Showing posts with label Television 2016. Show all posts
Showing posts with label Television 2016. Show all posts

Sunday, September 17, 2017

2017 EMMYS: My Predictions in Major Categories


The Primetime Emmy awards will be given out tonight in Los Angeles. The show will be aired live on CBS at 5pm PDT/8pm EDT. This is the post where I discuss my predictions in the most prestigious categories. The one that I would vote for is in blue and the one I think will win is in red.

Outstanding drama series

  • “The Crown” (Netflix)
  • “The Handmaid’s Tale” (Hulu)
  • “Westworld” (HBO)
  • “Stranger Things” (Netflix)
  • “This Is Us” (NBC)
  • “Better Call Saul” (AMC)
  • “House of Cards” (Netflix)

This is the first season of Westworld, The Crown, This Is Us, Stranger Things and The Handmaid's Tale.  I have watched all of these shows but I am a season behind  Better Call Saul and House of Cards. To me, the show that had the most impact on my emotionally was The Handmaid's Tale, despite the fact that it is almost impossible to get through an episode of This Is Us without weeping. The most creative of the shows on this list is Stranger Things while The Crown is the guiltiest pleasure. The show I am most looking forward to seeing the next season of is Westworld. What I'm trying to say is that basically every show on this list has a good reason to win.

SHOULD WIN: The Handmaid's Tale.
WILL WIN: This Is Us.

Outstanding lead actor in a drama series

  • Sterling K. Brown, “This Is Us” (NBC)
  • Matthew Rhys, “The Americans” (FX)
  • Kevin Spacey, “House of Cards” (Netflix)
  • Liev Schreiber, “Ray Donovan” (Showtime)
  • Anthony Hopkins, “Westworld” (HBO)
  • Milo Ventimiglia, “This Is Us” (NBC)
  • Bob Odenkirk, “Better Call Saul” (AMC)
Milo Ventimiglia has garnered most of the attention of the actors on This Is Us but Sterling Brown is the character that I most identify with (he plays a nerdy Black guy adopted by white parents whose primary story arc on the show involves his connection with his birth father.

SHOULD WIN: Sterling K. Brown.
WILL WIN: Sterling K. Brown.

Outstanding lead actress in a drama series

  • Claire Foy, “The Crown” (Netflix)
  • Keri Russell, “The Americans” (FX)
  • Elisabeth Moss, “The Handmaid’s Tale” (Hulu)
  • Viola Davis, “How to Get Away with Murder” (ABC)
  • Robin Wright, “House of Cards” (Netflix)
  • Evan Rachel Wood, “Westworld” (HBO)
Last year, Tatiana Masliany won for her amazing portrayal of multiple clones on Orphan Black. This year Claire Foy has been getting plaudits for playing Queen Elizabeth. Oscar winner Viola Davis won this category 2 years ago.  Robin Wright has been nominated for every season of House of Cards and has never won.

SHOULD WIN: Elisabeth Moss.
WILL WIN: Viola Davis.

Outstanding comedy series
  • “Black-ish” (ABC)
  • “Atlanta” (FX)
  • “Veep” (HBO)
  • “Master of None” (Netflix)
  • “Silicon Valley” (HBO)
  • “Unbreakable Kimmy Schmidt” (Netflix)
  • “Modern Family” (ABC)
The nominees in this category are Atlanta and Master of None, two comedies helmed by two comedians of color, Donald Glover and Aziz Ansari. I have never seen an episode of Unbreakable Kimmy Schmidt but I know that Tina Fey is an executive producer and people rave about it. I have seen Veep, Silicon Valley, Black-ish and Modern Family but have not seen all of the latest season of each of these shows. Veep ended the dominance of Modern Family last year and  is expected to do so again. I have been watching episodes of Black-ish on flights and have gained grudging respect for the show.

SHOULD WIN: Black-ish.
WILL WIN: Veep.

Outstanding lead actor in a comedy series  
  • Donald Glover, “Atlanta” (FX)
  • Anthony Anderson, “Blackish” (ABC)
  • Jeffrey Tambor, “Transparent” (Amazon)
  • Aziz Ansari, “Master of None” (Netflix)
  • William H. Macy, “Shameless” (Showtime)
  • Zach Galifianakis, “Baskets” (FX)

SHOULD WIN: Donald Glover.
WILL WIN: Jeffrey Tambor.

Outstanding lead actress in a comedy series
  • Julia Louis-Dreyfus, “Veep” (HBO)
  • Tracee Ellis Ross, “Black-ish” (ABC)
  • Lily Tomlin, “Grace and Frankie” (Netflix)
  • Jane Fonda, “Grace and Frankie” (Netflix)
  • Ellie Kemper, “Unbreakable Kimmy Schmidt” (Netflix)
  • Allison Janney, “Mom” (CBS)
  • Pamela Adlon, “Better Things” (FX)
SHOULD WIN: Tracee Ellis Ross.
WILL WIN: Julia Louis-Dreyfus.

Outstanding limited series
  • “The Night Of” (HBO)
  • “Big Little Lies” (HBO)
  • “Fargo” (FX)
  • “Feud: Bette and Joan” (FX)
  • “Genius” (National Geographic)
I quite enjoyed watching The Night Of  last fall and Riz Ahmed and John Turturro were riveting. But Big Little Lies was quite compelling and fascinating to watch Oscar-calibre performances from Nicole Kidman, Reese Witherspoon, Laura Dern and Shailene Woodley. Fargo's 3rd season was well below the extremely high level set by the first two seasons.

SHOULD WIN: The Night Of.
WILL WIN: Big Little Lies.

Friday, December 23, 2016

THE EXPANSE (S1E09-E10): "Critical Mass";"Leviathan Wakes"



Season 1 of The Expanse ends with a double feature of the last two episodes entitled "Critical Mass" (Episode 9) and "Leviathan Wakes" (Episode 10). The Season 1 finale aired on February 2, 2016. The Season 2 premiere will air on February 1, 2017.



S1E09: Critical Mass.

The title of episode 9 refers to the situation one needs to detonate a nuclear weapon. In "Critical Mass," the number of various elements of the story are starting to come together in order to reach a critical mass that will presumably explode in the final episode of Season 1.

Some of the elements which start to be revealed include:

  • What happened to Julie Mao and how a billionaire's daughter ended up dying in alone in a hotel room on Eros infected by what appears to be an alien entity called the "protomolecule."
  • Fred Johnson of Tycho Station reveals who was responsible for the creation of the ships which destroyed the Martian flagship Donnager (in Earth-based shipyards).
  • That Eros is becoming a scientific test site for the human incubation and experimentation with the protomolecule.
  • Crisjen Avarasala discovers that her boss, UN Undersecretary Errinwright, had her friend, the former Ambassador to Mars, killed in order to hide his connection to the mystery ships that killed the Canterbury and the Donnager


S1E10: Leviathan Wakes.

The title of episode 10 has the same name as the title of the first book in the Expanse series written by James S.A. Corey. Much of this episode takes place on Eros, as the Amos, Naomi and Alex make their way through the tunnels (using information only an OPA terrorist should have access to) to reach the Rocinante at the docks. The other main story in this episode is Holden and Miller trying to get to the docks but they have to do so by making way through an entire mercenary army who are attempting to enforce a genocidal lockdown.

HIGHLIGHTS
  • The look on Holden's face when he realizes that he and Miller have been exposed to fatal doses of high-energy radiation as he says "We're dead."
  • The chemistry between Holden and Nagata becomes palpable in the final scene they have in the episode (and season) as he realizes that since she did in fact wait for him to get back maybe there is some kind of (romantic?) connection there after all.
  • The deadpan way Amos "cleans up the mess" after he prevents Sematimba from forcing Naomi to give him access to the controls of the Roci so that he can escape Eros (and leave Miller and Holden behind) is absolutely chilling.

LOWLIGHTS
  • Why does Holden waste all his ammunition by shooting at Kenzo to scare him off and leave him to die on Eros instead of actually shooting and killing him himself? They have already made it clear that Holden is a wuss when actually pulling a trigger to kill someone but this scene literally doesn't make any sense in the context of the life-and-death situation finds himself in.

GRADE: 9/10. ("Critical Mass").
GRADE: 9/10. ("Leviathan Wakes").

Saturday, November 26, 2016

THE EXPANSE (S1E08): "Salvage"


The eighth episode of season 1 of The Expanse was titled "Salvage" and aired for the first time on January 26, 2016.  Here (finally!) is my review of this episode. I rewatched "Salvage" again the weekend after Thanksgiving

S1E08: Salvage.
The title of the episode most likely stems from the fact that the crew of the Rocinante finds a deserted ship, the Anubis, attached to a barren rock at the remote coordinates Fred Johnson sent them to on a rescue mission. On boarding the craft, which looks identical to the powerful and stealthy space ships which destroyed both the Canterbury in episode 1 ("Dulcinea")  and the Donnager in episode 4 ("CQB"), the crew discovers that it is abandoned and deserted. However, when they turn the power on, a strange blue glowing organism (which looks alien to my eyes but which no one on the show describes as such) appears to start growing (and glowing) more energetically. They hurriedly leave the ship and over the objections of the spy/hostage/stowaway Kenzo they fire a missile at the Anubis, turning it to fiery slag as they head towards Eros. 

Eros is where Miller is going, having been fired in episode 7, he is continuing with his obsession with finding out what happened to Julie Mao, albeit now as a private citizen with a lot of friends in law enforcement due to his status as an ex-cop himself. He runs into Sematimba, an Eros cop, who bails him out after Miller beats up a guy to get information on where Julie's ship, the Anubis 1A is docking and where the registered owner, "Lionel Polanski" is holed up. Of course, that's the same name of the person that Holden and crew are looking for and they both arrive at a flophouse where a bunch of very heavily armed thugs attempts to put bullets through every member of the crew. (Earlier in the episode we had seen that Errinwright on Earth confirmed to Avasarala that his attempt to assassinate Holden was going to take place on Eros, which he referred to as the murder capital of the Solar System.) Holden and his crew are saved by Amos' quick instincts and Miller's entry into the battle at a crucial moment. Finally, Miller and Holden,the two protagonists of the two key threads of the story meet, and of course immediately clash. The entire crew (plus Miller) go up to Polanski's room and there they find Julie, clearly dead for days, with very strange (clearly) alien growths coming out most of her orifices.

HIGHLIGHTS
  • The fight sequence at the Blue Falcon Hotel is really well done, as the tension rises higher and higher as the audience knows that a "hit" is going to happen and so we view every passer-by with suspicion (which appears to be what Amos does as standard operating procedure). The eventual gun battle is bloody but exciting.
  • The dialogue between Holden and Naomi as they navigate through the eerily empty (but clearly dangerous) environment of the Anubis is a fun signal of future development in their relationship because it shows they have clearly moved from blatant hostility to grudging respect and perhaps even camaraderie.

LOWLIGHTS
  • Avarasala only appears in one scene this episode but she infuses it with great emotion as she discovers that her friend, the former Ambassador to Mars (whom she betrayed in order to get useful intelligence for Earth about Martian intelligence) has been found dead, listed as a suicide.

GRADE: 8/10.

Thursday, July 14, 2016

And Now His Watch Is Rewarded! Game of Thrones Gets 23 Emmy Noms!


Woo hoo! It seems like just yesterday that Game of Thrones finished what was probably it's best season yet on Sunday June 26th with the blockbuster (most watched episode of the show) Season 6 finale "The Winds of Winter." Today comes word that last year's winner of the Emmy for Outstanding Drama series (and the most nominated show of 2015) is again the most nominated show this year, with 23 nominations.

Interestingly, the actors playing Cersei Lannister (Lena Headey), Daenerys Targaryen (Emilia Clarke), Arya Stark (Maisie Williams), Tyrion Lannister (Peter Dinklage), and Jon Snow (Kit Harrington) were all nominated. So was Max von Sydow (for playing the Three Eye Raven).

Outstanding Directing For A Drama Series

Outstanding Supporting Actor In A Drama Series

  • Peter Dinklage (Tyrion Lannister)
  • Kit Harington (Jon Snow)

Outstanding Supporting Actress In A Drama Series

  • Emilia Clarke (Daenerys Targaryen)
  • Lena Headey (Cersei Lannister)
  • Maisie Williams (Arya Stark)

Outstanding Writing For A Drama Series

Outstanding Drama Series

  • Game of Thrones
These nine just represent the Emmy nominations presented at the Primetime Emmy Award ceremony on September 18th on ABC. The show also got another 14 Creative Arts Emmy Nominations. See the full list at Winter Is Coming.

Sunday, July 03, 2016

GAME OF THRONES: (S6E10) "The Winds of Winter"







Episode 10 of Season 6 (S6E10) of HBO's Game Of Thrones is titled "The Winds of Winter." This is also the title of the sixth (still unreleased) book in George R.R. Martin's epic fantasy opus A Song Of Ice and Fire on which the entire television series is based.  However, based upon what we know about how the producers have adapted the story that has appeared in the first five books, not everything we see on screen is necessarily what happens in the books. The season 6 finale

Summary
How to summarize what happens in this episode? Mass murder! Basically, Cersei demonstrates that she will do anything to win the game of thrones, and as you see from the picture at the top of this post, she ends up sitting on the Iron Throne, crowned Queen of the Seven Kingdoms, Cersei of House Lannister, First of Her Name. One can't help notice the contrast between Cersei's storyline in the Season 6 finale from what it was in the Season 5 finale (S5E10: "Mother's Mercy"), where she was publicly humiliated by being forced to walk naked from the Sept of Baelor to the Red Keep as part of her atonement for her "sins" in order to regain her release from captivity under the High Septon's control and torture by Septa Unella. Cersei's revenge and rage is blazingly hot, incredibly destructive and very, very deadly.

Here is the list of important characters Cersei kills by using wildfire to blow up the Great Sept of Baelor:

  • Ser Kevan Lannister (her uncle, the Hand of the King)
  • Lord Mace Tyrell (Master of Coin)
  • Ser Loras Tyrell (her fiance)
  • Queen Margaery Barratheon (Loras Tyrell's sister)
  • The High Sparrow (leader of the Faith of the Seven, a.k.a. The High Septon)
  • Lancel Lannister (her cousin and former lover)
  • countless other nameless nobles and prominent citizens of King's Landing, who thought they would be attending the trial of the former Regent, Queen Mother and wife of King Robert Barratheon

And just for good measure, she also has Grand Maester Pycelle killed (by the "little spiders" i.e. orphan children who run amok in King's Landing). However, the implications of these murderous actions cause her sole remaining child, King Tommen Barratheon, to commit suicide by diving off a ledge high up in the Red Keep!

So, while Cersei gets her revenge on all her enemies (by incinerating them) and gaining her greatest prize (the Iron Throne), she also suffers her greatest loss (the death of Tommen).

But, wait there's more!

We get important forward movement in multiple story lines in this season finale:

  • Sam and Gilly (finally) make it to the Citadel, and we get to see Westeros' largest library (which is awesome!)
  • Arya reveals her presence in Westeros and her ability to use the magic of the Nameless Assassins to get close to and murder the odious Walder Frey, finally consummating the revenge of the Stark clan for the Red Wedding of (S3E09) "The Rains of Castermere."
  • The Red Witch, Lady Melissandre, is banished from the North for her role in the horrific murder of Shireen Barratheon (by burning her alive) in S5E09 "The Dance of Dragons."
  • Tyrion Lannister is named the Hand of the Queen right before Danerys Stormborn sets off for Westeros with her armies consisting of the Unsullied and Dothraki hordes, supplemented by ships from the Tyrells and the Martells
  • We see Lord Varys cement an alliance in Dorne between House Martell (represented by Ellaria Sand) and House Tyrell (as represented by the Queen of Thorns, Olenna Tyrell) to combine forces to battle the Lannisters for "vengenace and justice"
  • Jon Snow is declared King of the North after Lady Lyanna Mormont gives a brilliant speech in his favor
  • We see Brandon Stark learn that Lyanna Stark is Jon Snow's mother (so Jon is definitely a Stark, but the question of who his father is, is not answered, and whether, Jon is in fact a bastard or not)
  • Last but not least, we see Jon and Sansa hanging out, and she tells him that it is official, "Winter has come."


Highlights
The highlights of this episode were:
  • The entire opening 25-minute sequence (which has limited dialogue, and a very effective score by Ramin Djiwadi, including a new piece called "The Light of the Seven") set in King's Landing is one of the most impressive moments in the entire television series.
  • The best line of the episode (and perhaps the season) goes to Cersei "I do things because they feel good... I drink because it feels good. I killed my husband because  it felt good to be rid of him. I f*** my brother because it feels good to feel him inside me. I lie about f****ing my brother, because it feels good to keep our son safe from hateful hypocrites. I killed your High Sparrow, and all his little sparrows,....because it felt good to watch them burn. It felt good to watch them burn. It felt good to imagine their shock and their pain, No thought has even given me greater joy." 
  • Another great line is Lyanna Mormont's "I don't care if he's a bastard. Ned Stark's blood runs through his veins. He's my king from this day, until his last day!"
  • The two last shots, showing Cersei on the Iron Throne and then the huge armada of ships on their way to Westeros, including three fully grown dragons, is thrilling, and Djiwadi's music is astonishing.
Lowlights
No lowlights. A near-perfect episode. Probably the best of the first 60 of the show.
Grade: 10/10.

Sunday, June 26, 2016

GAME OF THRONES: (S6E09) "Battle of the Bastards"





Episode 9 of Season 6 (S6E04) of HBO's Game Of Thrones is titled "The Battle of the Bastards." Of course the bastards the title refers to are Jon Snow and Ramsay Snow (now Bolton).  As has become tradition, the ninth episode of the season contained both the most impressive production and the most dramatically significant scenes of the entire season. The 9th episodes in each Season of Game of Thrones have been:

  • Season 1: "Baelor" (Lordd Eddard Stark is beheaded when Joffrey reneges on)
  • Season 2: "Blackwater" (Stannis Barratheon's attack of King's Landing is repulsed with wildfire)
  • Season 3: "The Rains of Castamere" (The infamous Red Wedding)
  • Season 4: "The Watchers on the Wall" (The Wildlings attack the Wall)
  • Season 5: "The Dance of the Dragons" (Daenerys Targaryen escapes assassination by fleeing on her dragon Drogon)
  • Season 6: "The Battle of the Bastards" (Jon and Sansa retake Winterfell from Ramsay Bolton after an epic battle)
Summary
It was expected that the events of this episode would be entirely set in the North, featuring the battle between Ramsey Bolton's forces defending Winterfell and the Wildlings fighting with Jon Snow and other small Northern Houses trying to remove the Flayed Man's banner of House Bolton from the Stark ancestral home. However, the episode began in Essos, with Dany and Tyrion discussing what to do now that Meereen is under attack by sea from the slaveholding masters of Yunkai and Astapor. Dany calmly tells Tyrion that her plan is to kill all the masters and reduce their cities to ash and rubble. "Let's try another way" he suggests. We cut to a scene where Dany and Tyrion (and her advisers Grey Worm and Missandei) are facing the three Masters and Tyrion says "We are here to discuss terms of surrender." The Masters begin to recite all sorts of conditions that they would like to impose on Dany and she says "Perhaps we weren't clear, we're here to discuss the terms of your surrender." The Masters look bewildered and their leader says "Your reign is over." Dany looks amused and says, "My reign has just begun" and suddenly we hear the flap of leathery wings and a clearly full-grown Dragon appears and lands right behind Dany. Grey Worm says to he soldiers defending the masters "Either you can return home to your families or you can fight and die for these Masters who would not do the same for you" and all of them flee immediately. Tyrion then announces that one of the Masters must die, and two of them turn on the third, whom they push forward to face the advancing Grey Worm. The third gets on his knees, begging for his life and in a very cool move Grey Worm whips out his knife and in one motion slices the throats of the two masters still standing, killing them. Tyrion walks over to the surviving master and tells him, "Go back to your city and tell everyone you see what happens when you try to attack Queen Daenerys Targaryen." The Queen herself clambers onto Drogon and flies over the attacking boats and (together with her two other dragons) incinerates several of them.

But we're not done with Essos because we get a scene with Dany and Tyrion speaking with Yara and Theon Greyjoy, making an agreement where the Greyjoys will support Daenerys' claim to the Iron Throne, in exchange for her granting the Iron Islands independence. Daenerys also insists that the Ironborn will also have to give up reaving and raping the shores of Westeros and they agree.

The main action of the episode is in the North. There's a fun little scene before the battle when Ramsay and Jon meet for the first time, in a parley, where Ramsay proves he's holding Rickon Stark captive by showing them the severed head of his direwolf Shaggydog. Jon taunts Ramsay by suggesting they could forego the battle between their assembled forces, sparing the lives of hundreds or thousands if instead they determine the victor via single combat. Ramsay is of course to smart to fall for that ruse (he has more men, and usually in medieval battles, numerical superiority would be considered the primary predictor of victory) but Sansa has the last word, telling him "You're going to die tomorrow, Lord Bolton. Sleep well!" and riding away on her horse.

The battle begins with a heartbreaking scene where Ramsay brings out Rickon, and instead of just killing him quicky, he cuts him free and allows him to run between the two armies, giving the illusion of hope, as he casually shoots arrows at the fleeing boy which miss. Jon rides on his horse into the no man's land between the armies and just as he is within a horselength of his half-brother, an arrow goes through Rickon's back and out his sternum, killing him instantly. If that wasn't enough, at Ramsay' signal House Bolton's archers unleashes a hail of arrows, which somehow miss Jon but several impale Rickon's supine body. Jon runs towards the Bolton forces, and it looks like he will be overrun by the advancing forces on horseback when suddenly, at the last second, the Northern forces come up from behind him and the hand-to-hand battle is joined.

The battle scenes are incredibly bloody, chaotic and realistic, with people literally dying in the scores; it's reminiscent of the famous D-Day scene in Saving Private Ryan (but instead of bullets, there are arrows and dudes with swords and knives hacking away at each other). We mostly follow Jon as he stabd and hacks his way across the field and eventually we see other faces we recognize (Tormund and Ser Davos). Bolton's superior numbers and tactics eventually lead to the Borthern forces being completely surrounded and a near-certain defeat and slaughter of everyone becomes imminent. (At one point, Jon is almost trampled to death under his own men as they are jammed together in an ever-decreasing amount of space by Ramsay's forces.) But then the Knights of the Vale show up and break through the line, saving the day and basically routing Ramsey's army. He retreats to Winterfell, closely followed by Jon and Wun Wun (the Giant, who has been impaled by at least a dozen arrows and not a few pikes). The Bolton forces lock the gates of Winterfell but the giant is able to break through it and allow the good guys into the fortress. He is finally felled by an arrow through the eye (and brain) just as Jon enters Winterfell. Ramsay then decides he wants to try one-on-one combat with Jon, but he still has his bow and arrow, which he uses to try to kill Jon repeatedly until finally Jon is within arms length and knocks him to the ground and starts pummeling him with fists, turning Ramsay's face into pulp. During this Sansa walks in and Jon stops.

Later on we finally see House Stark's banners unfurled from the ramparts of Winterfell and we know the good guys have won, but there's one last piece of business to deal with. "Where is he?" Sansa asks Jon.

We find Ramsay tied to a chair in a darkened space, which we recognize is the kennels and slowly we see his dogs come out and finally do to their master what they had done to so many of his victims: tear his flesh apart and devour him in the most painful way imaginable.

Overall, this was probably one of the most satisfying episodes of the entire series for an avid reader of George R.R. Martin's book and a fan of the HBO adaptation like myself. The primary villain has been dispatched, and the Starks have finally reclaimed their home.

Highlights
The highlights of this episode were:
  • The best lines of the episode are Sansa's taunts to her abusive husband "You're going to die tomorrow, Lord Bolton. Sleep well!" and when she tell him that his name and house will disappear, that he will be erased from history.
  • The second best line is probably Dany's "We're here to discuss your surrender, not ours."
  • Most valuable player of the episode is almost certainly Wun Wun, the giant. The battle would not have been won without him.
  • The entire battle scene was astonishing, but the scenes where Jon is gasping for breath as he is being slowly squeezed to death due to the Bolton tactics is one of the great moments of the entire series.
  • And this previous great moment comes later in the same episode where another great moment of the show, which is when we finally see Dany using her dragons in battle and realize that she has the most powerful weaponry in the world at her disposal. 
Lowlights
There were no low lights! Parts of the battle got incredibly gruesome and graphic, but I appreciate that it is necessary to provide emotional resonance for the battle scenes.

Grade: 10/10.

Sunday, June 19, 2016

GAME OF THRONES: (S6E08) "No One"




Episode 8 of Season 6 (S6E04) of HBO's Game Of Thrones is titled "No One." This is clearly a reference to Arya and her attempts to join the guild of Faceless Men assassins in Braavos and become "no one" and give up her identity as a member of one of the key families in Westeros. But it is also a reference to identity and class, because in A Song of Ice and Fire, one's status in society is directly related to one's name, and so someone who is "No One" has no status, and if someone loses status (like Cersei has by losing her title of Queen, Queen Mother and Regent) then those people are being treated as "no one." And one of the key plot points is who gets to decide who has status and who does not, i.e. deciding who will become "no one."

Summary
One of the main themes of this episode was about honor and how people's sense of honor complicates their understanding of what "the right thing to do is." The Blackfish can't see past his sense of honor to survive the siege of Riverrun and escape with Brienne and would rather have an "honorable death" instead of helping his niece's daughter, Sansa regain her household home.

Catelyn Stark's brother, Lord Edmure Tully decides that it is better to surrender his ancestral home of Riverrun to the Lannister-Frey army and trust Jaime Lannister's honorable word that his wife and heir will not be harmed.

In King's Landing, the political intrigues continue with Cersei's son, King Tommen Barratheon outlawing trial by combat, which is the one thing that she was counting on saving her life in any trial that will be called by the High Septon to account for her crimes against the Faith. She has the reanimated Ser Gregor Clegane (The Mountain) to fight as her champion who can defeat any man in one-on-one combat, so the Septon outmaneuvers her to have the practice of trial by combat abolished by the King.

Meanwhile, Sandor Clegane is reunited with the Brotherhood without Banners, and he gets to see the murderous ruffians who slaughtered his friends in the previous episode "The Broken Man" (S6E07).
But he find out about "the real fight" against the white walkers from the North.

Back in Braavos, we finally get a showdown between the Waif and the Arya which turns into a thrilling Hollywood chase reminiscent of Jason Bourne. With corresponding Hollywood ending.

Highlights
The highlights of this episode were:
  • The best line of the episode went to Jaime Lannister, "The things we do for love" (which is  also what he had previously said way back in Season 1, Episode 1 when he kicked Brandon Stark off the ledge at Winterfell)
  • There were several other contenders for best line in this week's episode, starting with Cersei Lannister's "I choose violence," to Tyrion Lannister's "Most famous dwarf in the world" (line said to Varys), Bronn's "Do you think they're f***ing?" to Podrick Payne (talking about Brienne and Jaime) and Arya's "A girl is Arya Stark of Winterfell and I'm going home!" 
  • The most exciting moment of the episode was when Arya blew out the candle in her hovel as she faced the Waif, and you immediately realized that despite the fact that she was bruised, bleeding and battered, she had turned the tables and would probably be the one girl walking out of their encounter alive, which is not what we would have expected to happen just a few second before. 
  • The second most exciting moment in the episode was the timely return of Daenerys to Mereen, just as the slavemasters of Essos have decided to burn the city down in spite of the pact they made with Tyrion to end hostilities over Daenery's abolition of slavery.
Lowlights
The parts of the episode I could have done without:
  • Did we really need to se The Hound hack down four other people, replete with split heads and dripping human entrails?

Grade: 9/10.

Sunday, June 12, 2016

GAME OF THRONES (S6E07): "The Broken Man"




Episode 4 of Season 6 (S6E07) of HBO's Game Of Thrones is titled "The Broken Man." Sometimes the titles of episodes are difficult to interpret but here it is clear that the "broken man" of the title is Gregor Clegane, also known as The Hound. The other prominent broken man in this episode is, of course, Theon Greyjoy. In addition to stories involving both these broken men, the plot advances nicely in King's Landing, in the Riverlands and in Braavos in this episode

Summary
This is one of the rare Game of Thrones episodes with what is known as a "cold open"--the action begins without seeing the title credits first. We see a very large axe, and then we see a very large man using that axe to chop wood and immediately recognize the man as Gregor Clegane, last seen being left to die by Arya Stark in (S4E07) "Mockingbird" after losing a battle with Brienne of Tarth. The Hound lives! Interestingly, he explains to the Septon who saved his life that what brought him back from the brink of death was "hate" and that he was bested by a woman (whether he means Arya or Brienne is not clear). There are multiple scenes with Clegane and after the Brotherhood with Banners massacres the entire group of people that were following the septon (and the septon himself) it is significant that the only thing he grabs as he departs is his axe. It's doubtful he will be using it to only chop wood.

The other broken man is Theon, who is still recovering from his abuse and torture as Ramsay Snow's plaything Reek. He and his sister Yara have stolen away with the fastest ships of the Ironborn. Yara is tired of the person her brother has become and basically bullies him into making a decision to "get over" his losses and fully support her and the Ironborn in their search for Daenerys Stormborn before their Uncle Euron or "to end it." Theon chooses life, but it is not clear to me that he is enthusiastic about it.

The other important events in the episode were: Jaime and the Blackfish meeting in the Riverlands as the Lannisters take over the siege of Riverrun from the incompetent Freys; Arya books passage to Westeros (with two hefty bags of coin) and then gets stabbed repeatedly in the stomach by the Waif; the High Sparrow urges Margaery Tyrell to convince her grandmother to join the Faith of the Seven; Margaery meets with Olenna and sneaks a piece of paper with House Tyrell's sigil on it as she urges her grandmother to leave King's Landing; Cersei Lannister and Olenna Tyrell have another exquisite war of words; Sansa, Jon and Ser Davos have limited success in convincing Northerners to join them in their attempt to recover Winterfell.

Highlights
The highlights of this episode were:
  • For the umpteenth time Lady Olenna Tyrell (i.e. The Queen of Thorns) has the best line of the episode when she tell Cersei "I think you are the most horrible person I have ever met" and "You’ve lost, Cersei—it’s the only joy I can find in all this misery." 
  • A close second-best line was delivered by the pacifist septon who says "Violence is a disease" and that you don't cure it by spreading it.
  • The discovery (or confirmation) that Yara Greyjoy is a lesbian (or at the very least likes to have sex with women)
  • The entire scene with Lyanna Mormont of Bear Island was a highlight, with the child actor (Bella Ramsey) completely stealing the scene from three important characters (Jon Snow, Sansa Stark and Ser Davos Seaworth)
  • Confirmation that Margaery's religious conversion is not as real as the High Sparrow seems to believe (although it is doubt that someone so sharp as he will truly fall for her deception) was great to see.
Lowlights
The parts of the episode I could have done without:
  •  Arya's stabbing seemed totally unsurprising to me. Surely someone who knows that assassins can wear any face should have been more cautious when an unknown old lady approached her on the street.
Grade: 8/10.

Sunday, June 05, 2016

GAME OF THRONES (S6E06): "Blood of My Blood"




Episode 6 of Season 6 (S6E06) of HBO's Game Of Thrones is titled "Blood of my Blood." This is clearly a reference to family and kinship, which are often concepts around which alliances and betrayals occur in A Song of Ice and Fire.  This could also be a reference to the tangled relationship between Cersei and Jaime Lannister or between Cersei and Jaime and their son, King Tommen Barratheon. The specific family relationships we see in this episode involve the return of a long-lost relative, a disowned son's return to the family manse to his stern father's disapproval and a usually obedient son who breaks with his parents at the most inopportune time on what the best path forward to the future is.

Summary
I think the most significant of the examples I listed above is also the most surprising. For the entire series, Tommen has been a dutiful, obedient son interested in other things (Ser Pounce, comes to mind) so it is quite stunning when it is revealed that Tommen (and Margaery, I'm sure) have joined with the High Sparrow, who imprisoned and humiliated his mother (in S5E10 "Mother's Mercy") to form an alliance of Crown and Faith. This allows him to get his wife back safely under his protection, but completely counteracts the plans that a strategic alliance of the Tyrells and Lannisters have made to try and take out a threat to their dominance of King's Landing. It's still too early to tell who will be the winner in this contest but it does show that the High Sparrow is no pushover. I still think Margaery has some  tricks up her sleeve, and her brother, the future of House Tyrell is still in the High Sparrow's dungeons.

The return of Benjen Stark was a long time coming. Benjen is the brother of Lord Eddard Stark who we last saw in Season 1 talking with Jon Snow and going out ranging beyond The Wall. His name has often been on character's lips, for example, it was the (false) report that Benjen had returned to Castle Black that Jon Snow's assassins used to lure him out of his office before stabbing him to death. After the tragic events of (S6E05) "The Door" Brandon Stark and Meera Reed are stuck out in the snow far North of The Wall with out any food or shelter. Happily, just as the wights catch up with Bran and Meera a dark stranger on a  dark horse appears out of nowhere and using a flaming brazier is able to dispatch them all.  Afterwards he reveals that he was saved by the Children of the Forest from becoming a wight himself by plunging dragonglass into his heart (like Bran saw in his vision) and says that Bran is the "three-eyed raven now."

The heart of the episode is built around the return of Sam and Gilly to Horn Hill, the ancestral home of the Tarlys. Although Sam is the first-born son, because of his bookish and unathletic nature his father disowned him and told him to either join the Night's Watch or he wouldn't survive the next hunt he was forced to go on. However, Sam has been ordered by the Lord Commander to go to the Citadel to become a Maester. But Sam doesn't return home alone, he has Gilly and a little baby boy with him. However, Sam's father, Lord Randyll Tarly hates wildlings and during an incredibly tense dinner with Sam's family Gilly inadvertently lets the truth about her origins out of the bag. Of course, Lord Tarly thinks that Sam has picked a wildling bride just to spite him and belittles and denigrates him in front of the rest of the family and banishes from Horn Hill forever. Sam gets his revenge by changing his plan of leaving Gilly and babe with his family while he goes to the Citadel and instead all three of them sneak out of Horn Hill, and on his way out Sam pilfers Heartsbane, the Valyrian sword which has been in Tarly hands for over 500 years.

There are other important moments in the episode, but they are not completely aligned with the "blood" theme. A Girl With No Name Arya decides NOT to join the Faceless Men after all, instead she seems  enamored with the family of choice created by the cast of traveling mummers, deciding instead to save the person she was supposed to kill. She goes back and unearths Needle from its hiding place and waits for The Waif to come punish her for her disobedience.

In Essos, Drogon finally appears and is reunited with Dany, who implores the Dothraki to follow her over the Narrow Sea to conquer Westeros. Hard to argue with a Khaleesi on the back of a dragon!

Another scene that is setting up the major conflict for the season is the re-appearance of the odious Walder Frey. He is going to try to appeal to blood ties in order to ransom the life of Edmure Tully (the groom in the Red Wedding) in order to get the Blackfish (Ser Brynden Tully) to give up his hold over Riverrun.

Highlights
The highlights of this episode were:
  • For the first time Gilly probably has the best line of an episode when she tells Sam "You aren't what they think you are." A close second is from a multiple winner of the "best line" contest, which is Olenna Tyrell saying tartly "He's beaten us
  • Gilly all cleaned up and dressed up for dinner at Horn Hill was most definitely a highlight.
  • Drogon continues to look amazing. Now that the show appears to have a near-infinite visual effects budget, they are stinting no expense in the depiction of the dragons and it shows.
  • Another episode with no Ramsay Bolton is always a highlight!
Lowlights
There was no low light in this week's episode.

Grade: 9/10.

Sunday, May 29, 2016

GAME OF THRONES (S6E05): "The Door"




We are now halfway through the 10-episode sixth season of HBO's Game Of Thrones with the airing of  (S6E05) "The Door." This is often a pivotal and important point in every season, because the fifth episode often sets up action that will be resolved or poses questions that will be hopefully answered during the season finale. In "The Door" we had a heartbreaking death, (or two!) an important confrontation, an intriguing introduction, an unfunny comedy and a surprising escape. Overall, this was one of the best episodes of the show's entire 55-episode series run so far.

Summary
Any discussion of "The Door" needs to begin with talking about the heartbreaking death of Hodor. In (S6E02) "Home", in addition to the big reveal that Jon Snow's death is not permanent, we are also shown Hodor as a (very large) youth named Willis (who could say something else besides "Hodor" at that time). In "The Door" we see that Brandon Stark actually caused Willis' seizure because he was greenseeing that point in time when back in the future, Meera Reed is desperately trying to save Brandon's life by pulling him to an escape from the Night's King and his army of reanimated corpses (known as wights). "Hold the door!" she screams at Hodor and the words get transmitted via Brandon's mental link with Willis in the past and the emotional intensity compressed the words into the now famous "Hodor" and scrambles the teenaged Willis' brain in the process. This results in a sickening irony. Brandon, who was cared for and carried by Hodor so lovingly actually caused the mental defect that resulted in his companion not being able to communicate meaningfully with those around him. Hodor heartbreakingly sacrifices his life to hold the door against the Night's King's undead army, allowing Meera and Brandon to "escape" into the frigid night, carrying only the clothes on their back, with Brandon paralyzed and his direwolf Summer, the Three-Eye Raven and Leaf (the Child of the Forest) and Hodor all dead behind them. Is it worth it? Is Brandon really that important to the fate of mankind?

One key takeaway of the events of this episode and the revelation of how Hodor got his name is that there is no question that when Bran is greenseeing, he can affect the past. However, it also appears to be true that even if Brandon affects the past, it doesn't change his timeline. To Brandon, he had only ever known Willis as Hodor, even if he had not yet been responsible for the events that turned Willis into Hodor. The question is, can Bran change other past events?

In addition to the two heartbreaking deaths (Hodor and Summer), the important confrontation occurred between Sansa Stark and Lord Petyr Baelish. Remember, back in Season 4 Sansa was under Baelish's protection when he married her off to the odious Ramsay Snow. Sansa starts their conversation with "Did you know abut Ramsay? If you didn't, you're an idiot. If you did, then you're my enemy." She meets Littlefinger with Brienne present as a more than implicit  threat that she no longer needs Littlefinger's protection, and that she could have him killed right there if she wants. She excoriates him with the line "You freed me from the monsters who murdered my family and you gave me to other monsters that murdered my family."

The intriguing introduction occurs back at Essos where a mysterious new Red Priestess named Vintana is brought in by Tyrion to try and spread the word about Daenerys' achievement and although Varys (and the audience) have doubts about the existence and powers of the Red God, she skeeves him out by revealing details of the worst night of his life that Varys has never revealed to anyone. I suspect we will be seeing more of her as we barrel towards the end of the season and events in Essos quicken to a climax.

The unfunny comedy happened in Braavos, where we watch Arya reacting to seeing a mummers play that re-enacts the events of the first two seasons which are almost unrecognizable to someone like herself who was a first-hand witness. She sees her father Lord Eddard portrayed as a fool, the sadistic Joffrey as a hero and Cersei as a loving mother. She is able to sneak backstage and eyes the person that she is being tasked with murdering. The one notable aspect of this scene was that there was gratuitous male nudity (of course there was also female nudity later in the scene as well, but atleast it wasn't gratuitous!)

The surprising escape (Brandon's escape from the Weirwood cave was not really surprising) involves Yara and Theon, the Greyjoy siblings of the recently murdered King of the Iron Islands who combine
forces at the Kingsmoot (a gathering where the Ironborn decide who will be the next candidate for the Sand Throne) but are defeated by their Crazy Uncle Euron (who admits killing his brother and sovereign). Yara and Theon see the writing on the wall and escape with all of the Iron Born's best ships. Newly crowned King Euron vows to hunt down his niece and nephew and then to sail to Essos to convince Daenerys Stormborn to marry him and  combine forces to invade and rule the Seven Kingdoms.

Highlights
The highlights of this week's episode were:
  • The best line of the episode was Sansa's, to Littlefinger: "You freed me from the monsters who murdered my family and you gave me to other monsters that murdered my family." (ouch!)
  • Of course, Meera's "Hold the door!" and Willis' "Hold the door, holdthedoor,...,holddoor,...,hodor" will also be remembered forever.
  • The scene between Sansa and Littlefinger was a clear highlight of this week's episode as it shows Sansa's increasing control over her own destiny.
  • The assault of the Night's King's forces on the Weirwood tree cave was quite thrilling, and heartbreaking as the losses mounted up (first the Three-Eyed Raven, then Summer, then Leaf and ending with Hodor). It was one of the most exciting sequences of the entire series.

Lowlights
This was a near flawless episode. The only possible lowlight was the scene with Dany and Jorah, which seemed out of place with the rest of the episode, since it primarily involved the departure of Jorah which is a character not much of the audience cares about (including me).

Rating: 10/10.

Sunday, May 22, 2016

GAME OF THRONES (S6E04): "The Book of the Stranger"




Episode 4 of Season 6 (S6E04) of HBO's Game Of Thrones is titled "The Book of the Stranger." This is a reference to one of the books in the main religious text of Westeros, known as the Seven-Pointed Star, which serves as their "Bible" for their main religion, which is called the Faith of the Seven and is centered around a deity (called "God", of course) that appears in seven forms or aspects: The Father, The Mother, The Maiden, The Crone, The Warrior, The Smith, and The Stranger. The Stranger basically represents Death, so perhaps this episode is intended to be about death. But, hey, this is Game of Thrones, so isn't every episode about death?

Summary
Just last week in my review of (S6E03) "Oathbreaker" I was lamenting the fact that we had not seen some important characters like Lord Petyr "Littlefinger" Baelish and Ser Loras Tyrell at all this season. So, of course in "the Book of the Stranger" both Littlefinger and Loras make an appearance.

But the most  emotionally resonant moment of this episode is of course the hug between Sansa Stark and Jon Snow when the two are finally reunited. This is the first significant reunion of two members of the Stark family since the infamous Red Wedding of Season 3, even though the show has put various characters tantalizingly close to meeting before, only to deny the audience this emotional release. It's curious that of all the possible Stark family duos possible, it is Sansa and Jon that meet, because the two were never very close when they lived together in Winterfell. Jon was always "that bastard" and Sansa was just a spoiled girl who thought more about clothes and dances. Now the two have gone through a lot (there's an understatement for you!) it will be interesting to see how they interact going forward. Even in this episode, Jon is reluctant about trying to make war on Ramsay Bolton, the self-proclaimed Warden of the North, until Sansa convinces him that it is the right thing to do, to try and save their brother Rickon (I do NOT see that plan ending well!), who is being held captive by Ramsay at the Stark's ancestral home of Winterfell.

It's interesting how the forces are starting to line up against the execrable Ramsay Bolton (who in this episode murders yet another innocent person, this time its Osha, the Wildling who was responsible for protecting Rickon and Bran when they escaped Winterfell way back in Season 3). We finally see Littlefinger and he is in the Vale, with the still crazy Lord of the Vale, Robin Arryn, who now is a loony homicidal teenager instead of a petulant homocidal pre-teen. Littlefinger appears to convince Robin to send his armed men to Winterfell to rescue his cousin Sansa (whom they do not know has escaped from Winterfell and is at Castle Black).

In King's Landing we finally get to see the show's primary openly gay character, Queen Margaery's brother Loras. Unfortunately, he is at the end of his rope and is willing to give in to the High Sparrow's demands for atonement and punishment of his sins (homosexuality). Margaery looks alarmed at the state of her brother but refuses to give in and encourages Loras to stay strong. Meanwhile, the Tyrells and Lannisters, who hate each other are realizing that they have a common enemy they hate even more (the High Sparrow and the Faith Militant), and hatch a plan to rescue Margaery and end the Sparrow's domination of the Capitol. Somehow I don't think this alliance is going to end well.

The other important moments in this week's episode happened in Essos, the continent across the Narrow Sea from Westeros. It's where Tyrion is making a dubious deal with the slaveholders of Yunkai, Astapor and other cities that instead of ending slavery he will give then seven years to phase out the practice, and compensate these rich and powerful men who benefit from the forced labours of others for the loss of their "property." Game of Thrones is repeatedly making points about the necessity of compromise, and that "one doesn't sign truces with one's friends" to indicate that it's one's enemies that one often has to negotiate with. However, it really is not clear if slavery is something one can compromise over. Essos is also where Daenery Targaryen finds herself confronting a room full of lecherous and powerful Dothraki men who are supposed to be deciding her fate. Instead Dany upstages them by using her power to be unharmed by flames to immolate all of the Dothraki khals, for the second time pulling off a coup that will make her the head of this violent and puissant people: Khaleesi.

Highlights
The highlights of this episode were:
  • The best line on this week's episode was Missandei's when she asked Tyrion exactly "How long were you a slave?" and informed him that his deal with the Masters is doomed to fail because "Seven years is not a short time for a slave."
  • The look that Cersei and the Queen of Thorns shared in the Small Council room was priceless as usual.
  • The final scene when Dany burns up the Dothraki khals was pretty cool, but it ended problematically...
Lowlights
The parts of the episode I could have done without:
  •  I really think the entire scene with Ramsay and Osha was redundant. We know he's a homocidal maniac, so seeing him stick a dagger in her neck and then calmly resuming his snack was not a surprise, at some point it just turns into torture porn.
  • Really, the Dothraki just let the only two white dudes in the area walk up to the front and prostrate themselves before Dany? The producers just seem to have a tin ear when it comes to listening to the potential problems with their deification of Daenerys. There was a little too much of S3E10 "Mhysa" in that final scene.
Grade: 8/10.

Sunday, May 15, 2016

GAME OF THRONES (S6E03): "Oathbreaker"



Episode 1 of Season 6 (S6E03) of HBO's Game Of Thrones is titled "Oathbreaker." The titles of the episodes are often meaningful and often have multiple interpretations. For example, "Oathbreaker" is the name of the sword that Jaime Lannister gave to Brienne but in common parlance it refers to a  person who "breaks his oath." The men of the Night's Watch famously swear an oath to serve until Death. In fact, here is the text of that Oath:

Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the shield that guards the realms of men. I pledge my life and honor to the Night’s Watch, for this night and all the nights to come."

So, what happens when a member of the Night's Watch dies and comes back to life? Is Jon Snow the eponymous Oathbreaker of this episode? There are many oaths that the people of Westeros swear by. The oath to not do harm to a guest under your roof once you have shared salt and bread with them. The Oath to abide by the laws of men and Gods. The marriage vows. There are many oaths, and there are many people on this show who break their oaths.

Summary
As I have said before, "one of the strengths and weaknesses of Game of Thrones is its expansive cast" but in this episode we see the drawbacks of having such a huge cast because in S6E03 we finally return to some characters that we have not seen for awhile. The first of these are Sam and Gilly, who are on a ship sailing to the Citadel with Gilly's bastard baby boy. Sam is horribly seasick but Gilly is happy to be on the journey to their new life together.  Could Sam be the Oathbreaker? By shacking up with Gilly he has broken his oath to the Night's Watch, although his Lord Commander sort of told him to go off and become a Maester, so maybe it's okay.

We also get to see more of Brandon and the Three-Eyed Raven (Donald Sutherland) greenseeing the past. This time it's the important Tower of Joy scene where we may discover who is the mother (and more importantly, the father, of the little baby boy that Eddard Stark brought back from the War and who grew up to be known as Jon Snow. The central question of A Song of Ice and Fire is Who are Jon Snow's parents? Sadly, the scene ends after a thrillingly executed fight scene between Ser Arthur Dayne (widely regarded by experts like Jaime Lannister and Jorah Mormont as one of the best swordsman ever) and Eddard Stark but before Eddard gets into the actual Tower, to find (it is speculated) his sister Lyanna Stark. Could Eddard Stark be the Oathbreaker? It's revealed that he actually did not beat Ser Arthur Dayne in single-handed combat, after all. He did win that fight, but only because Howland Reed, after pretending(?) to be dead came up behind Ser Arthur and put a knife in his neck. Apparently we will have to wait until S6E05 to find out who is in the Tower. But this was still a very important scene because Brandon, watching this pivotal moment from a quarter-century in the past, calls out to his father and Eddard stops and looks around as if he could barely hear his not-yet-born son. Can Bran affect the past? That would be a huge reveal, but we are given no answers but instead swept back to reality with Brandon paralyzed and the Three-Eyed Raven stuck in a weirwood tree in a cave.

The other character we get to see for the first time in a very long time is Rickon Stark, who sadly shows up in Winterfell as a result of some treachery by one of the Northern lords who are still somewhat pissed at the Starks and are trying to align themselves with the new Warden of the North, the odious Ramsay Snow. (Couldn't Ramsay be the titular Oathbreaker? He is definitely a kinslayer.)
Things do not look good for Rickon. You should have stayed presumed dead. I presume Ramsay is going to have some horrible fate in store for the youngest (but not so little any more) member of the Stark clan.

There is one key figure in the story whom we have yet to see anything about this season: Lord Petyr Baelish a.k.a. Littlefinger. What has that sneaky devil been up to? There's an oathbreaker if I ever saw one! Hopefully we will find out in (S6E04) "Book of the Stranger." (But this sounds like it's going to be about the High Sparrow and the Faith Militant.)

The rest of the show was taken up with updating us about what has been happening to our principal characters (Cersei and Jaime are trying to assemble political power in King's Landing to go after their enemies; The High Sparrow is trying to do the same thing, but he does it by persuasion, talking to King Tommen; Qyburn has discovered Varys' network of spiders (the poor children of King's Landing and is attempting to convince them to work for him through the dispersal of free sweets; Arya is no longer blind; Daenerys is stuck in a hut filled with Khal's widows; meanwhile back in Essos Varys learns that all the good that Queen Dany accomplished in freeing the slaves is being undone by the elites in Yunkai and the other "Free Cities." And there was no update on Drogon, who we know is loose, or the other two dragons, who we saw Tyrion release last week!

Highlights
The highlights of this episode were:
  • For the second consecutive episode Jon Snow had the biggest and best moment of the show when he gave his fancy Lord Commander cloak to Edd and walked out of Castle Black saying the words "My Watch is ended."
  • The look that Grey Worm and Missandei share when Tyrion is trying to pass the time waiting for Varys was hilarious!
  • The vastness of Vaes Dothrak was a clear highlight of the episode. I was curious about what this location would look like, since it's supposed to represent the pinnacle of Dothraki civilization, and how they would distinguish it from previous Dothraki camps we have seen.
  • Another highlight was the sword battle at the Tower of Joy and finally witnessing the prowess of Ser Arthur Dayne, who was outnumbered 5 to 2 and evened up the odds to 1 on 1 before being dispatched by a knife in the back of his neck by Ser Howland Reed.
  • Seeing Rickon Stark and Osha, nearly 3 years after they not appeared on the show since Season 3 was a highlight, but the look on Ramsay Bolton's face when he said "Welcome home, Lord Stark does not bode well for the future happiness of yet another member of the Stark clan.
  • Arya Stark A Girl With No Name has her blindness removed and she can see again! Arya is one of my favorite characters, I hope 
Lowlights
The parts of the episode I could have done without:
  •  Did we really need to see the severed head of another Direwolf? Rickon's is named Shaggydog, and it was presented as proof that Smalljon Umber's gift is really Rickon Stark.
  • The extended focus on the faces of the four traitors who had just been hanged, after we saw their death throes was more than a bit graphic and a lot off-putting.
Grade: 9/10.

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