Thursday, November 26, 2020

BOOK REVIEW: Bone Silence (Revenger, #3) by Alastair Reynolds


Bone Silence is the third and final book in Alastair Reynolds' Revenger trilogy, a dark, steampunk-inspired, YA space opera series centered around two teenaged sisters. Adrana and Arafura Ness  have adventures together and separately that are dangerous and diverting, in a reimagined dystopian solar system where humanity exists on twenty thousand habitats formed from the materials of the Eight Original Planets.

The most compelling aspect of the books is, unsurprisingly, the Ness sisters. Somewhat surprisingly, however, they are not completely likable characters. In retrospect, this is a strength and a weakness of the books. They are often placed in complicated situations, interacting with people who often have complicated allegiances and motivations and thus they often have to make complicated decisions. In Bone Silence, the sisters are co-captains of Revenger, a technologically advanced ship which was previously owned by Bosa Sennen, the most notorious (and ruthless) pirate in the System. In fact, due to actions that occurred in Book 2's Shadow Captain (which I won't recap here because spoilers!), many people believe that either Arafura or Adrana (or both) are either in alliance with Bosa Sennen or have taken her place and are continuing her reign of terror (after all, the Ness sisters are using Bosa's ship).

Another important aspect of the Revenger books is the setting. I'm generally not a fan of steampunk or YA and these books haven't changed my mind. But I am a huge fan of Reynolds, though, so that's what made me start reading these books; the characters and plot made me continue and finish them. Reynolds is an experienced hard SF author who has previously created brilliant, captivating space opera tales like Revelation SpaceChasm City, The Prefect, Blue Remembered Earth and many more. Although initially skeptical, I did get caught up in the story and following the fortunes of Adrana and Arafura made me want to continue the series to its conclusion. The setting of the books is in a future where technology is both advanced (it takes place on space ships after all) and backwards (even though it is millions of years in the future there’s no technology they have which we currently don’t have). The primary source of locomotion of ships is the harnessing of solar radiation through the use of huge solar sails, and the language of space travel is described in such a way that it could be referring to nautical journeys of the 1800s. The units of distance are "leagues." (These are all steampunk elements that I generally regard as annoying affectations. Additionally, although there are aliens, they are referred to by infantilizing names such as "Clackers," "Crawlies" and "Hard Shells." The form of currency are "quoins" and the provenance of quoins is one of the key mysteries of the series. The backwardness of the technology is also reflected in the fact they refer to the air that is in the ships as "lungstuff" and there is almost no automation of any tasks. (Although there are robots who most humans treat unseriously as toys or amusements, there are no handheld devices, no sense of a universal cyberspace and no artificial intelligence.) Everything is done by hand, by "sailors" who have specialized skills. Humans don't create technology, they find and re-purpose alien (or "Ghostie") technology in the form of artifacts that they find in ancient, abandoned habitats called "baubles" that often have artificial gravity due to black holes (called "swallowers") at their center. Navigation is by using star maps and observations of the stars. Communication from ship to ship is done primarily by "squawk" (the equivalent of radio) and by "bone." Bones are ancient alien technology which uses "twinkly" to allow certain individuals to communicate telepathically with other individuals using bones, with relativistic effects ignored. It's somewhat amazing that as a (former) physicist, Reynolds has written a series where modern physics is almost entirely absent.

Overall, I liked the series as a whole more than I liked the last book, but I am glad I read it because I really wanted to know what happened to Arafura and Adrana in the end! Bone Silence seemed overly long, as numerous plot threads that had developed over the first two books Revenger and Shadow Captain needed resolving in the third. Generally, most of these were resolved in a way that was relatively satisfying. Additionally, many of the characters that we had come to know for at least one book and sometimes two, did not make it to the end of the third book. Hey, I said it was dark! 

While this is a YA book and there is absolutely no sexual situations in the book, there is lots if violence and cruelty and death. It is a dark, dystopian solar system the Ness sisters are in, and they have to adapt and reflect their surroundings in order to navigate through it. Bosa Sennen was the main villain in Book 1 and Book 2 but in Book 3, a new villain is introduced and the narrative tension and suspense created by the struggle for dominance between the new villain and the Ness sisters, and sometimes between the Ness sisters themselves, animates the last book just enough to sustain interest to the very end. If you haven’t read any Reynolds before I would recommend starting with his hard science fiction works like Revelation Space, Chasm City, The Prefect or the Poseidon's Children trilogy.

OVERALL: 3.5-4 STARS,

Title: Bone Silence (Revenger, #3)
Author: 
Alastair Reynolds.
Length: 432 pages.
Publisher:
 Orbit.
Date Published: February 4, 2020.
Date Read: November 1, 2020.

GOODREADS RATING: ★★½☆  (3.5/5.0).

OVERALL GRADE: A-/B+ (3.5/4.0).


PLOT: A-.
IMAGERY: A-.
IMPACT: B+.
WRITING: B+.

Thursday, November 19, 2020

BOOK REVIEW: Interference (Semiosis, #2) by Sue Burke


Interference is the sequel to Semiosis, and the two books form a duology that recounts the story of the colonization of a planet called Pax, located some 55 light years from Earth. Pax is a fertile, beautiful, Earth-like planet inhabited by numerous forms of life, indigenous and alien.

Semiosis told the story of how a small group of refugees from an Earth ravaged by ecological disaster and intentional genocide enters into a symbiotic relationship with (at least) two sentient alien species on Pax. Interference continues the tale, told brilliantly in the form of self-contained chapters of lengths varying from short story to novella, of the development of the humans on Pax, now ten to eleven generations beyond first contact. One key difference between the books is that in Interference, Earth plays a much larger role, because a new delegation of humans arrives to Pax, to follow up on and study the society the original colony has become. Just like the first group of human colonists, some of the new arrivals are motivated by desire to flee Earth in addition to curiosity about Pax.

Another key difference between Interference and Semiosis is that while the first book was centered around the characters of the protagonists of the chapters, the second is more plot-driven, with the narrative thrust being sourced in a series of questions that are eventually answered. These include: “How will the arrival of humans with advanced technology impact (and interfere with) the delicate power balance between the humans and the Glassmakers? How will Stevland, the sentient plant which dominates most living things on Pax, react to ( and survive) the arrival of a second set of humans from off-world? Will the new humans really return to their ravaged Earth, one that will be 200-years older than when they left? And what and who will from PAC will they take either back to Earth?

All these questions are answered by the end of the book, satisfyingly so, in my opinion. The main reason why Interference is as at least as good as Semiosis are the thought-provoking depictions of mutuality and “civilization.” Stevland really believes that he(?) is in a mutually beneficial relationship with the humans and Glassmakers (and other life on Pax) but it is also clear that he is the most intelligent (and most powerful) entity on the planet. The humans think they’re in a mutually beneficial relationship with the Glassmakers, but the new humans observe that when they want to, the Glassmakers can assume control over human society, despite being outnumbered 4:1. The new humans think their technological advantages and scientific knowledge means they are superior to all Pacifists (residents of Pax) but events demonstrate the frailty of that belief. Interference posits the hypothesis that mutuality and "civilization" (or domestication) may simply be a function of perspective.

Overall, if you liked Semiosis you will almost certainly enjoy Interference. The prominence of ecology and biochemistry in the first book is replaced by psychology and sociology, but both are engaging, exciting and excellent!

Title: Interference.
Author: 
Sue Burke .
Length: 304 pages.
Publisher:
 Tor Books.
Date Published: October 22, 2019.
Date Read: October 25, 2020.

GOODREADS RATING: 
★★  (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A.

Thursday, November 12, 2020

BOOK REVIEW: Semiosis by Sue Burke

Semiosis is the first book in a duology by Sue Burke about a small group of around 50 human colonists trying to survive on a planet they call Pax which is populated with exotic fauna and flora, in particular a sentient plant.

The story is told in a series of chapters, each of which serve as independent short stories or novelettes. They are often set a significant distances in the future, centered around subsequent generations, so characters from one chapter can be aged in another. Slowly, the outline of the overall act of the story becomes clearer to the reader. During this time, we start to get the perspective of the most dominant intelligence on the planet, which is Stevland, the sentient rainbow bamboo plant.

The book is strikingly original, with prominent sociological, ecological, biological and psychological themes. The colonist left earth to attempt to recreate a new, utopian Pacifist society, but it becomes very clear early on that the rigors of survival threaten to upend or warp their intended principles. Humans are humans, and the full range of human foibles, failures and fortitudes are displayed. The author does an outstanding job of moving the story forward rapidly and deftly by focusing on character development, which is surprisingly effective since almost in every case, we are basically introduced to a new set of characters and situations, but in almost every case these are compelling and engaging. (And if the reader isn’t that interested in the current batch, they know that this chapter will be over relatively soon, so there’ll be a reset into a new part of the story shortly.) The book combines the strengths of a short story collection with those of an entire novel.

That Semiosis is able to do this while simultaneously being funny, suspenseful, romantic, exciting and thoughtful is truly impressive. There’s a shocking amount of chemistry, especially biochemistry in the book, but even if you can’t distinguish between an acetone and an acid, you can still enjoy different aspects of the book. It works on very many different levels. Overall, I’d say it’s about a 4.0-4.5-rated read, but I’m rounding up to reward it for its creativity and effectiveness of implementation. I’m going to start the sequel right away!

Title: Semiosis.
Author: 
Sue Burke .
Length: 336 pages.
Publisher:
 Tor Books.
Date Published: February 6, 2018.
Date Read: October 20, 2020.

GOODREADS RATING: ★★  (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A.

Thursday, November 05, 2020

BOOK REVIEW: Trophy Hunt (Joe Pickett, #4) by C.J. Box


Trophy Hunt
 is the fourth book in the long-running, best-selling mystery series written by C.J. Box starring Joe Pickett, Wyoming Fish & Game warden and his family. These books are both similar and different from the typical books I  read in the murder-mystery, police-procedural, suspense-thriller genres. Yes, there’s usually a dead body to start the action (although in this one the first body is not human, it’s a dead moose that has been bizarrely mutilated) and the reader definitely gets a first-hand view of what Joe does to try and solve the crimes he comes across. But Joe is not a police officer, so the camaraderie with a team of detectives is missing, and the familiar details of police procedure such as forensics, canvassing the neighborhood, and trawling for leads by phone and Internet is not nearly a large feature of the Pickett books.

Instead, in Trophy Hunt (like in the earlier books) we have Joe on his own, trying to solve crimes, but this time as part of an inter-agency task force he’s been grudgingly added to (there have been multiple animal mutilations in addition to dead bodies found), while he’s being looked down upon for not being “real” law enforcement. However, instead of detective colleagues as secondary characters, Joe has his family (wife Marybeth, pre-teen daughters Sheridan and Lucy and trusted canine companion Maxine), friends (Nate Romanowski, a former Special Forces vet who now spends most of his time communing with nature, especially his falcons) and neighbors/associates who live and work in Twelve Sleep County (his nemesis, Sheriff Nate Burman; assorted other law enforcement contacts; and various colorful characters who populate the town). I have said before that a genre book centered on a main character basically succeeds on the quality and characterization of the secondary characters and in this respect the Pickett series shines. The landscape of Wyoming is an unusual but evocative setting for the mystery series and Box uses it often for maximum effect.

In Trophy Hunt, the mystery revolves around money, real estate and family. Amazingly, the area around Twelve Sleep is beginning to boom due to the presence of rich pockets of natural gas. This is resulting in a real estate boom and potential huge profits. Of course where there’s money to be made there’s criminals ready to do whatever it takes to get it. It takes awhile for Joe to figure out what’s going on. (This is a repeated theme of the series. Joe is a cloistered, solitary figure without much worldly exposure. But his lack of knowledge about something or inexperience doesn’t stop him from trying to find out the truth if he thinks something bad or criminal is going on, and that’s fun to watch.) Mary Beth actually plays a significant role here, because she has started working as an accountant for a real estate firm. She is really the brains of the couple and they both are growing more concerned about their finances as the girls grow older and Joe’s meager state salary becomes increasingly insufficient.

Overall, Trophy Hunt is another engaging and exciting entry into the Joe Pickett series. After four books, there’s a familiar rhythm to these books (which is another appealing element of most genre series) and that’s not a bad thing. If you liked any of the first three books you’ll like this one. Another (slightly unusual) feature of the Pickett books is that they are not strongly sequential, so one could read them out of order if you wanted to. This is an impressive authorial feat by Box. I am definitely going to read them in sequential order, because one can follow the characters change and grow, which provides an extra element of enjoyment to these already quite enjoyable books.!

Title: Trophy Hunt.
Author: 
C.J. Box.
Length: 348 pages.
Publisher:
 G. Putnam's Sons.
Date Published: 2004.
Date Read: October 15, 2020.

GOODREADS RATING: ★★ (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

Thursday, October 29, 2020

BOOK REVIEW: Case Histories (Jackson Brodie, #1) by Kate Atkinson



I had heard about Kate Atkinson and her Jackson Brodie novels for a long time before finally picking up the first in the series, Case Histories. I’ve been a Tana French fan since her very first book, and I can see why/how people often compare these two writers.

First, while it’s clear the two are writing in the crime/mystery genre, they are simultaneously subverting and reifying it. French has famously done this in her entire career. She refused to center her series f crime/mystery novels around a central character, instead using assorted characters from the Dublin Murder Squad as her protagonists, and that's just the most obvious way her mystery novels are not like others. Atkinson also does this in Case Histories in a way that even though you know you’re reading a mystery novel (it starts off with 3 vignettes depicting horrible crimes) the language is so pellucid while the pacing is so languid you’re constantly questioning—wait, what’s the mystery to be solved here?

Atkinson is so skilled a writer she is able to deploy humor effectively in what is, at its heart, a police procedural featuring her private investigator Jackson Brodie. This is something I think only Stuart MacBride has been able to do consistently well in his Aberdonian crime novels featuring Logan McRae that can sometimes veer into farce or outright hilarity. Atkinson's humor is much more sly and subtle but just as enjoyable (and welcome).

The centrality of Atkinson's work in Case Histories  is character and the human experience. Jackson Brodie is such an interesting main character! But Atkinson gives us insightful looks into the internal worlds of many, many characters in the book, some who are criminals and some who are victims. And often it’s not clear who is suffering more. The overall theme seems to be, "life is suffering" and here’s another slice of life.

I’ll definitely be looking forward to seeing what happens next with Brodie (and his precocious daughter Marlee!!) and I’m slightly curious about what Atkinson’s non-genre books are like, since they all seem to be popular.

Title: Case Histories (Jackson Brodie, #1).
Author: 
Kate Atkinson.
Paperback: 434 pages.
Publisher:
 Little, Brown.
Date Published: October 15 2007.
Date Read: October 3, 2020.

GOODREADS RATING: ★★ (5.0/5.0).

OVERALL GRADE: A (4.0/4.0).

PLOT: A.
IMAGERY: A.
IMPACT: A.
WRITING: A.

Thursday, October 22, 2020

BOOK REVIEW: Looking Good Dead (DSI Roy Grace, #2) by Peter James

Looking Good Dead is the second book in author Peter James’ series of best-selling, long-running, British police procedural, suspense thrillers featuring Detective Superintendent Roy Grace, set in the environs of Brighton and Hove. I was quite impressed with the premise and the execution of the first book, Dead Simpleand have been looking forward to continuing the series.

The second book is clearly set in a time period after the first but I think one could enjoy them both reading them in either order. DSI Grace (or “Roy” as he prefers) is an intriguing character and a good leader of an interesting team of fellow officers. One of the things I constantly repeat in my reviews of books in the mystery/thriller/police procedural genre is a significant fraction of my enjoyment of these books is in the interactions between the main character/protagonist and the supporting characters. His best friend and colleague is Detective Sergeant Glenn Branson, a younger, hip, muscular Black guy and there are multiple women with personalities not rooted in their physical appearances in the book as well. These are significant strengths in my opinion.

Grace’s personal circumstances are somewhat tragic; his wife Sandy disappeared more than nine years ago on his 30th birthday and he really hasn’t moved on (he still has her slippers and personal items in his/their bedroom!). The Sandy situation doesn’t get resolved in this book (from inadvertent Google searches it seems like she does show up in a future book but it’s not good news). However, Roy does have positive developments in his romantic life which portends this will be a smaller element in the future.

The strongest aspect of both books by James that I have read so far are the premise/set up of the story and the pacing of the plot. In Looking Good Dead the premise is that a “regular bloke” named Tom Bryce has his life ruined by picking up a CD some idiot leaves on his commuter train and when Toom puts it into his computer he witnesses a live snuff film (a woman being murdered on camera for the sick pleasure of voyeurs). It takes awhile for Grace’s team to connect the headless dead body they have found in a local field with the murder Tom Bryce inadvertently saw on his computer. By the time they do we have learned more about the producers of the snuff film as well as the existence of other victims and Tom's life is starting to unravel as the criminals have discovered Tom's unauthorized access to their website.

The primary narrative tension in Looking Good Dead is whether Roy and the police will find the perpetrators before the evildoers punish Tim and his family for exposing their activities. Roy has a problematic penchant for the supernatural but here it plays an almost minimal role in the story, although one of the mediums he interacts with gives Roy some information which could be considered useful.

Overall, I’d say Looking Good Dead is a top-notch suspense thriller and satisfying British police procedural. For people who have appreciated following the cerebral crime-solving of Peter Robinson’s DCI Alan Banks or the psychological thrills of Val McDermid’s Carol Jordan/Tony Hill, Peter James’s Roy Grace is a name you should add to your “to-be-read” list!


Title: Looking Good Dead
Author: 
Peter James.
Length: 406 pages.
Publisher:
 MacMillan.
Date Published: 2006.
Date Read: September 21, 2020.

GOODREADS RATING: ★★ (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

Thursday, October 15, 2020

BOOK REVIEW: A Room Full of Bones (Ruth Galloway, #4) by Elly Griffiths

 A Room Full of Bones is the fourth book in author Elly Griffiths' murder-mystery series starring Dr. Ruth Galloway, head of Forensic Archaeology at the University of Northern Norfolk and DCI Harry Nelson, head of the major crimes squad of the Norfolk Police Department.

This book is a bit unusual in the murder-mystery genre because the putative main character, Ruth Galloway, is almost a supporting character in A Room Full of Bones. The primary mysteries in the plot involve the death of a young museum director whose body Ruth discovers collapsed near a recently-unearthed coffin containing the skeleton of a centuries-old Bishop as well as the suspicious death of the young man’s boss (and the owner of the museum and a prominent racing horse stable) a few days later.

Ruth’s relationships and domestic circumstances have been key to the plot of the first three books in the series (
The Crossing PlacesThe Janus Stone ,The House at Sea's End), often being detailed in parallel to the mysteries as she investigates the discovery of old bones and/or new corpses. However, in A Room Full of Bones Ruth has almost no role in the solution of either of the central mysteries and neither does Nelson.

Instead, it’s the supporting characters from the earlier books, namely DS Judy Johnson and Cathbad, who lead the reader to the solution of the mysteries, while Nelson is out of commission for a significant fraction of the book and Ruth’s primary responsibility is being a caring mother to her now 1-year old daughter Kate.

It’s a curious, confident choice by the author, and (surprisingly) it works really well. To me this book is no less interesting and compelling than the prior books, and Ruth is still the protagonist. What is becoming clearer is that these books are not just about the mysteries but are really serials about the cast of characters who are involved in investigating them. Another curious choice by Griffiths is the explicit inclusion of supernatural elements into the story, through a “curse” deployed by an Indigenous Australian character and Cathbad’s drug-induced foray into “dream walking.” I am typically quite negatively disposed towards the inclusion of supernatural elements in the murder-mystery, police procedural books I read. (If “magic” is real then how can the reader have any chance of solving the mystery if characters can defy the laws of reality whenever they want?) But Griffiths makes it clear that there’s a plausible non-supernatural explanation for the supernatural interlude in such a straightforward way that I was actually fine with how things played out in the book. (I am quite surprised by this myself!)

Overall, A Room Full of Bones is an enjoyable, light mystery novel where the interactions and relationships (both new and old) between the characters is the main attraction. This entry has made me very intrigued to learn how the series develops in the future, especially since at this point there are at least 8 more books that I haven’t read yet. So, in that very basic sense (convincing the reader they want to find out what happens next), A Room Full of Bones is a success.


Title: A Room Full of Bones.
Author: 
Elly Griffiths.
Paperback: 352 pages.
Publisher:
 Quercus.
Date Published: December 21, 2011.
Date Read: September 10, 2020.


GOODREADS RATING: 
★★½☆  (3.5/5.0).

OVERALL GRADE: A- (3.67/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A-.

Thursday, October 08, 2020

BOOK REVIEW: The Chain by Adrian McKinty

The premise of The Chain is so simultaneously insane and ingenious I’m sure every other suspense thriller writer is thinking “I wish I had thought of that!”

I’m a huge fan of the McKinty’s Sean Duffy novels so I’m very pleased that The Chain has brought this excellent author such deserved success. (There are reports it has been optioned to be a major motion picture!)

Many other reviews mention that the book basically has 2 main sections. The first half is based around what happens when our main character, a divorced, cancer-stricken single mom named Rachel has am harrowing encounter with the devious extortion racket known as The Chain. The second half (which I found more compelling) is about what happens to Rachel after she experiences The Chain as well as the backstory of how The Chain came to be.

To me, the depiction of Rachel’s experience with The Chain is so perfectly designed to hit every note in a suspense thriller that I found it slightly tedious. Spunky, resourceful teenage kid! Plucky, resourceful mom! Ne’er-do-well, resourceful “uncle” (wife's ex-husband's brother who happens to be a military veteran with advanced weapons training and access to military-grade hardware)! Unreasonable demands by the bad guys! It’s all just a bit TOO much. Entertaining  but highly caloric.

However, the second half of the book, where we learn more about the psychoses and back story of the individuals behind The Chain are more interesting to me, although one could argue that this aspect of the book is even more cliché than the first half. (Yes, the bad guys were abused as children. Yes, they have done psychotically evil things all their lives. Yes, they are preternaturally smart. Yes, they do things which should have tipped of the people around them.) We also learn more about Rachel in this part of the book, and she gets to exhibit more agency about her life and her future, which is a good thing.

The Chain has a kick-ass, thrilling ending (even with the obligatory unsuccessful last-attempt-by-the-bad-guy-to-snatch-victory-from-defeat). There is a ridiculously improbable coincidence that (barely) motivates the final acceleration of the plot, but this is the kind of book where you just roll with it. One thing is sure, 
The Chain will make a freaking fantastic movie, and is a fun and exciting read.

Title: The Chain
Author: 
Adrian McKinty.
Paperback: 368 pages.
Publisher:
 Mulholland Books.
Date Published: July 9, 2019.
Date Read: September 5, 2020.


GOODREADS RATING: 
  (3.5/5.0).


OVERALL GRADE: B+/A- (3.5/4.0).

PLOT: A-.
IMAGERY: B+.
IMPACT: B+.
WRITING: A-.

Thursday, October 01, 2020

BOOK REVIEW: Winterkill (Joe Pickett, #3) by C.J. Box

 


Winterkill is the third book in C.J. Box’s long-running series featuring Wyoming Fish and Game Warden Joe Pickett as the main character. I was reasonably impressed with the first two book in the series, Open Season and Savage Run, mostly by their pacing and compact form. But since I generally prefer to read mystery/thriller books either written by female authors or with female protagonists I wasn’t in a particular hurry to continue reading books in this series starring a taciturn, emotionally inarticulate, highly principled “Lone Ranger” type of guy.

However I had forgotten what a large role Joe’s family, in particular his wife Marybeth and daughter Sheridan, often play in the story. Sheridan was a huge part of the second book, Savage Run. It is also definitely true that Box is a master at building suspense, but it was the centrality of Joe’s domestic life, as well as his singular devotion to being the good guy that really stood out for me in Winterkill and has convinced me to put the many sequels higher on my burgeoning TBR (to-be-read) queue.

Much of the story in Winterkill is animated by problematic and criminal behavior by problematic and criminal people. The book begins with Joe catching a fellow natural resources bureaucrat in the act of violating basic hunting quotas and through a series of seriocomical events we get our first dead body just as a huge snowfall deluges Joe’s Twelve Sleep County. (Isn’t that a great name?)

The basic contour of the plot in Winterkill involves an inexorable build up to a seemingly unavoidable violent clash between a group of anti-government squatters and federal and state law enforcement officers who mutually detest each other. Joe does his darndest to try and help members of both sides see reason and past each other’s grievances, largely to no avail. This is the primary source of narrative tension in the book, and it is intensified further by involving the youngest member of Joe’s family, a girl named April whom Marybeth and Joe have been foster parenting for several years but whose adoption has been stalled by administrative inertia and bad luck. Despite abandoning her daughter like a sack of flour when she skipped town, April’s biological mother is back in town and is intimating she wants her daughter back (and of course she's a member of the caravan of anti-government crazies).

Overall, Box again shows how interesting and compelling a read he can make from sparse ingredients such as a relatively straightforward plot, a well-drawn but familiar character in Joe Pickett and a modest page count. The unusual nature of the setting, a sparsely populated Wyoming town in winter, with unfamiliar characters caring about unfamiliar issues like hunting and fishing and natural conservation is another feature of these books. Together these pieces come together catalytically to produce a mystery which is more energetic than its component parts.


Title: Winterkill (Joe Pickett, #3).

Author: 
C.J. Box.
Paperback: 352 pages.
Publisher:
 Berkley Books.
Date Published: June 1, 2004.
Date Read: August 31, 2020.

GOODREADS RATING: ★★  (5.0/5.0).


OVERALL GRADE: A- (3.67/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A-.

Thursday, September 24, 2020

BOOK REVIEW: The Retribution by Val Mcermid

The Retribution is the seventh book in Val McDermid’s long-running, excellent series of police procedural, mystery-thriller novels featuring DCI Carol Jordan and Dr. Tony Hill, primarily set in the fictional city of Bradfield in Northern England. Hill is a criminal psychological profiler who uses his expertise to assist the police in tracking down lawbreakers (usually serial killers) by extrapolating information about the psychology and motivations of the perpetrators from the nature of their crimes and crime scenes. DCI Jordan leads the Major Incident Team (MIT), a handpicked collection of police officers with special skills (like lucrative computer hacking skills used for crime-fighting instead of profit) who often get results on cases that resist resolution by typical police methods.

The Retribution is centered around two problematic crime sprees. The first is a now-familiar series of horrific murders of “working girls” in the Temple Fields (red light/gay ghetto) section of downtown Bradfield. Each of the three killings is quite different from each other but each victim has the word “mine” tattooed somewhere on the corpse. It takes awhile for the police to recognize there’s only one killer involved because the bodies are in such variable states of intactness when they are discovered. Eventually the police do hand the case over to MIT. However, it will likely be the unit’s last case. Carol’s new boss has decided that having a cadre of specialized officers who work on the hardest cases and get good results is “too expensive” so she’s taken a DCI job at West Mercia and her team’s officers will likely be forced join the regular detective rotation if they stay in Bradfield. West Mercia, not coincidentally, happens to be near where Tony has recently moved into a huge mansion he inherited from his late estranged father in Fever of the Bone.

The second crime spree featured in The Retribution is significantly more serious. It involves one of the key villains from Wire in the Blood, one of the earlier, excellent entries in the Hill-Jordan series, Jacko Vance. Jacko was a television celebrity, one of the most recognizable faces in England when a member of Tony’s "baby profilers" (a group of police officers whom Tony was training to use his psychological techniques to suss out criminal motives) realized that Vance was a likely suspect in the disappearance of multiple teenage girls. Jacko killed the officer horribly just because he could, not because he was in serious danger of being revealed by her, but this event was the break that Tony and Carol needed to realize that Jacko was a serial killer. Now it’s many years later and Jacko manages to escape prison and he has a plan to seek retribution on the people that forced him to lose a dozen years of his life in prison. Jacko was assisted by a guy who never believed in his guilt to set Jacko up with a safe house, surveillance on his potential targets and ways and means to conduct his revenge. Of course, the first thing Jacko does when he’s in the safe house is stick a knife in his benefactor. And then he begins to successfully get his retribution on those who he thinks wronged him, which includes Carol and Tony. But, because he doesn’t attack them directly, but instead targets people and things near and dear to them, it takes awhile for Tony to figure out where Jacko will strike next and by then irreparable harm has occurred to those they love.

McDermid is rightly called the Queen of Crime for a reason. She is a Master at ratcheting up the level of suspense as one reads more and more of the book. One of her strengths is the clever way she doles out information to the reader about her characters and their motivations and actions. For example, we get a lot of first-person perspective from Jacko in The Retribution, so the reader can only watch with horror as we see him successfully commit his crimes while simultaneously seeing his pursuers struggle to even begin figuring out what’s going on. Additionally, McDermid does an incredible job at creating characters whose motivations are clearly described, leading to significant relationships. Access to the inner monologue of Tony and Carol as well as several of the secondary characters is a clear strength of the series.

Of course, the most significant relationship in these books is the one between Carol and Tony. Although it is not romantic, it is both more and less significant than a romantic relationship. For Tony, it is the most important relationship in his life. For Carol, Tony is her most important professional relationship, but she has more family support. The events of 
The Retribution are devastating to their connection, and one of the reasons to read the next book is to find out if their relationship survives and to read what happens next.

Overall, The Retribution is one of the most significant entries in the series, although I would not say it is one of the best. It definitely possesses McDermid’s now-familiar heart-pounding suspense, but both mysteries are not really that complicated since the who-dunnit aspect is minimal. (We know Jacko is one of them, and the second one is revealed pretty quickly. However in both cases it is the chase to see how/when/if the police can capture the perpetrator before they kill even more people which is the primary source of the suspense.)
The most memorable element is the sudden rupture in the Hill-Jordan relationship, but this change is surprisingly not well motivated and could be argued that it comes out of nowhere. Regardless, things will be different in the future for both of them, and I look forward to reading the subsequent books to find out what happens!

Title: The Retribution.
Author: Val McDermid.

Paperback: 413 pages.
Publisher:
 Little Brown.
Date Published: September 1, 2011.
Date Read: August 22, 2020.

GOODREADS RATING: 
★½☆ (4.5/5.0).

OVERALL GRADE: A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A.

Thursday, September 17, 2020

Fever of the Bone (Tony Hill/Carol Jordan, #6) by Val McDermid



SUMMARY REVIEW
Another excellent thriller featuring Tony Hill & Carol Jordan solving crimes and catching serial killers in the north of England.


Fever of the Bone is the sixth entry in Val McDermid’s police procedural/murder mystery series starring DCI Carol Jordan and psychologist profiler Tony Hill.

I love the way McDermid can quickly place the reader into a scene to sympathize with a character, even if we know that person will probably become the next victim of a sordid serial killer. She uses this to great effect to produce narrative tension and provide suspense to the reader. Is this person going to become the next victim? Or will they survive? To me, this is a clear example of the author not taking advantage of the too-easy trope of putting their detective in harm's way as a tool for causing the reader to be invested in what happens. McDermid is a master, she has a whole lotta other tricks up her sleeve!

In Fever of the Bone the relationship between Jordan and Hill is as complicated as ever. This time the crime is not as gruesome as McDermid’s typically horrific fare but the hunt for the killer is as gripping as ever. Teenagers are being stalked online and then abducted, drugged, suffocated and sexually mutilated. McDermid lets us experience the thoughts and hopes of several of the kids before they meet the killer, and this is extremely effective at engrossing the reader.

As with most murder mystery/police procedural series that have recurring characters, part of the enjoyment of the book is not only reading how (or whether) they will catch the culprit, but learning more about these characters and seeing what new developments happen to them and how they react to them as time goes by and the events in subsequent books occur.

In the case of Carol Jordan, she has a new boss who is skeptical that her specialized team is worth the extra money it takes to work with a specialized profiler like Dr. Tony Hill. And he’s not sure the difficult (often cold) cases they solve are worth the effort it takes. For Tony, he’s still coming to terms with the fact that he has received a huge inheritance from a father he thought had abandoned him to the abuse and deprivations of his psychopathic mother. There’s also some interesting developments with the important secondary characters in the series. In Fever of the Bone, some clarity is provided about the romantic tension between Carol and Tony, which is refreshing (and somewhat surprising, considering it has previously been a feature of the narrative heft of the books).

Overall, Fever of the Bone is a median entry in this always excellent series featuring Tony Hill & Carol Jordan solving crimes and catching serial killers in the north of England
This time I was able to guess some of the connections between the crimes but I didn’t figure out the eventual perpetrator before Tony, but there definitely were enough clues to do so.
I can’t wait to see what happens next in these books, especially since in The Retribution the series’ most notorious villain will play a prominent role!

Title: Fever of the Bone.
Author: 
Val McDermid.
Paperback: 432 pages.
Publisher:
 Little, Brown.
Date Published: 2009.
Date Read: August 1, 2020.

GOODREADS RATING: 
½☆  (4.5/5.0).

OVERALL GRADE: A- (3.67/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A-.

Thursday, September 10, 2020

BOOK REVIEW: The Consuming Fire (The Interdependency, #2) by John Scalzi

 

The Consuming Fire is the second book in John Scalzi’s The Interdependency space opera trilogy. I wasn’t terribly impressed with the first book in the series, The Collapsing Empire, but then again, I am generally ambivalent about Scalzi’s work. I do think Old Man’s War and Redshirts are his best books by far, and some of his other stuff is just not very good at all (looking at you, Lock In!)

With Scalzi's recent press tour surrounding the release of the third and final book in the trilogy, The Last Emperox, I was reminded of the books’ existence and happily, Kindle copies were readily available at one of my local libraries.

The good news is that the best parts of The Collapsing Empire, are in its sequel, namely lots of snarky commentary, snappy pacing and sympathetic characters (Emperox Grayland II, Lord Marce Claremont and Lady Kiva Lagos). There’s also a ridiculously convoluted plot with internecine palace intrigue taken to the extreme, but clearly points are being made about the nature of elites and concomitant corruption.

I appreciate the difficulty of what Scalzi is trying to do here. He is combining humor with social commentary in the context of a putative space opera about advanced human civilization with near-magical transport methods and an extremely mercantilist society.

I don’t know if I am just in a different place/mindset than I was when I read the first book, but I quite enjoyed the second book. I connected with Marce, Cardenia and Kiva in The Consuming Fire strongly enough that I was invested in what happened to them for the entirety of the book and I am also quite curious to find out what will happen to them next in The Last Emperox. That, at its most basic form, is a description of a successful book. Additionally, there are some interesting developments in The Consuming Fire about the existential threat to human society caused by the imminent collapse of The Flow, the multidimensional space through which most interplanetary travel occurs.

Overall, The Consuming Fire is a very strong sequel to The Collapsing Empire, and an excellent and amusing space opera book in it’s own right.

Title: The Consuming Fire.
Author: 
John Scalzi.
Paperback: 304 pages.
Publisher:
 Tor Books.
Date Published: October 16, 2018.
Date Read: August 14, 2020.

GOODREADS RATING: ★★★★☆  (4.0/5.0).

OVERALL GRADE: A-/B+ (3.5/4.0).

PLOT: A-.
IMAGERY: B+.
IMPACT: B+.
WRITING: A-.

Thursday, September 03, 2020

BOOK REVIEW: The Kill (Maeve Kerrigan, #5) by Jane Casey

The Kill is the fifth entry in author Jane Casey’s British police procedural/murder mystery series starring Detective Constable Maeve Kerrigan of the London Murder Squad.

The Kill begins with Maeve and her partner Detective Inspector Josh Derwent being called to the scene of an ambush shooting of a fellow Metropolitan Police officer in a parked car well after midnight. This appears to be the first of a series of fatal attacks on police officers in London, which is currently on edge following the mistaken killing of an unarmed Black youth by police officers recently.

Jane Casey does another excellent job of showing the reader Maeve’s thoughts and beliefs as she navigates being one of the few women in her male-dominated detective squad. All Maeve’s relationships are complicated. Josh is an attractive/repulsive chauvinist who is passionately devoted to catching and punishing lawbreakers so he doesn’t have to think about the demons in his murky military past. Their boss, Detective Chief Inspector Charles Godley, is someone who Maeve simultaneously worships for his prowess as a leader and despises for his personal failings. In The Kill, we find out some very significant information about Maeve's boyfriend Rob, while the status of their relationship is very much in doubt by the end of the book.

As usual, Maeve makes the key connections that lead to the resolution of the main mystery. Happily this time she is not placed in mortal danger as she tracks down the perpetrators but others near to her definitely find themselves in risky situations and this ensures that The Kill has a thrilling conclusion.

Title: The Kill.
Author: 
Jane Casey.
Paperback: 337 pages.
Publisher:
 Minotaur Books.
Date Published: June 2, 2015.
Date Read: August 7, 2020.

GOODREADS RATING: 
★★  (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A.
WRITING: A.

Thursday, August 27, 2020

BOOK REVIEW: Age of Death (Legends of the First Empire, #5) by Michael J. Sullivan


Age of Death is The fifth and final cliffhanger in the Legends of the First Empire series by Michael J. Sullivan. The idea that most of the characters in this installment spend their time behind the vale of death is pretty cool. It turns out that in this story what happens after you die is far more complicated (and interesting) than the traditional notions of the afterlife most readers may be familiar with. Going in, all we know is that many of the most prominent couples in the last few books, Roan and Gifford, Brin and Tesh, Moya and Tevchin are going to be ‘dead.’ And that includes Tressa, who is obnoxious and nearly universally disliked by everyone, but who has been given the key to unlock the gates between the three(!) different places humans, dwarves and elves can end up when they die.

Not all the action is in the afterlife, however, because another one of my favorite characters (Suri) is captive in the land of the Fhrey, where my least favorite character (Lothian) rules supreme. Suri knows the secret of how to create dragons, which could be the super weapon to determine the result of the war between humans (Rhunes) and elves (Fhrey). Suri was betrayed when she was sent to negotiate a truce between the warring parties as the first Rhune who can practice the Art (i.e. do magic like the Fhrey). However, she’s also on a (probably more important) mission to demonstrate to the Fhrey that humans are not merely short-lived, fecund, animals but potential equals worthy of respect.

Back at the battlefield, Persephone is starting to worry about her friends whom she agreed to let go on a quest, not realizing it would actually mean their deaths. Her husband, Nyphron, who is a Fhrey and the head of all Rhune forces is frustrated by the stalemate that has prevented any progress in the war for over a year. His motives for fighting the war are murky, but primarily rooted in revenge for his class/tribe of Fhrey who Lothian, the current head (or “fane”) had slaughtered and exiled.

There's a heckuva lot of adventure, and quite a lot of mythology and teleology (perhaps too much?) in Age of Death. Overall, these elements combine to make a compelling and thought-provoking read. I’ve already bought Age of Empyre, the sixth and last installment in the series and look forward to reading and reviewing it soon!

Title: Age of Death.
Author: 
Michael J. Sullivan.
Paperback: 342 pages.
Publisher:
 Riyria Productions.
Date Published: February 4, 2020.
Date Read: July 26, 2020.

GOODREADS RATING: 
★★  (5.0/5.0).

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

Thursday, August 20, 2020

BOOK REVIEW: The House at Sea's End (Ruth Galloway, #3) by Elly Griffiths



The House at Sea's End is the third book in the Elly Griffiths' mystery series featuring Dr. Ruth Galloway, forensic anthropologist and lecturer at the fictional University of North Northwich, and DCI Harry Nelson, head of the major crimes unit of the Norwich Police Department. Nelson and Galloway have a complicated relationship, which due to a surprising event in the first book, The Crossing Places, has ongoing repercussions in both their lives.

Now that I have read the first three books, I think I have a better overall sense of the series. There are some common themes and ongoing story elements and repeated plot points. The first common theme is that since Ruth is an anthropologist, the initial crime/mystery is almost always a cold case, sparked by the discovery of old bones. The second common theme is Ruth herself, and her relationships with the primary characters in her life (Nelson; Cathbad, the enigmatic, self-proclaimed Druid who always appears to be in the right place at the right time; her "best friend" Shona the beautiful homewrecker; and Ruth's holier-than-thou Born Again parents). The third theme is the format of the book: British police procedural/murder mystery with a soupcon of romance. These are all features of the book which are done quite well and will probably be the primary reason I continue to read the series in the future.

One of the problematic ongoing story elements is Ruth's relationship with Harry Nelson, whom she works with to solve crimes. Suffice it to say there is significant romantic tension there, and that "it's complicated." Nelson has a beautiful wife named Michelle and two daughters, but the Ruth and Nelson have great physical chemistry, despite Ruth's body image issues (she's definitely on the plump side) and while Ruth is a professor and a scholar, Nelson never finished high school, but is also quite accomplished at his job and used to being in charge. Another ongoing story element is the setting of the books, in the (fictional) town of King's Lynn near the Saltmarsh of Northern England. Ruth loves the area (and so apparently does the author, because rarely do many pages go by before we read more paragraphs about the beauty of the cold, wet sea).

One of my biggest concerns with the books so far has been the repeated plot point of putting Ruth in danger towards the climax of the books when the mysteries are starting to be solved and the identity of the perpetrator becomes reduced to a smaller set of possibilities, until eventually we find Ruth trapped in a confined area with a homicidal maniac while Cathbad and Nelson trying to rescue her. It's true that this plot development amps up the level of suspense to nerve-wracking levels. I am just philosophically opposed to the "damsel-in-distress" trope in suspense thrillers. I know it is quite possible to have exciting suspense thrillers without putting the protagonist in danger, although I do recognize that it may be something that most authors can not resist. I just hope that this doesn't happen in every Galloway book or it would greatly diminish my ardor for continuing the series.

That being said, while the third entry in the series was not the strongest of the first three (the connection between the perpetrator of the cold case murder and the perpetrator of the more recent crimes attempting to maintain their secrecy was somewhat tenuous and unpredictable). The main appeal of The House at Sea's End to me was learning more about the other police officers in Nelson's employ and seeing how Ruth deals with how her new circumstances have (and will) affect how she relates to those around her (and they to her).

Title: The House at Sea's End.
Author: 
Elly Griffiths.
Paperback: 352 pages.
Publisher:
 Quercus.
Date Published: January 6, 2011.
Date Read: July 18, 2020.

GOODREADS RATING: 
★★½☆  (3.5/5.0).

OVERALL GRADE: A- (3.67/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: B+.
WRITING: A.

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