Showing posts with label Tilda Swinton. Show all posts
Showing posts with label Tilda Swinton. Show all posts

Monday, February 02, 2015

My Top 10 Films (Released In 2014)


This post contains the list of the Top 10 films that I saw in 2014. The year before my favorite film was  12 Years A Slave. This year it was very hard to decide between the very best film of the year, with three contenders essentially tied with each other but each had a very powerful impact on me in their own way.

Anyway, here is my Top 10 list of the films released in 2014 that I saw last year. This year I saw roughly 17 films in the movie theaters and then another half dozen or so through other channels (at home on television via premium cable or iTunes) and on planes.
10. Blackbird. This is the latest film by Black gay wunderkind Patrik-Ian Polk (Punks, Noah's Arc). It stars Mo'Nique in her first film role after winning the Best Supporting Actress Oscar for Precious and is a film adaptation of the classic book by the same name about a young Black boy coming of age in the South. Unfortunately, Blackbird still has not found a distributor but I was able to see the film twice in 2014, once at the Pan African Film Festival, and then several weeks later at Outfest Fusion. The main strength of this film is its authentic portrayal of a gay teenager's life and love, and even though the actual twists of the story are melodramatic, it felt good to see representations of Black gay men like myself on screen. If you get a chance to see Blackbird, grab it!
9. Snowpiercer. I had heard of Snowpiercer but it just looked like another bat-sh*t crazy Tilda Swinton movie. My interest was piqued when I discovered that the always fun to watch Chris Evans (Captain America) was also in it. Sadly, Evans has an extensive beard and shows almost no skin in the film but delivers an effective performance that grounds the film, even though, by any measure, Snowpiercer is a pretty wild ride of a film. It is reminiscent of other wild, visually arresting classics like Brazil, The Fifth Element and The Matrix. Just like those movies, the story doesn't make much sense but somehow you can not stop watching it. Definitely a movie I will remember years from now, probably more so than some of the higher ranked films on this list.
8. Big Hero 6. This was the best animated film that I saw in the theaters this year. (The LEGO Movie I saw on AppleTV soon after it left the theaters and despite what the Oscar voters say, it is better than Big Hero 6.) Like Edge of Tomorrow, Big Hero 6 is based on content from another source, this time a popular Marvel comic of the same name. The best thing about Big Hero 6 is the inflatable robot named Baymax, although the main character of Hiro Hamada (voiced by Ryan Potter) is a close second. I guess one of the main reasons why I liked Big Hero 6 is that it reminds me somewhat of one of my favorite movies, The Incredibles.
7. Edge of Tomorrow. If you had told me when I wrote last year's Top 10 list that a Tom Cruise science fiction flick would be one of my favorite movies of the year I would not have believed you. But Edge of Tomorrow also stars Emily Blunt in a big screen adaptation of a Japanese graphic novel with a fiendishly clever script, directed by a well-respected action director (Doug Liman, known for his work on the Bourne series starring Matt Damon). Since the film was so badly marketed I went it to the theater with low expectations, which were happily easily exceeded.
6.  X-Men: Days of Future Past. This latest entry into the X-Men franchise was directed by animating force behind the reboot: Bryan Singer, which is a good thing. The key feature of this movie is that it featured Sir Ian McKellen and Sir Patrick Stewart from the first set of X-Men films as well as Michael Fassbender and James McAvoy playing the same characters (Magneto and Professor Xavier, respectively). It's really fun to have both sets of actors in the film, even though they basically have no scenes together (since they are playing the same characters in different eras). Another strength of this film was the plot which, although it depended on a somewhat cheesy time travel device allowed the film to be mostly set in the early 1970s, which was an inspired choice. 
5. The LEGO Movie Guardians of the Galaxy. At the beginning of the year I guess I might have been one of the many people who did not know the name of the actor who plays the young, tall, goofy white dude on Parks & Recreation but there are very few people who don't know who Chriss Pratt is now after he appeared in not one but two of the biggest box-office hits of the year. The LEGO Movie sounded like it would be a painfully bad attempt to leverage a well-known nostalgic brand (Battleship, anyone?) but instead was a surprisingly clever romp strengthened by the voice talents of Pratt and Morgan Freeman, the silly but hyper-infectious theme song "Everything is awesome!" and a snarkily satirical script. The Lego Movie was fun and a huge hit but since Pratt does not physically appear in the film it took the summer blockbuster
Guardians of the Galaxy to really send Pratt's profile into the stratosphere. Guardians of the Galaxy  can not be considered a surprise sleeper hit like The Lego Movie since it is one of the Marvel suite of comic-book movies but even in that context, Guardians of the Galaxy is a surprisingly effective entertainment. And Pratt is front and central to the movie's runaway success, in all his attractive goofiness.
4. Gone Girl. Regardless of what Oscar voters think, in my opinion David Fincher's representation of Gillian Flynn's blockbuster mystery novel was one of the best directed  and most thrilling movies I saw in 2014. Even though I read and quite enjoyed the book, I was very impressed with how much of the book was able to be included in the film. There are very strong performances by a bevy of well-cast actors, starting with Ben Affleck and Rosamund Pike as the (un)happily married couple Nick and Amy Dunne at the center of the film, and also including Carrie Coon as the suspicious detective who investigates Amy's disappearance,  Neil Patrick Harris as Amy's obsessive childhood crush and even Tyler Perry as Nick's buffoonish but media savvy defense attorney. Fincher's film also includes a wickedly dark sense of humor that adds oomph to the impression it leaves on the psyche.
3. The Imitation Game.  This film was another one of my most anticipated films of  2014 that also lived up to my expectations. Additionally, it also provided a fair number of surprises by giving information about the story of Alan Turing's life and work that I was unaware of even though I was generally familiar with the broad outlines of his heroic contributions to society and the tragedy of his personal biography. In fact one of the key strengths of The Imitation Game is its ability to present a British period piece in a way that is both compelling and suspenseful, even though we know how the story ends. Another major strength are the performances by Benedict Cumberbatch and Keira Knightley as well as the structure of the screenplay adapted from Andrew Hodges classic biography.
2.  The Grand Budapest Hotel This is the only film that I saw multiple times throughout the year and was also one of my most unexpected pleasures at the cinema all year long. I have not been a huge fan of Wes Anderson's work in the past (I still have not seen Moonrise Kingdom) but was convinced by friends to see this one and found it absolutely delightful. The screenplay is so clever, and the film is anchored by the hysterical and self-possessed performance of Ralph Fiennes  as M. Gustave, the concierge of the Grand Budapest Hotel as well as an impressive debut by Tony Revolori as the Lobby Boy. Additionally, the huge supporting cast (Willem Dafoe, Tilda Swinton, F. Murray Abraham, Saoirse Ronan, Adrien Brody, Edward Norton) and surprising cameos (Bob Balaban, Jude Law, Tom Wilkinson, Jeff Goldblum, Owen Wilson, Bill Murray, Jason Schwartzman, Fisher Stevens) present an inexhaustible supply of smiles and giggles that cement this film as one of the most enjoyable films of the year.
1. InterstellarWhen I started thinking about this list I did not place Christopher Nolan's film at the number one spot, although I was pretty sure it would be somewhere in my Top 5. However when I went back and looked at my written reviews I saw that I had basically felt that The Imitation GameThe Grand Budapest Hotel and Interstellar were all essentially tied as my favorite films of the year. Then as I reflected more upon the three I realized that Interstellar was not only my most anticipated film of the year it was also the film that had the strongest emotional impact on me after viewing. It was not a perfect film (some of the dialogue is painfully bad) by any means but there's no question that it was the film which had the most memorable visuals of anything I saw in the theaters all year long. The suspenseful plot and the always rock-solid performances by Sir Michael Caine, Matt Damon, Anne Hathaway, Jessica Chastain and Matthew McConnaughey are other impressive strengths. I still do not think it was as compelling conceptually as Nolan's Inception (2010), which possesses one of my all-time favorite soundtracks and is a film that I have seen and enjoyed multiple times.
 There ya go. There are still some very well-regarded 2014 movies which I have yet to see, such as Boyhood, The Theory of Everything, Selma and Foxcatcher.

Some Honorable Mentions that could be on this list are Divergent (mostly for Theo James' hotness), and Birdman (although overall I think it is somewhat self-indulgent and a bit too-"inside Hollywood" for me).

Looking forward to seeing more movies in 2015!

Wednesday, June 04, 2014

FILM REVIEW: The Grand Budapest Hotel


This is actually the first major motion picture released in 2014 that I have seen in a movie theater this year. I saw it at one of my favorite movie theaters in the country, the AMC Courthouse theaters in Arlington, VA, when I was visiting Washington, D.C. this spring. We saw the new Wes Anderson film, The Grand Budapest Hotel at the suggestion of one of my former co-workers. I have seen some of Anderson's previous work (The Fantastic Mr. Fox, The Royal Tenenbaums) but wouldn't call myself a fan of his work. The films I have seen of his seem quite odd and a bit of an acquired taste, like tofu, snails or smelly cheeses.

In fact The Grand Budapest Hotel has a lot in common with unusual European delicacies in  the sense that it is a bit of a European delicacy itself, with the complicated associations that description entails.

The central character of the film is Monsieur Gustave, the Maitre'd of the Grand Budapest Hotel played by Ralph Fiennes. The story is told in retrospect by Zero Moustafa (played as an old man by Oscar winner F. Murray Abraham and as a youngster by newcomer Tony Revolori) to a writer played by Jude Law. The primary plot is about the will of an old heiress (played by Oscar-winner Tilda Swinton) with a major sub-plot the 'first love' romance between Zero and Agatha (played by Saoirse Ronan). The heiress has a nephew(?) played by Oscar-winner Adrien Brody who expected to be the sole recipient of the will and when he discovers this is not the case, he sets his menacing henchman Willem Dafoe to harass everyone who stands in the way of his inheritance. The first person to disappear is the executor of the will (played by Jeff Goldblum) and soon there is delightfully insane chase by Dafoe of Revolori and Fiennes through the fictional European country's Alpine landscape.

Fiennes actually goes to prison as a result of the worsening political landscape in our fictional European country as it approaches war. A Nazi "ZZ" officer played by Edward Norton arrests Fiennes him while he's on a train even though he has called on the International Brotherhood of Concierges to help him escape a seemingly impossible situation. More Anderson regulars (Bob Balaban, Bill Murray, Jason Scwartzman and Owen Wilson) make an appearance, especially during the inevitable jail break sequence which is ingeniously plotted and bumblingly executed.

Overall, The Grand Budapest Hotel is an amusing diversion, quite different from your typical summer movie fare and well worth your time. It is fun and funny and a feast for the eyes.
 
Title: The Grand Budapest Hotel.
Director: Wes Anderson.
Running Time: 1 hour, 40 minutes.
MPAA Rating: Rated R for language, some sexual content and violence.
Release Date: March 28, 2014.
Viewing Date: April 6, 2014.

Writing: A.
Acting: A.
Visuals: A+.
Impact: A-.

Overall Grade: A (4.0/4.0)

Monday, January 23, 2012

2012 Oscars: Nominations Announced Tomorrow

Tomorrow morning at 5am PST (Tuesday January 24) the 84th Academy Award nominations will be announced for films released in 2011. The Golden Globe award winners were previously announced on Sunday January 15th. After seeing the actual nominations I will post a more extensive post with my predictions for the Top 8 award winners. In previous yearsMad Professah has done pretty well in predicting both Academy Award nominations and wins.

Best Picture 


Harry PotterMidnight in ParisDragon Tattoo
MoneyballHugoTree of Life
The ArtistThe HelpThe Descendants


The Descendants
The Help
Hugo
Tree of Life

Best Director
Best Actress
  • Glenn Close, Albert Nobbs
  • Viola Davis, The Help
  • Rooney Mara, The Girl with the Dragon Tattoo
  • Meryl Streep, The Iron Lady
  • Tilda Swinton, We Need To Talk About Kevin
Best Actor
Best Supporting Actress
  • Berenice BejoThe Artist
  • Jessica Chastain, The Help
  • Melissa McCarthy, Bridesmaids
  • Vanessa Redgrave, Coriolanus
  • Olivia Spencer, The Help
Best Supporting Actor
  • Albert Brooks, Drive
  • Armie Hammer, J. Edgar
  • Jonah Hill,  Moneyball
  • Christopher Plummer,  Beginners
  • Andy Serkis, Rise of the Planet of the Apes
Best Original Screenplay
Best Adapted Screenplay
  • Alexander Payne, Nat Faxton and Jim Rash, The Descendants
  • Tate Taylor, The Help
  • John Logan, Hugo
  • Aaron Sorkin, Steve Zaillian, and Stan Chervin, Moneyball
  • George Clooney, Grant Heslov and Beau Willimon, The Ides of March
Total Nominations
  1.  The Artist 10
  2. The Descendants, 9
  3. Moneyball, The Help 7
  4. Harry Potter and the Deathly Hallows, Part 2, Hugo, Midnight in Paris 5

Thursday, December 15, 2011

2012 Golden Globe Nominations Announced

The 2012 Oscar race heats up with the announcement of the nominations for the Golden Globes, the second-most watched awards show of the season. Of the Best Picture nominees, I have see n only Moneyball, The Help and Midnight in Paris.

Looks the tight race this year is going to be Best Actress, as predicted awhile back. Meryl Streep has two Oscars and Tilda Swinton has one. My sentimental favorite would have to be for Glenn Close, because I think she was robbed for Dangerous Liaisons all those years ago.


BEST PICTURE, DRAMA
The Descendants
The Help
Hugo
The Ides of March
Moneyball
War Horse 

BEST PICTURE, MUSICAL OR COMEDY
50/50
The Artist
Bridesmaids
Midnight in Paris
My Week with Marilyn 

BEST DIRECTOR
Woody Allen, Midnight In Paris
George Clooney, The Ides of March
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo 

BEST ACTOR, DRAMA
George Clooney, The Descendants
Leonardo DiCaprio, J Edgar
Michael Fassbender, Shame
Ryan Gosling, The Ides of March
Brad Pitt, Moneyball 

BEST ACTRESS, DRAMA
Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl with the Dragon Tattoo
Meryl Streep, The Iron Lady
Tilda Swinton, We Need to Talk About Kevin 

BEST ACTOR, COMEDY OR MUSICAL
Jean Dujardin, The Artist
Brendan Gleeson, The Guard
Joseph Gordon Levitt, 50/50
Ryan Gosling, Crazy Stupid Love
Owen Wilson, Midnight in Paris 

BEST ACTRESS, COMEDY OR MUSICAL
Jodie Foster, Carnage
Charlize Theron, Young Adult
Kristen Wiig, Bridesmaids
Michelle WIlliams, My Week With Marilyn
Kate Winslet, Carnage 

BEST SUPPORTING ACTOR
Kenneth Branagh, My Week with Marilyn
Albert Brooks, Drive
Jonah Hill, Moneyball
Viggo Mortensen, A Dangerous Method
Christopher Plummer, Beginners 

BEST SUPPORTING ACTRESS
Berenice Bejo, The Artist
Jessica Chastain , The Help
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help
Shailene Woodley, The Descendants 

BEST SCREENPLAY
Midnight in Paris, Woody Allen
The Ides of March, George Clooney, Grant Heslov, Beau Willimon
The Artist, Michel Hazanavicius
The Descendants, Alexander Payne, Nat Faxon and Jim Rash
Moneyball, Steven Zaillian and Aaron Sorkin

BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Cars 2
Puss in Boots
Rango

BEST FOREIGN LANGUAGE FILM
The Flowers of War
In The Land of Blood and Honey
The Kid WIth The Bike
A Separation
The Skin I Live In

BEST ORIGINAL SCORE
The Artist, Ludovic Bource
W.E., Abel Korzeniowski
The Girl with the Dragon Tattoo, Trent Reznor and Atticus Ross
Hugo, Howard Shore
War Horse, John Williams

BEST ORIGINAL SONG
"Lay Your Head Down," Albert Nobbs
"Hello Hello," Gnomeo and Juliet
"The Living Proof," The Help
"The Keeper," Machine Gun Preacher
"Masterpiece," W.E.

Hat/tip to TowleRoad.

Wednesday, January 21, 2009

MOVIE REVIEW: The Curious Case of Benjamin Button

David Fincher's The Curious Case of Benjamin Button is one of the leading contenders for the Best Picture of the year but has been receiving wild ecstatic raves and vicious pans from the filmerati.

The Oscar nominations come out on Thursday January 24th and most Oscarologists expect "Ben Button" to be in the elite group of Best Picture nominees, and may have the most nominations overall.

As the above pictures indicate, the film stars Oscar winner (The Aviator) Cate Blanchett and (2-time) World's Sexiest Man Brad Pitt and was written by Oscar-winner Eric Roth (Forrest Gump). Oscar winner Tilda Swinton (Michael Clayton) also has a pivotal role. However, the real star of the film is the stunning visual effects that depict the reverse-aging of Brad Pitt's character Benjamin Button as well as the forward-aging of Cate Blanchett's Daisy.

This is clearly film-making at a very high level, with the art direction, cinematography and score particularly notable. The producers of this film often work with Steven Spielberg and clearly they intended The Curious Case of Benjamin Button to have the magic of some of his classic films and/or Forrest Gump. Sadly, "Ben Button" does not reach those heights; it is a very good, but not great film.

The central conceit of the film, that someone would be born very old and physically age in reverse actually is quite effective. This plot device actually provokes some serious ruminations on the nature of life by the viewer which is often the hallmark of great art. Interestingly, despite having a structural lack of suspense (we know that Benjamin Button is going to have to "grow young and die") Eric Roth's script does an excellent job of still providing twists and turns that surprise and delight.

Both Blanchett and Pitt give spellbinding performances. Pitt, especially astounds in his physical ability to embody younger and younger versions of himself. However, I was also struck by Blanchett's even more difficult (albeit more traditional) performance that contains more physically humbling scenes. Taraji P. Henson plays Brad Pitt's adoptive mother as one of several "magic negroes" that mar the film's emotional impact. The shooting of the film in and around New Orleans, Louisiana does provide an interesting emotional frisson as well as the inclusion of the somewhat controversial Hurricane Katrina sub-plot featuring Julia Ormond.

Overall, The Curious Case of Benjamin Button is one of the best films of the year; with outstanding performances by both lead actors and an intriguing plot devices that provides an opportunity for self-reflection.

Running Time: 2 hours, 46 minutes, MPAA Rating: PG-13.

OVERALL GRADE: B+/A-.

ACTING: A.
IMAGERY: A-.
PLOT: B+.
IMPACT: B+.

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