Showing posts with label Jodie Foster. Show all posts
Showing posts with label Jodie Foster. Show all posts

Saturday, September 02, 2017

CELEBRITY FRIDAY: Black Mirror Announces Season 4 Episodes and Actors


Black Mirror is a wickedly funny, very irreverent and frequently brilliant television series at Netflix about our modern obsession with technology, devices and computer.  The eponymous "black mirror" refers to the screen of an unpowered device. Recently, the producers announced that Season 4 will contain six episodes and revealed the titles and actors involved:

  • “Arkangel” stars Rosemarie Dewitt, Brenna Harding and Owen Teague. It is directed by Jodie Foster.
  • “Black Museum” stars Douglas Hodge, Letitia Wright and Babs Olusanmokun. It is directed by Colm McCarthy.
  • “Crocodile” stars Andrea Riseborough, Andrew Gower and Kiran Sonia Sawar. It is directed by John Hillcoat.
  • “Hang the DJ” stars Georgina Campbell, Joe Cole and George Blagden. It is directed by Tim Van Patten.
  • “Metalhead” stars Maxine Peake, Jake Davies and Clint Dyer. It is directed by David Slade.
  • “USS Callister” stars Jesse PlemonsCristin MiliotiJimmi Simpson and Michaela Coel. It is directed by Toby Haynes. Brooker has co-written this episode with William Bridges.
Notice that Jodie Foster will be directing one of the episodes ("Arkangel"). The Season 3 episode "San Junipero" revolves around a very interesting lesbian love story and has been nominated for two Primetime Emmy awards.

It is expected that Season 4 of Black Mirror will begin streaming before the end of the year.

Thursday, August 15, 2013

FILM REVIEW: Elysium


While I was in Los Angeles for my wedding anniversary last week The Other Half and I saw the movie Elysium, the follow-up film from Neill Blomkamp, who directed District 9. Elysium was one of my most highly anticipated films of summer 2013 because I was so charmed by Blomkamp's debut work.

However, his second film is not as well-received by critics (66% favorable) or audiences (70% favorable) as his first (critics 90%, audiences 79%). This is unfortunate, because Blomkamp is working with a bigger budget and bigger stars (Oscar winners Jodie Foster and Matt Damon). The star from District 9, Sharlto Copley also appears in Elysium, as one of the key bad guys in the piece. Copley is a quirky actor, and his casting as Kruger is one of the weak aspects of the film. He simply does not convey the sense of menace as one would expect in a summer blockbuster villain; he's more like the weird, homeless guy in the subway you want to avoid not because you're afraid of him, but because you're just grossed out or uncertain about the guy's boundaries.

There are other problems with the film as well. While it's great to see Jodie Foster working in films (especially after her infamous Golden Globes speech this year where she said she was quitting the business), her Delacourt is a corrupt, elitist bureaucrat with ice in her veins who is willing to do "whatever it takes" to defend her society's morally bankrupt way of life. But, the film doesn't do a good job of really exploring or explaining Delacourt's motives. Is it just a lust for power? One would hope that there is a more complex motive for Delacourt's action than the typical desire for control. Plus, what going on with her accent? (It sounds vaguely European mixed with South African). Copley's Kruger also sounds South African, which is not surprising to those of us who recognize him from District 9, but there's no explanation why a violent and unhinged mercenary has a South African accent.

I must say that generally the use of language is one of the strongest aspects of the film. Damon's blonde, blue-eyed Max is shown speaking fluent Spanish in his orphaned, youthful past and in his squalid, hellish present. This Spanish in a sea of brown bodies and faces is juxtaposed with Delacourt's smooth French in the well-manicured, very civilized (read: White and upper-class) on Elysium. Elysium, as we know from the trailers, and very early on in the movie, is a floating habitat that the select super-rich have created and retreated to, leaving a desperate and destitute Earth to the multitudinous, teeming hordes. The use of language as a proxy for class is deployed skillfully and quickly illustrates the bifurcated nature of life in the future that we the audience are going to be experiencing in Elysium.

The central tension in Elysium is whether our main character, Max (Damon) is going to be able to figure out a way to Get Up There (to Elysium) in order to have a chance of getting access to near-miraculous machines which can fix basically any health problem. The plot to get him up there ends up with Max having information uploaded into his brain that could potentially completely change the balance of power between Earth and Elysium. The fact that there are millions (if noy billions) of people on Earth who do not have access to basic necessities of life (food, water, shelter, health) while a coddled few have access to all these in addition to miraculous health care is a clear commentary on current political debates going on in America and elsewhere. However, as Alyssa Rosenberg cogently argues, the sharp political wit that was so present in District 9 doesn't make much sense in Elysium and ultimately disappoints viewers who were excited by the visionary nature of that film.

I don't want to reveal too much of the plot twists except to say that all though the action doesn't always make sense (Blomkamp apparently has a tenuous grasp on the Newtonian laws of motion and other aspects of physics which can be distracting) it is always compelling. A friend of mine who saw Elysium at a preview described it as "a cross between Jason Bourne meets Terminator 150 years in the future."

Title: Elysium.
Director: Neill Blomkamp.
Running Time: 1 hour, 49 minutes.
MPAA Rating: Rated R for strong bloody violence and language throughout.
Release Date: August 9, 2013.
Viewing Date: August 9, 2013.

Writing: B-.
Acting: C+.
Visuals: B+.
Impact: A-.

Overall Grade: (3.0/4.0).

Wednesday, April 10, 2013

WATCH: Trailer for Elysium

One of my most anticipated movies of summer 2013 is Neill Blomkamp's Elysium. Blomkanp's made his film debut in 2009 with the amazing District 9 (see my A review). Elysium starts Academy Award winners Matt Damon and Jodie Foster (guess who gets top billing?) in another dystopian view of Earth's future. The richest 1% of the planet live on an orbiting space station with everything while the rest of humanity lives on earth, which is ravaged by disease and environmental desolation. Watch the trailer yourself and get excited!

Last year my most anticipated summer movie was Ridley Scott's Prometheus (see my B/B+ review) which ended up under-whelming. That said, I have seen it three times, and it's currently airing on HBO.

Wednesday, January 16, 2013

Queer Quote: Jodie Foster Coming Out Speech


Jodie Foster gave a speech at the Golden Globes on Sunday night which has been reverberating through the LGBT blogosphere and celebrity circles.

The key parts of her speech which people have been reacting to so viscerally are:
"So while I’m here being all confessional, I guess I have a sudden urge to say something that I’ve never really been able to air in public. So, a declaration that I’m a little nervous about but maybe not quite as nervous as my publicist right now, huh Jennifer? But I’m just going to put it out there, right? Loud and proud, right? So I’m going to need your support on this. 
"I am single. Yes I am, I am single. No, I’m kidding — but I mean I’m not really kidding, but I’m kind of kidding. I mean, thank you for the enthusiasm. Can I get a wolf whistle or something? [Audio is silent for seven seconds] ... be a big coming-out speech tonight because I already did my coming out about a thousand years ago back in the Stone Age, in those very quaint days when a fragile young girl would open up to trusted friends and family and co-workers and then gradually, proudly to everyone who knew her, to everyone she actually met. But now I’m told, apparently that every celebrity is expected to honor the details of their private life with a press conference, a fragrance and a prime-time reality show. 
"You know, you guys might be surprised, but I am not Honey Boo Boo Child. No, I’m sorry, that’s just not me. It never was and it never will be. Please don’t cry because my reality show would be so boring. I would have to make out with Marion Cotillard or I’d have to spank Daniel Craig’s bottom just to stay on the air. It’s not bad work if you can get it, though."

The problem with this aspect of her speech is that she is basically teasing the media about a "confessional" that she is "nervous" about making which will be "loud and proud" and then instead of actually saying "I'm a lesbian" or "I'm a single lesbian" or "I'm single and I'm looking for woman" she just says "I'm single." This inability to actually ever use the words "gay" or "lesbian" in her entire rambling peroration has most definitely frustrated many, many lesbian (and other LGBT) observers.

In addition, she is also claiming that she "already did my coming out about a thousand years ago back in the Stone Age." Really? Jodie Foster has been known in several circles as a lesbian for decades and has therefore been a legitimate target of people who support outing (such as myself) since at least 1991. The first time she can really be considered as being officially out of the closet is probably 2007, when she made a speech at one of the many, many awards ceremonies at which she has been honored and mentioned the main person in her life was named Cydney. Since that was merely over 5 years ago and she has been in the public eye for over 40 years (since the age of 3!) it is at the very least hypocritical for her to claim that she did not actively hide, conceal and obfuscate her sexual orientation for decades while she was near the pinnacle of Hollywood movie making. (This is a woman who has won two Best Actress Oscars--for 1988's The Accused and 1991's The Silence of the Lambs!)

But then her speech moved from merely being hypocritical to literally being offensive when she basically disparages other celebrities who have come out by saying that "ever celebrity is expected to honor the details of their private life with a press conference, a fragrance and a prime time reality show" by equating being honest about your private life to creating a spectacle of one's life like "the Honey Boo-Boo Child." This is simply wrong and incorrect. There are many, many different ways to come out, and to say that everyone who comes out (i.e. discusses "the details of their private life" with the public) is acting like Honey Boo Boo is patently offensive and projects a negative portrayal of people who do come out matter-of-factly, like Anderson Cooper, Ellen Degeneres, Sir Ian McKellen and Rosie O'Donnell. (Although it should be remembered that almost all of these people were also rumored to be LGBT before they publicly acknowledged it.) No one was asking Foster to make a reality show about her family life, but just acknowledge the reality that she loves (and lives with)  women.

There are still people who are widely believed to be gay who are at the same level of fame as Foster (such as 2-time Oscar winner Kevin Spacey) who are not out and who are also targets of outing. (There are many many more who may or may not be gay but who are rumored to be such and whom we probably won't know definitively about until after they die or at least decades from now.) Foster's speech will not make things any easier for those members of the Hollywood elite who still think being publicly honest about being gay is something which should not be done, which is odd considering the clear over-representation of people who are LGBT in positions of power and celebrity in Hollywood! (One of the most bizarre aspects of the Celebrity Closet is that very often it is the LGBT staff and hangers-on around the Celebrity that encourages them to stay in the closet.)

She then went on to say, the following, which I am designating as today's Queer Quote:
"There is no way I could ever stand here without acknowledging one of the deepest loves of my life, my heroic co-parent, my ex-partner in love but righteous soul sister in life, my confessor, ski buddy,consigliere, most beloved BFF of 20 years, Cydney Bernard. Thank you, Cyd. I am so proud of our modern family. Our amazing sons, Charlie and Kit, who are my reason to breathe and to evolve, my blood and soul. And boys, in case you didn’t know it, this song, all of this, this song is for you."
The  interesting thing about this second quote is that she acknowledges the existence of her "ex-partner in love" with whom she raised her two kids. But, because "Cydney" sounds like it could be a male name, many of the millions of people watching world wide may not have realized that Jodie Foster was revealing publicly the existence of her longtime same-sex relationship. Thus as a big coming out speech it is not very effective, because it takes an inferential step to deduce the homosexuality of the speaker.

Regardless, it was an important statement to make, and overall it will have a net positive impact on "teh gays" but it would have been a much more effective statement if she had made it 2 decades ago when she was a more relevant part of the media elite. I would be shocked if the percentage of people under the age of 25 years old who even know who Jodie Foster is and can name more than two of her movies is above 10%. Frankly, there was really no excuse for the other aspects of her speech which I have analyzed above as exceedingly problematic.

Thursday, December 15, 2011

2012 Golden Globe Nominations Announced

The 2012 Oscar race heats up with the announcement of the nominations for the Golden Globes, the second-most watched awards show of the season. Of the Best Picture nominees, I have see n only Moneyball, The Help and Midnight in Paris.

Looks the tight race this year is going to be Best Actress, as predicted awhile back. Meryl Streep has two Oscars and Tilda Swinton has one. My sentimental favorite would have to be for Glenn Close, because I think she was robbed for Dangerous Liaisons all those years ago.


BEST PICTURE, DRAMA
The Descendants
The Help
Hugo
The Ides of March
Moneyball
War Horse 

BEST PICTURE, MUSICAL OR COMEDY
50/50
The Artist
Bridesmaids
Midnight in Paris
My Week with Marilyn 

BEST DIRECTOR
Woody Allen, Midnight In Paris
George Clooney, The Ides of March
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo 

BEST ACTOR, DRAMA
George Clooney, The Descendants
Leonardo DiCaprio, J Edgar
Michael Fassbender, Shame
Ryan Gosling, The Ides of March
Brad Pitt, Moneyball 

BEST ACTRESS, DRAMA
Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl with the Dragon Tattoo
Meryl Streep, The Iron Lady
Tilda Swinton, We Need to Talk About Kevin 

BEST ACTOR, COMEDY OR MUSICAL
Jean Dujardin, The Artist
Brendan Gleeson, The Guard
Joseph Gordon Levitt, 50/50
Ryan Gosling, Crazy Stupid Love
Owen Wilson, Midnight in Paris 

BEST ACTRESS, COMEDY OR MUSICAL
Jodie Foster, Carnage
Charlize Theron, Young Adult
Kristen Wiig, Bridesmaids
Michelle WIlliams, My Week With Marilyn
Kate Winslet, Carnage 

BEST SUPPORTING ACTOR
Kenneth Branagh, My Week with Marilyn
Albert Brooks, Drive
Jonah Hill, Moneyball
Viggo Mortensen, A Dangerous Method
Christopher Plummer, Beginners 

BEST SUPPORTING ACTRESS
Berenice Bejo, The Artist
Jessica Chastain , The Help
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help
Shailene Woodley, The Descendants 

BEST SCREENPLAY
Midnight in Paris, Woody Allen
The Ides of March, George Clooney, Grant Heslov, Beau Willimon
The Artist, Michel Hazanavicius
The Descendants, Alexander Payne, Nat Faxon and Jim Rash
Moneyball, Steven Zaillian and Aaron Sorkin

BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Cars 2
Puss in Boots
Rango

BEST FOREIGN LANGUAGE FILM
The Flowers of War
In The Land of Blood and Honey
The Kid WIth The Bike
A Separation
The Skin I Live In

BEST ORIGINAL SCORE
The Artist, Ludovic Bource
W.E., Abel Korzeniowski
The Girl with the Dragon Tattoo, Trent Reznor and Atticus Ross
Hugo, Howard Shore
War Horse, John Williams

BEST ORIGINAL SONG
"Lay Your Head Down," Albert Nobbs
"Hello Hello," Gnomeo and Juliet
"The Living Proof," The Help
"The Keeper," Machine Gun Preacher
"Masterpiece," W.E.

Hat/tip to TowleRoad.

Friday, December 07, 2007

Celebrity Friday: Is Jodie OUT now?

AfterEllen is reporting that Jodie Foster may be slowly stepping out of her closet through her recent statement of thanking "my beautiful Cydney" at a recent awards luncheon. She is probably referring to Cydney Bernard, who Foster apparently met on the set of the 1993 film Sommersby and who coincidently happens to have the same middle name as Foster's two sons, Kit Bernard Foster and Charles Bernard Foster. Jodie Foster has won two Best Actress Academy Awards, in 1998 (The Accused) and 1991 (The Silence of the Lambs).

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