Showing posts with label Guillermo del Toro. Show all posts
Showing posts with label Guillermo del Toro. Show all posts

Friday, February 09, 2018

2018 OSCARS: Nominations List For Top 8 Categories



Best Picture:
  • “Call Me by Your Name”
  • “Darkest Hour”
  • “Dunkirk”
  • Get Out”
  • “Lady Bird”
  • “Phantom Thread”
  • “The Post”
  • “The Shape of Water”
  • “Three Billboards Outside Ebbing, Missouri”
(The ones in bold are the Best Picture nominees I have seen so far.)

Director:
  • “Dunkirk,” Christopher Nolan
  • “Get Out,” Jordan Peele
  • “Lady Bird,” Greta Gerwig
  • “Phantom Thread,” Paul Thomas Anderson
  • “The Shape of Water,” Guillermo del Toro

Lead Actor:

  • Timothée Chalamet, “Call Me by Your Name”
  • Daniel Day-Lewis, “Phantom Thread”
  • Daniel Kaluuya, “Get Out”
  • Gary Oldman, “Darkest Hour”
  • Denzel Washington, “Roman J. Israel, Esq.”


Lead Actress:

  • Sally Hawkins, “The Shape of Water”
  • Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
  • Margot Robbie, “I, Tonya”
  • Saoirse Ronan, “Lady Bird”
  • Meryl Streep, “The Post”

Supporting Actor:

  • Willem Dafoe, “The Florida Project”
  • Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”
  • Richard Jenkins, “The Shape of Water”
  • Christopher Plummer, “All the Money in the World”
  • Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Supporting Actress:

  • Mary J. Blige, “Mudbound”
  • Allison Janney, “I, Tonya”
  • Lesley Manville, “Phantom Thread”
  • Laurie Metcalf, “Lady Bird”
  • Octavia Spencer, “The Shape of Water”

Adapted Screenplay:

  • “Call Me by Your Name,” James Ivory
  • “The Disaster Artist,” Scott Neustadter & Michael H. Weber
  • “Logan,” Scott Frank & James Mangold and Michael Green
  • “Molly’s Game,” Aaron Sorkin
  • “Mudbound,” Virgil Williams and Dee Rees

Original Screenplay:

  • “The Big Sick,” Emily V. Gordon & Kumail Nanjiani
  • “Get Out,” Jordan Peele
  • “Lady Bird,” Greta Gerwig
  • “The Shape of Water,” Guillermo del Toro, Vanessa Taylor
  • “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Thursday, July 25, 2013

FILM REVIEW: Pacific Rim


I finally saw the long-awaited Pacific Rim from Guillermo del Toro, his film about giant sea monsters fighting giant robots. Critical reaction has been somewhat mixed (72% on rottentomatoes.com) with the audience more favorably disposed to the action-packed film (82% on rottentomatoes.com). del Toro is known for his florid visual style, a somewhat macabre (and spooky) sense of humor and devotion to comic-book genres. His oeuvre includes the comic book movies Hellboy and Hellboy 2, the critically acclaimed (and Oscar-nominated) Pan's Labyrinth and the freaky horror films Mimic and The Devil's Backbone.

Pacific Rim features huge sea monsters (reminiscent of Godzilla) known as Kaiju who are appearing on Earth through a portal to another dimension found in the bottom of the Pacific Ocean and coming on to shore and demolishing cities on the Pacific Rim (San Francisco, Melbourne, Hong Kong, Tokyo etc). In response, humanity bands together and creates equally gigantic (basically 1000-plus feet tall) robots called Jaegers to battle the Kaiju. del Toro is trying to introduce mainstream American audiences to a form of Japanese anime called mecha which features adventures by robots or machines as well as kaiju which features giant monsters.

The film definitely has a comic book feel to it while simultaneously fulfilling its role as mindless summer blockbuster entertainment. In fact, the number of familiar movie tropes that flash by is somewhat dizzying. Here are just a few: the smoking hot (typically a blonde and blue-eyed white male) hero with chiseled abs who has suffered an emotionally devastating loss and now needs to be rehabilitated to restore his long-lost hero status (Charlie Hunnam); the super-smart female with daddy issues who has undiscovered depths of ability that become revealed during the story (Rinko Kikuchi); the harsh and grizzled military man in charge, oftentimes played by an African American in recent multicultural revisions of reality, who has a secret weakness (Idris Elba); the mad scientist/technically proficient geek who has to dig deep and reveal surprising resources of courage and/or strength (Charlie Day and Burn Gorman); the hot-headed hottie who doesn't follow the rules but succeeds anyway despite his rivals (Robert Kazinsky); the amoral kingpin who is exploiting the horrible situation for his own gain (Ron Perlman). And those are just the character cliches!

The action itself is a curious (but entertaining) mish-mash of many many films we have seen before. My list of Pacific Rim's influences would include: Transformers (blindingly fast action), Top Gun (testosterone-fueled machismo), Real Steel (fighting robots controlled remotely by shadow boxing humans), Godzilla (huge Japanese sea monsters/aliens), Independence Day (a classic speech given before the final battle to save humanity from extinction) and Ghostbusters (huge creatures destroying skyscrapers in a major urban setting). This is not an exhaustive list!

Even though the film is not doing that well at the box-office, the theater I saw it in was packed (mostly with fanboys, to be sure) on a balmy Tuesday night in Arlington. I would encourage you to see Pacific Rim in the theater while you can, especially if you enjoyed any of the films on its list of influences.

Title: Pacific Rim.
Director: Guillermo del Toro.
Running Time: 2 hours, 11 minutes.
MPAA Rating: Rated PG-13 for sequences of intense sci-fi action and violence throughout, and brief language.
Release Date: July 12, 2013.
Viewing Date: July 23, 2013.

Writing: C+.
Acting: B+.
Visuals: A+.
Impact: A-.

Overall Grade: A-/B+ (3.50/4.0).

Friday, July 25, 2008

MOVIE REVIEW: Hellboy 2

Saw Guillermo del Toro's Hellboy 2: The Golden Army this weekend while Christopher Nolan's The Dark Knight was crushing box-office records.

The sequel to the 2004 Hellboy has been received relatively warmly by critics and the public in general (87% critics and 80% users at rottentomatoes.com).

As usual, the sequels to sucessful films that become summer blockbusters become bigger, louder and longer. Actually, Hellboy 2 is a few minutes shorter than the original's two-hour running time but seems much longer.


del Toro is clearly an extremely talented director and the images he includes in the film are truly breath-taking, even more imaginative than the amazing creations that appeared in his Oscar-winning Pan's Labyrinth (MadProfessah's review). This is one of the reason's he has been tapped to take on what is probably the #1 directing job in the world today, the adaptation of J.R.R. Tolkien's The Hobbit.


However, Hellboy 2 is a good example of the importance of a good script and being faithful to the internal consistencies of a fantastical world. In Hellboy 2, the entire plot revolves around the prevention of the activation of an indestructible, unstoppable Golden Army. When the question of whether the Golden Army will be stopped is resolved, one of the characters grabs the device which controls the activation of the Golden Army and completely destroys it in a few seconds. WTF? If the character ccould have demolished the key device at any point in time, what was the point of the last 90 minutes of the film? This is a fatal flaw and basically ruined the film for me. And my attention was already starting to flag because right before this point the action had become extremely frenetic and appeared to be unending. However, at no point does the film look bad, and overall, the action scenes were well-paced throughout the running time of the film.

OVERALL GRADE: B.

IMAGERY: A+.
ACTING: A-.
PLOT: D.
IMPACT: B-.

Sunday, April 27, 2008

Guillermo del Toro to direct The Hobbit

Guillermo del Toro ("Pan's Labyrinth") has been selected and agreed to direct two film prequels to the blockbuster Lord of the Rings trilogy directed by Peter Jackson. The book by J.R.R. Tolkien whch tells the story of events before Lord of the Rings is called The Hobbit.

Wednesday, February 21, 2007

2007 Oscars Predictions

MadProfessah's Oscar nomination prediction accuracy rate in the Top 8 categories (Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, Original Screenplay and Adapted Screenplay) was an impressive 29 out of 40, or 72.5%. EW.com has a very cool Flash-powered game where you can enter EW's Oscars prediction contest. The awards ceremony will be hosted by Ellen Degeneres and broadcast next Sunday February 25th at 5pm from The Kodak Theater in the Hollywood section of Los Angeles.

Best Picture











Of course the major story here is what I like to call in my classes the Wideman question, i.e. "What's not here?" or "What's left out?" The answer is Dreamgirls! In my opinion, it was the Best Picture of the Year. Although I have seen a lot of movies in the last year, I only saw Babel and Letters from Iwo Jima in the last week but I can't say that I was overly impressed with either of these films enough to endorse their Best Picture worthiness.

If I go with the film that I enjoyed the most while watching it I would have to vote for Little Miss Sunshine though I must admit that I felt that there were moments of "Damn! That's good film making" while watching The Departed (for the intricacy of William Monahan's script), Babel (for the impact of Gustavo Santolalla's heart-tugging score) and The Queen (for the amazing Helen Mirren's transformation into Queen Elizabeth II). Sadly, I felt no transcendent moments while watching Letters from Iwo Jima ("Oscar voters snubbed Dreamgirls for this?" this weekend.

Anyway, many Oscar prognosticators have forecast a win by Babel for Best Picture on Sunday while others have gone for The Departed or Little Miss Sunshine. Anyway, Oscar ballots had to be in by Tuesday February 20th. Here are my picks:

SHOULD WIN: Little Miss Sunshine
WILL WIN: The Departed

Best Director

  • Clint Eastwood, Letters from Iwo Jima
  • Stephen Frears, The Queen
  • Alejandro González Iñárritu, Babel
  • Martin Scorsese, The Departed
  • Paul Greengrass, United 93

    SHOULD WIN: Stephen Frears, The Queen
    WILL WIN: Martin Scorsese, The Departed

Best Actress

  • Penelope Cruz, Volver
  • Judi Dench, Notes on a Scandal
  • Helen Mirren, The Queen
  • Meryl Streep, The Devil Wears Prada
  • Kate Winslet, Little Children

    SHOULD WIN: Helen Mirren, The Queen
    WILL WIN: Helen Mirren, The Queen

Best Actor

  • Leonardo Dicaprio, Blood Diamond
  • Ryan Gosling, Half Nelson
  • Peter O'Toole, Venus
  • Will Smith, The Pursuit of Happyness
  • Forrest Whitaker, The Last King of Scotland

    SHOULD WIN: Forrest Whitaker, The Last King of Scotland
    WILL WIN: Forrest Whitaker, The Last King of Scotland
Best Supporting Actress


  • Adriana Barraza, Babel
  • Cate Blanchett, Notes on a Scandal
  • Abigail Breslin, Little Miss Sunshine
  • Jennifer Hudson, Dreamgirls
  • Rinko Kicuchi, Babel

  • SHOULD WIN: Jennifer Hudson, Dreamgirls
    WILL WIN: Jennifer Hudson, Dreamgirls

Best Supporting Actor


  • Alan Arkin, Little Miss Sunshine
  • Jackie Early Haley, Little Children
  • Djimon Hounsou, Blood Diamond
  • Eddie Murphy, Dreamgirls
  • Mark Wahlberg, The Departed

    SHOULD WIN: Djimon Hounsou, Blood Diamond
    WILL WIN: Eddie Murphy, Dreamgirls

Best Original Screenplay

  • Guilllermo Arriaga, Babel
  • Iris Yamashita and Paul Haggis, Letters From Iwo Jima
  • Peter Morgan, The Queen
  • Michael Arndt, Little Miss Sunshine
  • Guillermo del Toro, Pan's Labyrinth

    SHOULD WIN: Guillermo del Toro, Pan's Labyrinth
    WILL WIN: Michael Arndt, Little Miss Sunshine

Best Adapted Screenplay

  • Sacha Baron Cohen and Anthony Hines and Peter Baynham and Dan Mazer and Todd Phillips, Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
  • Todd Field and Tom Perrota, Little Children
  • Patrick Marber, Notes on a Scandal
  • Alfonso Cuarón and Timothy J. Sexton and David Arata and Mark Fergus and Hawk Ostby, Children of Men
  • William Monahan, The Departed

    SHOULD WIN: William Monahan, The Departed
    WILL WIN: William Monahan, The Departed

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