
  • Makeup and Hairstyling — Greg Cannom, Kate Biscoe, and Patricia Dehaney, Vice
  • Costume Design — Ruth E. Carter, Black Panther
  • Production Design — Hannah Beachler and Jay Hart, Black Panther
  • Cinematography — Alfonso Cuarón, Roma
  • Sound Editing — John Warhurst, Bohemian Rhapsody
  • Sound Mixing — Paul Massey, Tim Cavagin, and John Casali, Bohemian Rhapsody
  • Foreign Language Film — Alfonso Cuarón, Roma
  • Film Editing — John Ottman, Bohemian Rhapsody
  • Actor in a Supporting Role — Mahershala Ali, Green Book
  • Animated Feature Film — Spider-Man: Into the Spider-Verse, Bob Persichetti, Peter Ramsey, Rodney Rothman
  • Animated Short Film — Domee Shi, Bao
  • Documentary Short Subject — Rayka Zehtabchi and Melissa Berton, Period. End of Sentence.
  • Visual Effects — Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm, First Man
  • Live Action Short Film — Guy Nattiv and Jamie Ray Newman, Skin
  • Best Original Screenplay — Nick Vallelonga, Brian Currie, Peter Farrelly, Green Book
  • Best Adapted Screenplay — Spike Lee, Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, BlacKkKlansman
  • Original Score — Ludwig Goransson, Black Panther
  • Original Song — Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt, “Shallow,” A Star Is Born
  • Best Actor in a Leading Role — Rami Malek, Bohemian Rhapsody
  • Best Actress in a Leading Role — Olivia Colman, The Favourite
  • Best Director — Alfonso Cuarón, Roma
  • Best Picture  Green Book

Monday, February 18, 2019

2019 OSCARS: My Predictions for the Top 8 Categories

Here is my annual prediction post for the 2019 Oscars. I really just consider the Top 8 categories on the blog but I play the Oscar game like everyone else (on other websites). Last year I predicted 7 out of 8 and 17 of 24 correctly.

Best Picture:
  • “Black Panther”
  • “BlacKkKlansman”
  • “Bohemian Rhapsody”
  • “The Favourite”
  • “Green Book”
  • “Roma”
  • A Star Is Born”
  • “Vice”
SHOULD WIN: A Star Is Born.
WILL WIN: Roma.


Director:
  • Spike Lee, “BlacKkKlansman”
  • Pawel Pawlikowski, “Cold War”
  • Yorgos Lanthimos, “The Favourite”
  • Alfonso Cuarón, “Roma”
  • Adam McKay, “Vice”
SHOULD WIN: Spike Lee, BlacKkKlansman.
WILL WIN: Alfonso Cuarón, Roma.

Lead Actor:
  • Christian Bale, “Vice”
  • Bradley Cooper, “A Star Is Born”
  • Willem Dafoe, “At Eternity’s Gate”
  • Rami Malek, “Bohemian Rhapsody”
  • Viggo Mortensen, “Green Book”
SHOULD WIN: Bradley Cooper, A Star Is Born.
WILL WIN: Rami Malek, Bohemian Rhapsody.

Lead Actress:
  • Yalitza Aparicio, “Roma”
  • Glenn Close, “The Wife”
  • Olivia Colman, “The Favourite”
  • Lady Gaga, “A Star Is Born”
  • Melissa McCarthy, “Can You Ever Forgive Me?”
SHOULD WIN: Glenn Close, The Wife.
WILL WIN: Glenn Close, The Wife.

Supporting Actor:
  • Mahershala Ali, “Green Book”
  • Adam Driver, “BlacKkKlansman”
  • Sam Elliott, “A Star Is Born”
  • Richard E. Grant, “Can You Ever Forgive Me?”
  • Sam Rockwell, “Vice”
SHOULD WIN: Richard E. Grant, Can You Ever Forgive Me?
WILL WIN: Adam Driver, BlacKkKlansman.

Supporting Actress:
  • Amy Adams, “Vice”
  • Marina de Tavira, “Roma”
  • Regina King, “If Beale Street Could Talk”
  • Emma Stone, “The Favourite”
  • Rachel Weisz, “The Favourite”
SHOULD WIN: Amy Adams, Vice
WILL WIN: Regina King, If Beale Street Could Talk.

Adapted Screenplay:
  • “The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen
  • “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
  • “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty
  • “If Beale Street Could Talk,” Barry Jenkins
  • “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters
SHOULD WIN: Can You Ever Forgive Me?
WILL WIN: BlacKkKlansman.

Original Screenplay:
  • “The Favourite,” Deborah Davis, Tony McNamara
  • “First Reformed,” Paul Schrader
  • “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly
  • “Roma,” Alfonso Cuarón
  • “Vice,” Adam McKay
SHOULD WIN: Roma.
WILL WIN: The Favourite.

Tuesday, January 22, 2019

2019 OSCARS: The Nominations


And they're off! The nominations for the 91st Academic Awards, i.e. the Oscars, have been annonced.
The nominations in the top 8 categories are given below. For Best Picture I have currently seen 4 of the 9 nominees (indicated in bold), and definitely intend to see "The Favourite" and "Bohemian Rhapsody" before the ceremonies. I don't even want to hate-watch "Green Book." "Vice" is a strong possibility too.

Best Picture:
  • “Black Panther”
  • “BlacKkKlansman”
  • “Bohemian Rhapsody”
  • “The Favourite”
  • “Green Book”
  • “Roma”
  • A Star Is Born”
  • “Vice”

Director:
  • Spike Lee, “BlacKkKlansman”
  • Pawel Pawlikowski, “Cold War”
  • Yorgos Lanthimos, “The Favourite”
  • Alfonso Cuarón, “Roma”
  • Adam McKay, “Vice”
Lead Actor:
  • Christian Bale, “Vice”
  • Bradley Cooper, “A Star Is Born”
  • Willem Dafoe, “At Eternity’s Gate”
  • Rami Malek, “Bohemian Rhapsody”
  • Viggo Mortensen, “Green Book”

Lead Actress:
  • Yalitza Aparicio, “Roma”
  • Glenn Close, “The Wife”
  • Olivia Colman, “The Favourite”
  • Lady Gaga, “A Star Is Born”
  • Melissa McCarthy, “Can You Ever Forgive Me?”


Supporting Actor:
  • Mahershala Ali, “Green Book”
  • Adam Driver, “BlacKkKlansman”
  • Sam Elliott, “A Star Is Born”
  • Richard E. Grant, “Can You Ever Forgive Me?”
  • Sam Rockwell, “Vice”

Supporting Actress:
  • Amy Adams, “Vice”
  • Marina de Tavira, “Roma”
  • Regina King, “If Beale Street Could Talk”
  • Emma Stone, “The Favourite”
  • Rachel Weisz, “The Favourite”

Adapted Screenplay:
  • “The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen
  • “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
  • “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty
  • “If Beale Street Could Talk,” Barry Jenkins
  • “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters

Original Screenplay:
  • “The Favourite,” Deborah Davis, Tony McNamara
  • “First Reformed,” Paul Schrader
  • “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly
  • “Roma,” Alfonso Cuarón
  • “Vice,” Adam McKay
Total Nominations

  • 10 — “The Favourite” and "Roma"
  • — “A Star Is Born” and “Vice” 
  • 7  — "Black Panther”
  • 6  — “BlacKkKlansman”
  • — “Bohemian Rhapsody” and “Green Book”
  • — “First Man” and “Mary Poppins Returns

Friday, November 25, 2016

CELEBRITY FRIDAY: Dwayne "The Rock" Johnson Is People's Sexiest Man Alive


Dwayne "The Rock" Johnson has been named the 2016 People magazine's Sexiest Man Alive. Johnson, 44, is 6-foot-5 and 245 pounds and is the largest person to receive this recognition. According to The New York Times, he is currently Hollywood's highest paid male actor. Interestingly, other people who have been named the Sexiest Man Alive are Bradley Cooper, Tom Cruise, Matt Damon and Denzel Washington.

Sunday, February 22, 2015

2015 OSCARS: My Final Prediction Of The Winners In Top 8 Categories


Below are my predictions for the Top 8 categories for the 87th annual Academy Awards. Last year I correctly predicted 6 of the Top 8 categories. Below I put in red the movie or person I want to win, and in blue the person I think actually will win.

Best Picture
  • American Sniper
  • Birdman (Or The Unexpected Virtue of Ignorance)
  • Boyhood
  • The Grand Budapest Hotel
  • Selma
  • The Theory of Everything
  • Whiplash
  • Foxcatcher

SHOULD WIN: The Imitation Game
WILL WIN: Birdman

Best Director
  • Bennet Miller, Foxcatcher
  • Alejandro G. Iñárritu, The Theory of Everything
  • Richard Linklater, Boyhood
  • Wes Anderson, The Grand Budapest Hotel 
  • Morten Tyldum, The Imitation Game
SHOULD WIN: Richard Linklater, Boyhood
WILL WIN: Alejandro G. Iñárritu, Birdman

Best Actress
  • Marion Cotillard, Two Days One Night
  • Felicity Jones, The Theory of Everything
  • Julianne Moore, Still Alice
  • Rosamund Pike, Gone Girl 
  • Reese Witherspoon, Wild
SHOULD WIN: Julianne Moore, Still Alice
WILL WIN: Julianne Moore, Still Alice

Best Actor
  • Bradley Cooper, American Sniper
  • Benedict Cumberbatch,  The Imitation Game
  • Michael Keaton, Birdman
  • Steve Carell, Foxcatcher
  • Eddie Redmayne, The Theory of Everything
SHOULD WIN: Benedict Cumberbatch,  The Imitation Game
WILL WIN: Eddie Redmayne, The Theory of Everything

Best Supporting Actress
  • Emma Stone, Birdman
  • Patricia Arquette, Boyhood
  • Keira Knightley, The Imitation Game
  • Meryl Streep, Into The Woods
  • Laura Dern, Wild
SHOULD WIN: Patricia Arquette, Boyhood
WILL WIN: Patricia Arquette, Boyhood

Best Supporting Actor
  • Ethan Hawke, Boyhood 
  • Edward Norton, Birdman
  • Mark Ruffalo,  Foxcatcher
  • J.K. Simmons, Whiplash
  • Robert Duvall, The Judge
SHOULD WIN: Edward Norton, Birdman
WILL WIN: J.K. Simmons, Whiplash

Best Original Screenplay
  • Birdman 
  • Boyhood
  • The Grand Budapest Hotel
  • Nightcrawler
  • Foxcatcher
SHOULD WIN: The Grand Budapest Hotel
WILL WIN: Birdman

Best Adapted Screenplay
  • American Sniper
  • The Imitation Game
  • Inherent Vice
  • The Theory of Everything
  • Whiplash
SHOULD WIN: The Imitation Game
WILL WIN: Whiplash


Wednesday, January 14, 2015

2015 OSCARS: My Predictions For The Nominations


Here are my predictions for the nominations in the Top 8 categories in the 87th Academy Awards that will be announced publicly at 5am PDT on Thursday January 15.

American Sniper
Birdman (Or The Unexpected Virtue of Ignorance)
Boyhood
Gone Girl
The Grand Budapest Hotel
Nightcrawler
Selma
The Theory of Everything
Whiplash

Best Director
  • Clint Eastwood, American Sniper
  • Alejandro G. Iñárritu, Birdman
  • Richard Linklater, Boyhood
  • Wes Anderson, The Grand Budapest Hotel
  • Ana Duvernay, Selma
Best Actress
  • Amy Adams, Big Eyes
  • Felicity Jones, The Theory of Everything
  • Julianne Moore, Still Alice
  • Rosamund Pike, Gone Girl 
  • Reese Witherspoon, Wild
Best Actor
  • Bradley Cooper, American Sniper
  • Benedict Cumberbatch,  The Imitation Game
  • Ralph Fiennes, The Grand Budapest Hotel
  • Michael Keaton, Birdman
  • Mathew Oyelowo, Selma 
Best Supporting Actress
  • Emma Stone, Birdman
  • Patricia Arquette, Boyhood
  • Keira Knightley, The Imitation Game
  • Meryl Streep, Into The Woods
  • Tilda Swinton, Snowpiercer
Best Supporting Actor
  • Ethan Hawke, Boyhood 
  • Alfred Molina, Love is Strange 
  • Edward Norton, Birdman
  • Mark Ruffalo,  Foxcatcher
  • J.K. Simmons, Whiplash
Best Original Screenplay
  • Birdman 
  • Boyhood
  • The Grand Budapest Hotel
  • The LEGO Movie
  • Nightcrawler
Best Adapted Screenplay
  • American Sniper
  • Gone Girl
  • The Imitation Game
  • Inherent Vice
  • The Theory of Everything
Total Nominations
  1. Birdman (10)
  2. Boyhood (9)
  3. The Imitation Game, The Theory of Everything (7)
  4. Selma,  Gone Girl, Interstellar, American Sniper, The Grand Budapest Hotel (5)

Saturday, August 16, 2014

MOVIE REVIEW: Guardians of the Galaxy


The latest movie from Marvel Studios is Guardians of the Galaxy. This movie has been heavily marketed and I really had not intended to see it but after it was released the film earned excellent reviews and stellar ratings at rottentomatoes.com (92% critics, 96% audience). The film stars Chris Pratt as Peter Quill a.k.a. Star Lord, the sole human member of a rag tag group of misfits and criminals from across the Galaxy that includes Groot (a talking and walking tree-like alien, voiced by Vin Diesel), Rocket (a small furry alien who resembles a raccoon, voiced by Bradley Cooper), Gamora (a green-skinned humanoid played by Zoe Saldana who is also a deadly assassin and daughter of the villainous Thanos) and Drax (a muscular, powerful humanoid who takes all statements a little too literally, played by Dave Bautista).

Guardians of the Galaxy is bolstered by a breakout performance by Pratt as Star Lord. He is funny, sexy, geeky and charismatic--sometimes in the same scene! Pratt is definitely the best thing about the movie, but after him the next best thing is the overall "vibe" of the film, which irreverent and fun. It is also, quite often, a bit ridiculous.

Some examples of the ridiculous aspects of the film include: 1) Glenn Close's hair and make-up (playing the leader of the planet Xandar whose people Thanos is trying to exterminate) is comically bad, resembling a cartoon. 2) Peter Quill has a mixtape of 70's and 80's hit songs from his dead mother which we are to believe that even though these civilizations have spaceships and advanced technology they don't have digital copies of music? 3) There's a scene which takes place in a prison which our characters will of course break out of (is this a spoiler?). The ridiculous part of the scene is basically how easily our heroes escape because of how incompetent the guards are as well as the venality of the other prisoners.

The irreverent vibe is exemplified by the film's great soundtrack and Pratt's goofy but effective dancing, to songs like "Oooh Child," "I'm Not In Love," and "Ain't No Mountain High Enough." Another example is the Star Trek like make-up to indicate alien physiognomy.

Overall, Guardians of the Galaxy is a classic sci-fi romp, reminiscent of the original Star Wars  (in tone) but with flaws reminiscent of other fun films like The Fifth Element and Serenity. What I'm trying to say is that Guardians of the Galaxy is definitely worth seeing and an enjoyable entertainment.

Title: Guardians of the Galaxy.
Director: James Gunn.
Running Time: 2 hours, 1 minute.
MPAA Rating: Rated PG-13 for intense sequences of sci-fi violence and action, and for some language.
Release Date: August 1, 2014.
Viewing Date: August 10, 2014.

Writing: B.
Acting: A-.
Visuals: B+.
Impact: A.

Overall Grade: B+/A- (3.50/4.0).

Saturday, March 01, 2014

2014 OSCARS: My Predictions of The Winners In The Top 8 Categories


The 86th Annual Academy Awards ceremony, better known as The Oscars, are happening on Sunday March 2. The nominations were released on January 15th. Last year I correctly predicted 5 winners in the Top 8 categories and only 14 of 24 overall.

Below are my prediction for the film or person I want to win ("SHOULD WIN") and the film or person I predict to actually win ("WILL WIN").

Best Picture
This is the most important category and surprisingly this year is one of the toughest to predict. Last year's winner was Ben Affleck's Argo which was a surprise to some, but was really not unexpected after Affleck was not even nominated for Best Director, a snub which angered a large segment of the Academy. There is a threeway race for the top spot between American Hustle, 12 Years A Slave and Gravity. Gravity and American Hustle lead the pack with 10 nominations, with 12 Years A Slave close behind with 9. Most Oscarologists are calling for 12 Years A Slave to win Best Picture but Gravity is the one with the largest following thanks to its 200-plus million box-office haul American Hustle has its hopefuls as well, but if it were to win it would be because it was on enough people's 2nd place slot that the preferential ballot allows it to sneak out a win. Since I picked 12 Years A Slave as my favorite film of the year I understand why people want it to win, but I think the Academy will go with the crowd pleaser (Gravity), especially since more often than not Best Picture and Best Director are very often aligned and Gravity's director is a lock to win.

SHOULD WIN: 12 Years A Slave
WILL WIN: Gravity

Best director
  • Steve McQueen -- "12 Years a Slave"
  • David O. Russell -- "American Hustle"
  • Alfonso Cuaron -- "Gravity"
  • Alexander Payne -- "Nebraska"
  • Martin Scorsese -- "The Wolf of Wall Street"
SHOULD WIN: Alfonso Cuaron, Gravity 
WILL WIN: Alfonso Cuaron, Gravity 

Best actor
  • Bruce Dern -- "Nebraska"
  • Chiwetel Ejiofor -- "12 Years a Slave"
  • Matthew McConaughey -- "Dallas Buyers Club"
  • Leonardo DiCaprio -- "The Wolf of Wall Street"
  • Christian Bale -- "American Hustle"
SHOULD WIN: Chiwetel Ejiofor, 12 Years A Slave 
WILL WIN: Matthew McConaughey, Dallas Buyers Club 

Best actress
  • Amy Adams -- "American Hustle"
  • Cate Blanchett -- "Blue Jasmine"
  • Judi Dench -- "Philomena"
  • Sandra Bullock -- "Gravity"
  • Meryl Streep -- "August: Osage County"
This really should be Amy Adams year. She is a 5-time nominee and the only person in this category who has not yet won an Oscar, but Blanchett has won every precursor award and is widely respected. She is going to win a second Oscar eventually, and it might as well be this year. I just hope that Adams does not become another Glenn Close, much nominated and also widely respected but never rewarded with Hollywood's highest honor.

SHOULD WIN: Amy Adams, American Hustle 
WILL WIN: Cate Blanchett, Blue Jasmine

Best supporting actor
  • Barkhad Abdi -- "Captain Phillips"
  • Bradley Cooper -- "American Hustle"
  • Jonah Hill -- "The Wolf of Wall Street"
  • Jared Leto -- "Dallas Buyers Club"
  • Michael Fassbender -- "12 Years a Slave"
Jared Leto appears to have a lock on this category, having won the Golden Globe and SAG award but I find it hard to believe that a little film like Dallas Buyers Club could win two acting Oscars. Then again, the Best Picture nomination for this film is an indication of the overall strength for the film amongst the Academy members. However, the Academy often likes to use the Supporting categories to make surprise wins for an up and coming stars. The question is who would they reward instead? I think the choices would be either Fassbender or Cooper. Who wins this category is very dependent on who wins the Supporting Actress category. If Nyong'o wins there, then most likely Cooper would win here. If Lawrence wins there (which I think is unlikely) then Fassbender would be the back up choice. It is still possible that Leto could win, and I think that he should, but I'm not entirely convinced that he will win.

SHOULD WIN: Jared Leto, Dallas Buyers Club 
WILL WIN: Bradley Cooper, American Hustle

Best supporting actress
  • Jennifer Lawrence -- "American Hustle"
  • Lupita Nyong'o -- "12 Years a Slave"
  • June Squibb -- "Nebraska"
  • Julia Roberts -- "August: Osage County"
  • Sally Hawkins -- "Blue Jasmine"
SHOULD WIN: Lupita Nyong'o, 12 Years A Slave 
WILL WIN: Lupita Nyong'o, 12 Years A Slave 

Best original screenplay
  • "American Hustle" -- David O. Russell and Eric Warren Singer
  • "Blue Jasmine" -- Woody Allen
  • "Her" -- Spike Jonze
  • "Nebraska" -- Bob Nelson
  • "Dallas Buyers Club" -- Craig Borten and Melissa Wallack
SHOULD WIN: David O. Russell and Eric Warren Singer, American Hustle 
WILL WIN: Spike Jonze, Her 

Best adapted screenplay
  • "12 Years a Slave" -- John Ridley
  • "Before Midnight" -- Julie Delpy, Ethan Hawke and Richard Linklater
  • "The Wolf of Wall Street" -- Terence Winter
  • "Captain Phillips" -- Billy Ray
  • "Philomena" -- Steve Coogan and Jeff Pope
SHOULD WIN: John Ridley, 12 Years A Slave   
WILL WIN: John Ridley, 12 Years A Slave  

The film that ends the night with the most wins will be Gravity, probably ending with at least five, most likely Picture, Director, Sound, Sound Mixing, Visual Effects and Score.

Thursday, February 20, 2014

My Top 10 Best Films Seen in 2013


This post contains the list of my Top 10 films that I saw in 2013. Last year my favorite film was A Separation. This year it was very hard to decide between the very best film of the year, with the two contenders being very different from each other but each very powerful in their own way.

Anyway, here is my Top 10 list of best films seen in 2013
  1. 12 Years A Slave. This was the best film I saw all year. Although it is a difficult movie to sit through, and despite the fact it is a cinematic rendering of a terrifying and terrible historical period, 12 Years A Slave has a lot to say to contemporary audiences. Unlike last year's Lincoln, which was another one of Steven Spielberg's forays into historicized verisimilitude in pursuit of racial reconciliation, I never felt like I was completing a dutiful chore by experiencing Steve McQueen's version of Solomon Northrup's stranger-than-fiction life story. A free black man who gets kidnapped and manages to endure and then escape any Black person's worst nightmare is the source material for a work that you would think would mostly resonate with predominantly black audiences, but from the rapturous critical responses and significant Academy Award recognition (Nine Oscar nominations, including Best Picture, Director, Actor, Adapted Screenplay, Supporting Actor and Supporting Actress). I hope that it wins as many awards as it can but regardless of what happens on Sunday March 2nd, the value of 12 Years A Slave is not measured by the number of Oscars it wins but by the number of people who are impacted by the film now and in the future.
  2. Gravity. Although I did not end up ranking Gravity as the best film of the year I would not be upset if the Academy disagrees with me and recognizes it for  the technological tour de force that it is. Structured around a gripping performance by Sandra Bullock, the central mission of the film is director Alfonso Cuaron's desire to make the experience of watching the film to be a truly immersive experience. This is an especially effective and ambitious goal because the film is set in space and only the voices of four individual actors (and live faces of two) are ever seen on screen. I saw the film in 3-D but it is my understanding that even watching the film in other formats the strength of the film to suck you in and make you believe that you are also in space along with Bullock as her character encounters an unfortunate sequence of harrowing events which literally set my pulse racing.
  3. Prisoners. The most suspenseful moments I spent in the theater in 2013 were watching this film from Denis Villeneuve, who made my favorite film of 2011, Incendies. The cast is incredible, with memorable performances by Hugh Jackman, Jake Gyllenhaal, Maria Bello, Melissa Leo, Viola Davis, Terence Howard and Paul Dano. The story is about the the kidnapping of two little girls (Jackman and Bello, and Howard and Davis play the parents) investigated by police detective Gyllenhaal with Dano as a strange guy who is the prime suspect in the kids' disappearance. Prisoners explores how far decent "regular" folks will go when faced with extraordinary circumstances as Jackman's character begins to unravel under the pressure of the diminishing chances of survival of his beloved daughter as time elapses and the desire to do something, even the unthinkable, in order to see his child alive again.
  4. American Hustle / Silver Linings Playbook (2012). Even though these two movies were released in two consecutive years they are linked together in my mind because they are made by the same director (David O. Russell) and feature some of the most noteworthy performances stars of both years. In fact, both movies star some of the same people: Jennifer Lawrence (who won her Best Actress Oscar for Silver Linings Playbook and who is nominated as Best Supporting Actress for her work in American Hustle) and Bradley Cooper (who was nominated for Best Actor for Silver Linings Playbook and for Best Supporting Actor for American Hustle). Russell has a richly deserved reputation as an actor's director, since in his last two movies actors received Oscar nominations in all four of the acting categories. Of the two films, I think that American Hustle is superior, and this is primarily due to the presence of Christian Bale and Amy Adams as well as a more compelling storyline, which is a comedic depiction of the infamous AbScam scandal of the 1970s. The film is both richly entertaining and quite suspenseful, as Bale and Adams inhabit their characters with such vivacity that the audience becomes quite invested in what happens to them,
  5. Zero Dark Thirty (2012)This was Kathryn Bigelow's follow-up film after her Oscar-winning turn in The Hurt Locker about the search for Osama bin Laden which made Jessica Chastain an above-the-line movie star. This would have been near the top of my list of best films for 2012 but I didn't see the film until January. It's quite extraordinary that Bigelow is able to make such a suspenseful, engaging film about a story in which we already know the ending. 
  6. Dallas Buyers ClubThis film was a pleasant surprise, centered around two astonishing, transformative performances by Matthew McConaughey and Jared Leto.  The powerful story is a clear-eyed depiction of some of the darkest days of the AIDS crisis when people had to be creative to get access to potential life-saving drugs against the wishes of a heartless government bureaucracy. Jennifer Garner (Mrs. Ben Affleck) has a key role as a doctor who abandons the establishment for the good of her patients. Both Leto and McConaughey give revelatory performances and one and perhaps two of them may receive Oscars for their work.
  7. Fruitvale Station. This film is a heartbreaking depiction of the last few days of the life of Oscar Grant, who was fatally shot in the  back by a BART officer while he was face down in the early hours of 2009. Grant is portrayed powerfully by Michael B. Jordan and the film is effective at humanizing a story that could have easily become an unwatchable hagiography but instead  is as compelling and horrifying as a slow-motion car crash.
  8. Star Trek Into Darkness. My favorite action film of the year was this entry into the Star Trek franchise directed by J.J. Abrams and stars Benedict Cumberbatch as the villain. There's an exciting twist to this movie which fans of the earlier Star Trek films willl greatly enjoy. There's great chemistry between Zachary Quinto and Chris Pine as Kirk and Scott and Simon Pegg basically steals the movie as Scotty.
  9. Her. This film features one of the most creative screenplays of recent memory, another Spike Jonze joint. The story is about  a man played by Joaquin Phoenix who falls in love with an operating system voiced by Scarlett Johansson in a near-future time where this event is not remarkable. In addition to the very original screenplay, the production design and vision of Los Angeles are also remarkable. 
  10. Lee Daniels' The Butler. Although some people dismissed this film as "the Black Forrest Gump" due to the travelogue version of history it depicts of great moments of the civil rights era, it features compelling performances from Oprah and Forrest Whitaker. Additionally, there are amazing cameos from  a dizzying array of actors portraying real historical figures.
2013 was an even better year for movies than 2012. I hope that 2014 turns out to be just as good!

Thursday, January 09, 2014

FILM REVIEW: American Hustle


The other half and I saw  American Hustle, the new film from director David O. Russell (Silver Linings Playbook, The Fighter), a couple of days after Christmas. American Hustle brings together Silver Linings Playbook co-stars Jennifer Lawrence and Bradley Cooper along with Christian Bale and Amy Adams.

However, this time the story is a fictional take on the famous Abscam scandal of the 1970s where numerous political figures were caught on tape taking bribes and sent to prison for corruption. The story revolves around a con man named Irving Rosenfeld (played by a near-unrecognizable Bale) and the love-of-his-life Sydney Prosser (played by Adams), who has a killer fake British accent. Lawrence plays Irving's estranged wife (and mother of his son) with extreme Jersey flair. Irving and Sydney try to scam the wrong person (an FBI agent named Richie DiMaso played by Cooper who has a ridiculously curly head of hair) and end up beholden to the FBI. Cooper basically coerces Irving and Sydney to run a scam that will net atleast 4 arrests in order to be convinced to not press charges against them. Their first target is Mayor Carmine Polito (played by Jeremy Renner) who is convinced by Irving to use his political connections to facilitate investments to refurbish and redevelop Atlantic City. Hilarity ensues.

The script is clever, and Russell's pacing is designed so that the suspense builds as Irving and Sydney get themselves deeper and deeper entangled with more powerful (and more dangerous) individuals, much to the delight of the FBI's DiMaso, who is hoping to advance in his career by arresting "big fish."

At its heart, American Hustle is a caper film, as well as a love story. Both aspects are well-executed and this makes the film-going experience quite enjoyable. The ensemble cast works well together with no one member standing out more than any other. Russell is well-known for the work he does with actors and this is true here, with Lawrence, Bale, Adams, Cooper and Renner doing some of their best work.

Title: American Hustle.
Director: David O. Russell.
Running Time: 2 hours, 18 minutes.
MPAA Rating: Rated R for pervasive language, some sexual content and brief violence.
Release Date: December 20, 2013.
Viewing Date: December 27, 2013.

Writing: A.
Acting: A.
Visuals: A-.
Impact: A-.

Overall Grade: A/A- (3.83/4.0).

Monday, January 21, 2013

FILM REVIEW: Silver Linings Playbook



One of the most unusual movies of the year is David O. Russell's Silver Linings Playbook starring Bradley Cooper and Jennifer Lawrence as two damaged people who are desperately trying to connect emotionally with another person. Cooper plays Pat Solatano, Jr. who at the beginning of the film is seen being released from a mental institution by his mom, Debbie Solatano (played by the veteran Australian actress Jackie Weaver). Pat asks his mom to give a friend named Danny (played by Chris Tucker) that he met during his stay at the mental institution history a ride home but soon we discover that Pat is actually trying to use his mom as an accomplice to help Danny escape! This is just the first sign that something is "not quite right" with Pat.

Soon we have even more evidence that multiple members of the Solatano household are "not quite right" when we meet Pat's Dad, Pat Solatano, Sr (played by 2-time Oscar winner Robert De Niro) who is absolutely obsessed with the Philadelphia Eagles because his primary source of income is acting as a bookie for bets on football. We (the audience) obtain this information because Debbie tells Pat before they enter the house that his dad is doing this and admonishes him not to bring it up when he meets his dad for the first time in 9 months. The first thing Pat does when he walks in the house is mention the bookie thing, causing Pat Senior to remonstrate with his wife for revealing this information. Pat Senior has his own quirks as well, not only does he basically make his living from illegal sports gambling but he also has a curious delusion that if he does certain things it will improve the chances of his team winning. This goes well beyond the typical magical thinking or superstitions of many sports fans because Pat Senior insists that the actions of other people around him can also impact the "luck" his favored team will have.

Pat gets invited to his best friend Ronnie's house for dinner and there he meets a girl named Tiffany Maxwell who is Ronnie's sister-in-law and a recovering sex addict and recent widow. The dinner is a pretty calamitous affair, with Pat and Tiffany each showing off their quirks to this person hey just  met unabashedly. Pat goes to this somewhat dressy occasion wearing a Philadelphia Eagle jersey and demonstrates his obsession/infatuation with his ex-wife Nikki whom he deludedly thinks he is going to get back together with even though she has filed for divorce, moved away, and taken out a restraining order to keep him from getting to within 500 feet of her or contacting her in any way. Tiffany asks Pat about what meds he is taking and they proceed to have a jaw-dropping exchange about 3 or 4 psychoactive medications each has taken and their side effects while Ronnie and his wife look helplessly on. Once this conversation is over Tiffany abruptly gets up from the table and asks Pat to walk her home (even though they are barely into the salad course). While they are walking home she promptly propositions him for sex, which he refuses (because he is being loyal to his "relationship" with Nikki). These actions just reinforce that neither of them really has their self-destructive obsessive behaviors (sex addiction for her, delusion about his ex-wife for him) under control.

I wanted to give a short summary of some of the key events at the beginning of the film to give the reader a sense of how the movie introduces us to the characters and gets us intrigued and invested in their well-being. Even though I described them as "damaged" earlier, one of the key points of the film is that everyone in the film has something "not quite right" about their behavior, but it is only Pat and Tiffany who get the dreaded "crazy" label by everyone around them. But that doesn't mean that they don't have good qualities as well, i.e. a "silver lining."

Through an interesting (albeit somewhat contrived, plot device) Pat and Tiffany end up spending a lot of time together and the audience gets to see how good the two would be for each other long before either of the two characters realize it. The filmmakers can't disguise the fact that Cooper and  Lawrence really are incredibly attractive people, even if they are playing "regular" folks here who have disturbing personalities/behaviors. This fact makes watching the film an enjoyable exercise for people who appreciate male or female beauty (those eyes! that hair!). The main suspense of the film's plot is whether Pat and Tiffany can battle through their mental barriers to actually connect with each other. And by the end of the film, we really really care about what will happen to these characters.

Overall, Silver Linings Playbook is a heart-warming film, with extraordinary acting (the cast has the rare distinction of having Oscar nominations in all four acting categories for Cooper, Lawrence, De Niro and Weaver) and a thought-provoking script that will make you reassess your views about mental illness, the nature of "obsession" and love itself.

Title: Silver Linings Playbook.
Director: David O. Russell.
Running Time: 2 hours, 2 minutes.
MPAA Rating: Rated R for language and some sexual content/nudity.
Release Date: November 21, 2012.
Viewing Date: January 3, 2013.

Writing: A-.
Acting: A.
Visuals: B+.
Impact: A-.

Overall Grade: A (3.66/4.0).

Friday, November 16, 2012

Friday, November 25, 2011

Celebrity Friday: Bradley Cooper Named Sexiest Man Alive


Bradley Cooper has been named "the sexiest man alive" by People magazine, annoying fans of Ryan Gosling. I have been a fan of Cooper's since his appearance on J.J. Abrams' Alias television show which starred Jennifer Garner as a secret CIA agent with family issues and Michael Vartan as her handler and love-interest. Cooper played Garner's best friend who was also in love with her. Even back then I could not understand why garner's character would prefer Vartan over Cooper.

Now that the 36-year-old single guy has become a bona fide movie star with appearances in The Hangover and its sequel his profile has soared. This was his reaction when he learned he had been named the sexiest man alive for 2011 by People:
"I think it's really cool that a guy who doesn't look like a model can have this [title]," saysthe Hangover actor, 36. "I think I'm a decent-looking guy. Sometimes I can look great, and other times I look horrifying." 


Another reason to love him? Cooper, whose father Charles passed away in January, is especially close with his mom, Gloria. When he learned he'd been crowned Sexiest Man Alive, the "first thing I thought," he says, "was, 'My mother is going to be so happy.' " 
Congratulations, Bradley

Monday, June 22, 2009

MOVIE REVIEW: The Hangover

The Other Half wanted to see a movie this weekend so we went and saw The Hangover. The film is directed by Todd Phillips and stars Bradley Cooper (ABC's Alias), Ed Helms (The Daily Show, The Office) and two guys I had never heard of before, Zach Galifianakis and Justin Bartha.

The Hangover is most definitely an "adult comedy." It is chock full of ribald jokes, foul language, sexual situations, male frontal nudity, depiction of massive alcohol consumption (and its after effects).

The movie's plot is surprisingly simple but effective. Four friends (well, 2 friends of the groom-to-be plus his future brother-in-law) go to Las Vegas for a Bachelor Party and wake up the next day with a hilariously awful situation: their hotel suite has been ransacked, the groom is missing, and there are strange objects left in the room (an infant, a chicken, a live tiger) and none of them have any memory of what transpired the night before.

Instead of a "whodunit" this is a "what the **** did we do?" kinda movie. Surprisingly, it is very watchable and almost unwatchable at the same time. You can't believe what a horrible situation the guys have gotten themselves into, but you also can't stop watching.

The Hangover is lots of fun, with a standout performance by Helms. Cooper is always easy on the eyes and Galifianakis weird brand of humor takes awhile to get used to, but is (mostly) effective.

MPAA Rating: R for pervasive language, sexual content including nudity, and some drug material. Running Time: 1 hour, 40 minutes.

OVERALL GRADE: B/B-.

ACTING: B-.
IMAGERY: B-.
PLOT: B+.
IMPACT: B
.

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