My Favorite TV Shows of the Decade 2000-2009

Here is my Top 10 list of my favorite television shows from the last decade, broadcast sometime from January 1, 2000 to December 31, 2009.

1. The Wire. Probably the best drama on television ever. Sadly, because it was set in inner-city Baltimore and centered around the Baltimore Police Department undercover detective operations (thus the title) it limited its appeal. Each of the five seasons concentrated on a different aspect of life in Baltimore: (Season 1) drug/gangs, (Season 2) unions, (Season 3) , politics/elections (Season 4) the school system, (Season 5) the newspaper/local media. If you watched it once, you were hooked (except for Season 2). Highlight: the instrumental music which plays over the end-credits, Michael K. Williams as the openly gay gangster thug Omar Little, "Hamsterdam" the failed attempt to legalize drugs in Baltimore and the story arc of the quartet of 13-year-old boys who are the focus of Season 5.
   
2. Lost. I started watching Lost from the very beginning because I was a huge fan of his first television series Alias, starring the amazing Jennifer Garner. I was immediately taken in by the huge, multi-ethnic, talented cast and the sheer suspense of the story. I was always more interested in the dramatic aspects of the show instead of the character aspects of the love triangle (or is it a rhombus?) between Jack, Kate, Sawyer and Juliet. I will be very sad when the entire series ends in May 2010 but I am confident that the writers know exactly what they are doing and have been planning this ride for at least a few years, if not from the very beginning. Highlight: The 4th season finale when suddenly we realize we will not only be seeing flashbacks from the past but flash forwards from the future and that the entire story is an enigma wrapped around a riddle involving time-travel.
   
3. Six Feet Under. A family drama about dysfunctional people who run a funeral home in Los Angeles where the patriarch is killed in the first 5 minutes of the pilot? The conceit of Alan Ball's show was that there would be a different, quirky or sad death in the first 60 seconds of each episode. But the glue that held the show together was incredible acting from Lauren Ambrose, Peter Krause, Michael C. Hall as the three adult siblings and their mother, played by Frances Conroy. The guest stars were legendary and always a delight. Highlight: the final three minutes of the show, featuring a coda depicting the deaths of all the major characters set to the song "Breathe Me" by Sia Fuller is the single best conclusion to a television series, ever.
4. Alias. Prior to its debut for what seemed like months all around Los Angeles appeared images of some attractive girl in a bright pink wig with the words "Alias" and the the time and channel. For some reason this sparked my curiosity and was immediately hooked by the central character of a strong, smart female character played by Jennifer Garner and her two impossibly attractive male co-stars, played by Michael Vartan and Bradley Cooper. However, it was the central, complex, intricately woven mythology of the show which made my buy the DVDs and stay with the show through to the disappointing conclusion, when its creator, the now-famous J.J. Abrams, was off working on his next big thing, which turned out to be a little show called Lost. Highlight: Lena Olin as Jennifer Garner's mother Irina Derevko, who shoots her daughter in her very first scene.
5. Battlestar Galactica. Two words: incredible acting. The acting ensemble headed by Mary McDonnell as the President and Edward James Olmos as Commander Bill Adama at some points took your breath away. Calling it a remake of the chintzy late 1970s television series (which itself was trying to appropriate popularity from Star Wars) with the same name does not do it justice. The visual effects were excellent, but always used to forward the story, which was all about survival of humanity itself, after 99.99% of all known human life was extinguished in a nuclear holocaust by cybernetic individuals who are indistinguishable from their victims. Highlight: the Cylon attack at the beginning of the series, as well as the reveal at the very end of the series that the entire series actually took place in humanity's prehistoric past, not our distant future.
6. Sex and the City. How could any gay man not include this delightful HBO comedy about the lives of four women who metaphrically represent gay male archetypes in New York City? Starring Carrie (Sarah Jessica Parker) as The Writer, Samantha (Kim Cattrall) as The Slut, Miranda (Cynthia Nixon) as The Best Friend and Charlotte (Kristin Davis) as The Prude Sex and the City was appointment television for almost half of the decade. The writing was always strong, and it was impressive how many arcs they could get into each 25-minute episode. Highlight: the sheer zaniness and sincere sexuality of Samantha and the matter-of-fact depiction of urban living and gay life.
   
7. The Venture Brothers. How best to describe this cult cartoon from Adult Swim on Cartoon Network? The Venture Brothers are Hank and Dean Venture, who are the sons of Dr. Rusty Venture, an ethically challenged super-scientist who is the son of another Dr. Rusty Venture who was also a super-scientist cum superhero. Other characters include Brock Sampson, an ultra macho bodyguard who kills anyone who threatens the Ventures with impunity and without remorse, The Monarch, Venture's arch-nemesis, The Monarch's wife Dr. Girlfriend who inexplicably has a deeper voice than Brock and Dr. Orpheus, a mysterious magician who rents a room at the Venture compound. You really just need to watch it to understand it. Suffice it to say that it parodies any and every superhero and supervillian trope you have ever seen, while simultaneously being hysterically funny and always entertaining. Highlight: The accompanying music to Dr. Orpheus (voiced by the incredible Steven Rattazzi) whenever he practices magic and the overall story arc which explains the lack of parental empathy Rusty feels for both Hank and Dean.
8. The West Wing. For political junkies, before the rise of the political blogosphere The West Wing was our fix. By depicting the inner workings and relationships involved in the West Wing of the White House, (especially under a Democratic President) with such verisimilitude and vivacity, creator Aaron Sorkin's show made politics cool and a fun escape from the dreariness of the reality of the Bush Administration. Highlight: The rapid fire dialogue between Allison Janney's CJ Craig and Martin Sheen's President Jedediah Bartlett.
   
9. ER. I know, I know, everybody else stopped watching the show years ago. The show limped to an end after nearly 15 years on NBC this year. When ER debuted the country was still in the first Clinton administration! But what kept ER on my list of shows to watch every week for over a decade was the brutally consistent level of excitement and adrenaline combined with a constantly changing array of compelling characters. Highlight: The relationship between Noah Wylie's Dr. John Carter and Eric LaSalle's Dr. Peter Benton and the depiction of physically challenged Dr. Kerry Weaver by Laura Innes.
   
10. The Daily Show/The Colbert Report. This was the decade that brought us the twin joys of Jon Stewart and The Daily Show and Stephen Colbert and The Colbert Report. Both of these "fake news" shows did such a good job of skewering the important current events of the day that many surveys report that significant portions of Americans under age 30 get their take on the news from either Stewart or Colbert. Highlight: So many! "Truthiness." Samantha Bee. John Hodgman. Senior Black Correspondent.
    

And since I couldn't just mention only ten television shows for an entire decade, here are more (not in any order) that should not be forgotten, as well as a few more to keep your eye on in the future.

Honorable Mentions: Survivor, Family Guy, The Simpsons, Desperate Housewives, The Closer, Entourage, 24, The Real World, Frasier and The Office.
Potential, but too soon to tell (but things look good so far for these being on the 2019 list): Glee, True Blood, Stargate: Universe, Damages and Flash Forward.